Enter a daring dystopian high-rise where revolutionary language craves a new kind of survival. The high stakes these poems ante up beneath fluorescent heat to forge addictive identities. Imaginative traps and creeping Stockholm syndrome throughout are signed, sealed, and delivered fresh from the mail room in Kay’s potent arrival.
“Les Kay’s The Bureau is unlike anything I (or you) have ever read. A brilliant series of interconnected poems, it’s like Kafka and Berryman drinking poison tea while discussing the new normal. Funny, strange, and horrifying. Visionary. Bartleby the Scrivener on acid. Rimbaud’s appearance in these poems seems completely natural, inevitable really. Kay has his finger on the pulse of a monster here—a monster called The Bureau.” -Jim Daniels, author of Birth Marks and Eight Mile High
Les Kay holds a PhD with a focus on Creative Writing from the University of Cincinnati and an MFA from the University of Miami,where he was a James Michener Fellow.After he survived the dot-com boom of the early 2000s, his poetry appeared widely in journals such as decomP, PANK, Redactions, South Dakota Review, Southern Humanities Review, Sugar House Review, Whiskey Island, and The White Review. The two maybe related. He is also an Associate Editor for Stirring: A Literary Collection. He currently lives in Cincinnati, teaching writing, caring for three very small dogs, and contemplating the distribution of systemic power and misinformation. The Bureau loves him.
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Read Kay’s poems in Superstition Review
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