Today we are pleased to feature author Julie Marie Wade as our Authors Talk series contributor. In her podcast, Julie discusses the influence of Bernard Cooper’s Truth Serum on her work, like “Where I’m From” and The Regulars. She explains how Cooper’s memoir made her feel more comfortable exploring different essay lengths. In particular, she was inspired by Cooper’s essay, “Where to Begin,” which Julie describes as “really profound to [her] in its compression and how well it establishes what you can expect in the larger volume.”
Julie also reveals the driving force of “trying to figure out what it meant to come from a particular kind of world, where in [her] family being a regular person (synonymous with normal) was the goal.” Julie concludes by reading her essay aloud to contextualize these insights.
Good morning, everyone! Today, we’ve got a great start to the day with some news about one our past contributors. Simone Muench, whose work was featured in the Poetry section of our 3rd issue, has recently announced that her collection of poetry “Suture,” which she co-authored with poet Dean Rader, has been selected for publication by Black Lawrence Press. You can check out Simone’s work that we featured here, and when you’re done, do yourself the favor of adding “Suture” to your bookshelf by following the link here. Congratulations, Simone!
The brilliant cover for “Suture” co-authored by past contributor Simone Muench, out now from Black Lawrence Press.
A warm welcome on this warm afternoon, everybody! Today, Superstition Review is proud beyond reason to announce that former intern Elijah Matthew Tubbs, who was with us for the Fall of 2015 and the Spring of 2016, was recently featured by the good folks over at Passages North, an annual literary journal sponsored by Northern Michigan University, with his poem titled “In through a Door, out a Window.” Elijah is the founder of ELKE “a little journal,” which you can check out here, and his poem over at Northern Passages can be read here. Our congratulations to Elijah, and to our dear readers, stay posted for further updates on the successes of the staff and contributors of Superstition Review.
Former intern Elijah Matthew Tubbs, whose poem “In through a Window, out a Door” was featured over at Northern Passages.
Good morning readers! Today we have an announcement to share from one of our Issue 19 artists, Elaine Parks. Elaine currently has two different exhibitions showing in Nevada. If you’re in the area and can check it out we highly recommend it. The first show is located in Fallon, Nevada and runs from April 8- August 10th. More info on that one here. And the second show is in Carson City, Nevada and runs from March 27 to June 2nd. More info on that one here.
Today we are pleased to feature author K.K. Fox as our Authors Talk series contributor. In her podcast, K.K. talks with her writing partner, Hananah Zaheer, via Google Hangout. The pair discusses how they met, their collaborative relationship, and how they “often work on [their] fiction together or in parallel.”
K.K. and Hananah also discuss “Mile Marker 232,” which started with a prompt given to the pair at the Kenyon Writers Workshop in 2016. K.K. reveals that the wife’s fascination with the grotesque was actually proposed by Hananah. The pair elaborates on the development and process of writing “Mile Marker 232,” as well as their different interpretations of the ending.
K.K. and Hananah encourage everyone to check out their blog, Lipstick Junkies, where they talk about their process, working together, and working individually.
Senior lecturer of ethnic studies at NAU, Dr. Jerry Garcia, will be holding an author’s talk titled “Prisoners Without Chains: The Forced Relocation of Japanese Mexicans 1942-1945” on Tuesday, May 16th. The free event features a small group discussion (limited to 12 RSVPs) from 5:30 PM to 6:30 PM. Afterwards, from 6:45 PM to 8:30 PM there will be a presentation and Q&A. The event will be held at Arizona Humanities, located at 1242 N Central Ave Phoenix, AZ 85004. Light refreshments will be served. For more information and to RSVP to the event click here.
Explore the Japanese Mexican experience during World War II and learn how it was markedly different than the Japanese American experience in the United States. Dr. Jerry Garcia from Northern Arizona University shares how the Japanese negotiated a distinct space within Mexican culture where Japanese identity and ethnicity was maintained and rarely challenged due to a perception that the Japanese displayed markers of whiteness that were associated with western imperialism and power. Examine how the Japanese adjusted during turbulent and transformative periods in Mexican history and the over-arching policies of the U.S. regarding Japanese immigration throughout the Americas.
Dr. Garcia’s new book Looking Like the Enemy: Japanese Mexicans, the Mexican State, and US Hegemony, 1897-1945 examines Japanese immigrants in Mexico and the United States during World War II. The book focuses on the experiences of the Japanese on both sides of the borders and the similarities and differences in their treatment. You can purchase the book through University of Arizona Press here and use discount code AZHUM17 for a special offer.
Dr. Garcia received his doctorate from Washington State University and was the former Director of the Chicano Education Program and the College Assistance Migrant Program at Eastern Washington University. He is now the Senior Lecturer for Ethnic studies at Northern Arizona University. His research focuses on Chicano History, Latin American History, History of Mexico, Asians in the Americas, immigration, empire, masculinity, and race in the Americas.
Good afternoon, dear readers! We here at Superstition Review are thrilled to announce that past contributor Jennifer Givhan, who was featured in the Poetry section of our 14th issue, has won the 2017 Blue Light Books Prize for her collection “Girl With Death Mask.” Says contest judge Ross Gay “How many times I found myself looking into space, sort of shaken, sort of grasping, turning and turning inside a line or phrase, inside an image or metaphor, inside some devastating music while reading these poems, I do not know. But again and again. Put it like that. These poems beautifully, convincingly do what I hope poems might–they disrupt what I know, or what I thought I knew. And in that way they invent for me a world. A world haunted and brutal, yes. But one mended, too, by the love and tenderness and vision and magic by which these poems are made.” The winning collection will be published in 2018 by Indiana University Press, but you can get a taste of Givhan’s work now, by checking out her poem here.
Past contributor Jennifer Givhan, whose collection of poetry “Girl With Death Mask” won the 2017 Blue Light Books Prize.