When people think of the editing process, they often think that poetry is excluded. There seems to be a stereotype that poems are a one-step process: that you either write a great poem or you don’t. That’s actually not the case–many poems that are considered great by the literary community are the product of diligent editing.
To use a more contemporary example, let’s look at Sylvia Plath: while she didn’t edit her poems quite as much as her contemporaries, a book wholly dedicated to her original work has recently been released. (Though in all fairness, some of those original poems were released in 1981 Collected Poems by Ted Hughes). One book that shows Plath’s true intention for her poems is Ariel: The Restored Edition.
While the original Ariel was published by Ted Hughes in 1968, Hughes re-arranged the order of Plath’s poems and took away 12 of the poems that Plath intended to be included in Ariel, replacing them with different poems that Plath didn’t set aside for publication in her manuscript of Ariel. But according to Publishers Weekly, Ariel: The Restored Edition “restores the 12 missing poems, drops the 12 added ones, and prints the manuscript in Plath’s own order, followed by a facsimile of the typescript Plath left.”
But what does all of that have to do with Superstition Review? Well, because we’re a literary magazine, we not only receive poetry that has already been through multiple edits, but we also edit poetry that we receive if we feel that we want to publish a particular poem that needs some minor changes before it’s ready for print.
But you don’t need to be an editor or part of a magazine staff to edit poetry. Whether you’re a writer or someone who may be curious about the editing and publishing industry, the ability to enhance a poem is an important asset. While reading and being exposed to many different forms of poetry will be key to helping you recognize what should and should not be in a poem, there are some basic rules to make sure that any poem is on its way to being ready for publication.
Check back tomorrow to find out some basic rules for making a poem the best that it can be!
Latest posts by Superstition Review (see all)
- #ArtLitPhx: Heidi Ganahl of SheFactor - June 17, 2019
- Contributor Update, Eugene Gloria: ‘Sightseer in this Killing City’ - June 15, 2019
- #ArtLitPhx: Papay Solomon Artist Talk - June 14, 2019