We had the opportunity of featuring six of Jonathan Faber’s paintings in our newly-released Issue 9. Jonathan’s award-winning work has been exhibited in galleries and museums throughout New York and Texas including the Austin Museum of Art, the David Shelton Gallery, and the Galveston Arts Center.
His work fuses the beauty of both abstract and realistic environments. Jonathan describes his new collection as “being involved within the paradox of memory and observation – seeking out subjects that co-exist between the expansive and the intimate, the recognizable and the ambiguous.” He explains that “they manifest from memories of places or things observed, lived with, or passed through.”
Jonathan draws inspiration from the houses and backyards from where he grew up: “Many things inspire me but my most recent subjects are connected to domestic objects and landscape settings. Other sources of mine examine conversations, things I’ve read, and things I’ve listened to. These associations tend to lean more into the abstract spectrum.”
He has received awards from the Pollock-Krasner Foundation in 2011, the Joan Mitchell Foundation in 2003, and has been nominated three times for the Arthouse Texas Prize. Faber finds creating art is about the journey and the discovery: “To me the transformative process of making paintings doesn’t necessarily lend itself to an ultimate goal. I find it’s much more exciting, productive and ambitious to try to solve problems and take risks. So goals for me tend to suggest an ending where I am more interested and concerned with discovery and where that may lead.”
This new collection takes on a slightly different tone than some of his previous work: “I think about past work as being in two camps — graduate school and post graduate school. Graduate school was about trying on a lot of different hats and mimicking for better/for worse some of my past heroes, such as Gerhardt Richter for example. Post graduate I found myself introducing a broader range of invented vocabularies and moving more or less in a linear direction from one painting to another, responding to the discoveries made in each painting. Now I look at what I make as a hybrid of many interests with a better handle on orchestrating and decoding the rules of representation.”
For those looking to hone their talents, Jonathan suggests new artists “work hard at their practice. Stay engaged with your art community so people know who you are and what you’re up to. Very few artists can live off their own work. Most artists need a second job to support themselves. It’s very important to be honest and admit to yourself what kind of artist you are.”
Being an active part of the art community is essential: “Go to every art event you can and get to know the right people in that art community. If you are the type of artist who doesn’t enjoy the social aspects of asserting oneself in this way then you will need another job like teaching a painting class or working in a design field. Just relying on the quality of your work and the purity of your spirit/conscience rarely puts enough food on the table to maintain a robust artistic practice.”
Jonathan Faber currently works part-time as an Assistant Professor at Southwestern University Georgetown in Texas and is a Lecturer at the University of Texas in his hometown of Austin. You can see Jonathan Faber’s work in Issue 9 and on his website.
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