#ArtLitPhx: Nash Nights at MAC ft. Francine Reed

 

 

 

 

 

 

 

 

 

Date: November 2, 2018

Time: 8:30pm

Tickets

Event Description:

Mesa Arts Center has partnered with The Nash, jazz venue in downtown Phoenix, to offer a series of jazz café-style events in the Mesa Contemporary Arts Museum Courtyard. Sound in the Ground: Nash Nights at MAC kicks off with legendary percussionist, Joe Saylor, best known for his work with Jon Batiste and Stay Human on October 5. Then, on November 2, see Phoenix native blues, jazz, R&B, gospel singer Francine Reed who’s currently touring with Lyle Lovett. Finally, the series wraps up with Cuban jazz trumpeter and composer Josiel Perez.

#ArtLitPhx: UA Prose Series: James Allen Hall

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Date: November 8, 2018

Time: 7:00pm

Location: University of Arizona: Poetry Center,

1508 E Helen St, Tucson, AZ 85719

Event Description:

The UA Prose Series, curated by faculty of the Creative Writing Program at the UA, presents prose writers of distinction.

The UA Poetry Center is proud to present James Allen Hall.

James Allen Hall’s first book of poems, Now You’re the Enemy, published as a winner in the 2008 University of Arkansas Poetry Series, won awards from the Lambda Literary Foundation, the Texas Institute of Letters, and the Fellowship of Southern Writers.  His collection of personal lyric essays, I Liked You Better Before I Knew You So Well, was published in 2017 by Cleveland State University Poetry Center Press after winning their Essay Collection Award, selected by Chris Krauss.

James Hall is the recipient of fellowships from the National Endowment for the Arts, the New York Foundation of the Arts, the Sewanee Writers’ Conference, the Bread Loaf Writers’ Conference, and the University of Arizona Poetry Center.  Recent poems have appeared in literary magazines and anthologies such as Best American Poetry 2012, Iowa Review, New England Review, A Public Space, Poem-A-Day, and elsewhere.  Recent lyric essays have appeared in Bennington Review, Alaska Quarterly Review, Cutbank, and Copper Nickel, as well as the anthology The Poem’s Country(Pleiades Press).  He currently serves as editor in chief for Cherry Tree: A National Literary Journal at Washington College, which has received two Best American Poetry selections.  He teaches creative writing and literature at Washington College on Maryland’s Eastern shore.

#ArtLitPhx: Reading with Dan Beachy-Quick

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Event Description:

The Virginia G. Piper Center for Creative Writing and Changing Hands proudly present a reading with essayist, poet, and author Dan Beachy-Quick on Friday, October 26, 2018 at Changing Hands Phoenix (300 W Camelback Rd, Phoenix, AZ 85013) at 7 p.m. This event is open to the public and free

To learn more and RSVP, visit http://piper.asu.edu/events/dan-beachy-quick/poetry-reading.

At Work in Sound and Vision with Dan Beachy-Quick takes place the following day, Saturday, October 27, 2018 at the Piper Writers House at 1:00 p.m. To learn more about Dan’s class, visit http://piper.asu.edu/classes/dan-beachy-quick/poetry-workshop.

About the Book:
Midway through the journey of his life, Dan Beachy-Quick found himself without a path, unsure how to live well. Of Silence and Song follows him through the forest of his experience, on a classical search for meaning in the world and in his particular, quiet life.

In essays, fragments, marginalia, images, travel writing, and poetry, Beachy-Quick traces relationships and the identities through which he sees the world. As father and husband. As teacher and student. As citizen and scholar. And as poet and reader, wondering at the potential and limits of literature, and guided by his studies in ancient Greek.

Of Silence and Song finds its inferno—and its paradise—in moments both historically vast and nakedly intimate. Our world’s disappearing bees, James Eagan Holmes, Columbine, and the persistent, unforgivable crime of slavery—these are the circles of hell Beachy-Quick wanders, but cannot escape. And yet he encounters redemption in the art of Marcel Duchamp, the pressed flowers in Emily Dickinson’s Bible, and long walks with his youngest daughter, Iris. “The litany in hell is weeping, weeping,” he writes, “but there are other litanies.”

Curious, earnest, and masterful, Of Silence and Song is an unforgettable exploration of the human soul.

About the Author:
Dan Beachy-Quick is the author, most recently, of a collection of essays, fragments, and poems, Of Silence & Song (Milkweed, 2017). He has written six books of poetry, gentlessness, Circle’s Apprentice, North True South Bright, Spell, Mulberry, and This Nest, Swift Passerine, six chapbooks, Shields & Shards & Stitches & Songs, Apology for the Book of Creatures, Overtakelesness, Heroisms, Canto and Mobius Crowns (the latter two both written in collaboration with the poet Srikanth Reddy), a book of interlinked essays on Moby-Dick, A Whaler’s Dictionary, as well as a collection of essays, meditations and tales, Wonderful Investigations. Reddy and Beachy-Quick’s collaboration has recently been released as a full-length collection, Conversities, and he has also collaborated with the essayist and performance artist Matthew Goulish on Work From Memory. In 2013, University of Iowa Press published a monograph on John Keats in their Muse Series (editor Robert D. Richardson) titled A Brighter Word Than Bright: Keats at Work, and Coffee House Press published his first novel, An Impenetrable Screen of Purest Sky. He is a contributing editor for the journals A Public Space and West Branch. After graduating from the University of Denver, he attended the Iowa Writer’s Workshop. He has taught at Grinnell College, The School of the Art Institute of Chicago, and is currently teaching in the MFA Writing Program at Colorado State University. His work has been a winner of the Colorado Book Award, and has been a finalist for the William Carlos Williams Prize, and the PEN/USA Literary Award in Poetry. He is the recipient of a Lannan Foundation residency, and taught as Visiting Faculty at the Iowa Writer’s Workshop in spring 2010. He was one of two Monfort Professors at CSU for 2013-2015, and his work has been supported by the Guggenheim Fellow and by a Creative Fellow of the Woodberry Poetry Room at Harvard University.

#ArtLitPhx: Spark! After Dark

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Event Description:

Fade the lights and turn up the music. Every third Saturday from October to May MAC’s campus is taken over by a new artist with a unique, crazy fun theme – complete with live art, live music, great eats, and tasty adult drinks.

OCTOBER 20:
SPOOKTACULAR
Curated by: Martin Taylor with Taylor Family Circus
Featuring:
Live performances by the Taylor Family Circus
A fire show
Flamenco!… the Studio
Live music
Live murals by spark paint artist Roger Johnston
Spanish and Flamenco guitarist Ricardo De Cristóbal
Halloween costume contest & prizes
Tasty treats
Spooky drinks
And more!

mesaartscenter.com/sparkafterdark

#sparkafterdark

#ArtLitPhx: Revisiting The Underground Railroad

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Date: October 18, 2018

Time: 7pm-8pm

Location: North Ballroom, UA Memorial Union, 1303 E University Blvd, Tucson, AZ 85719

Tickets

Event Description:

Colson Whitehead has established himself as one of the most versatile and innovative writers in contemporary literature.

From the secret lives of elevators to international poker tournaments, Whitehead takes on the marginal, the strange, and the surreal. His newest novel, The Underground Railroad, reimagines pre-Civil War America, exploring an alternate reality in which the underground railroad is no mere metaphor, but an actual subterranean train system delivering slaves to freedom. The novel was a #1 New York Times bestseller and won both the 2016 National Book Award and 2017 Pulitzer Prize for Fiction.

This program is part of the “Democracy and the Informed Citizen” initiative, administered by the Federation of State Humanities Councils. We thank The Andrew W. Mellon Foundation for their generous support of this initiative and the Pulitzer Prizes for their partnership.

In Partnership with Arizona Humanities

Learn more at humanitiesfestival.arizona.edu

FAQs
Do I need a ticket to attend the event?

Yes. All attendees (including UA students, faculty and staff) will need to present an Eventbrite ticket upon arrival to the event. Seating is based on a first-come, first-serve basis.

Those who arrive without a ticket will be directed to a stand-by line and will be seated, according to availability, starting at 6:50 p.m.

What time do the doors open?

The doors to the North Ballroom will open at 6:30 p.m.

What is the format of Mr. Whitehead’s talk?

Mr. Whitehead will speak for about 45 minutes followed by a 15 minute Q & A session.

Will Mr. Whitehead’s book be available for purchase at the event?

The Underground Railroad and other Whitehead books will be available for purchase prior to and following his talk.

Will Mr. Whitehead be willing to sign my book?

Yes, book signing will take place after the presentation.

Where can I park?

Closest parking is available in the Second Street Garage. For other options, visit https://parking.arizona.edu/parking/garages/visitor-parking/

#ArtLitPhx: Crossfade LAB

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Date: October 22, 2018

Time: 7:00pm-9:00pm

Location: Crescent Ballroom, 308 N 2nd Ave, Phoenix, AZ 85003

Event Description:

The sixth edition of Crossfade LAB will stage an intimate dialogue between Colombian Canadian musician Lido Pimienta and London-born, Los Angeles-based Colombian artist Carolina Caycedo. Moderated by CALA Crossfade Lab co-curator and MacArthur Fellow Josh Kun, our evening will be an experimental mix of music and movement, exploring themes central to both Pimienta and Caycedo: land and rights, resistance and representation, and performance that challenges the work of power.

Crossfade LAB is organized with generous support from the Diane & Bruce Halle Foundation and in collaboration with Crescent Ballroom and ASU Art Museum.

ABOUT THE ARTISTS:

Lido Pimienta is a Toronto-based, Colombian-born interdisciplinary musician and artist-curator. She has performed, exhibited, and curated around the world since 2002, exploring the politics of gender, race, motherhood, identity and the construct of the Canadian landscape in the Latin American diaspora and vernacular. Lido’s Polaris Music Prize-winning album La Papessa (2016) was written in multiple cultural and geographic settings – the desert of Indigenous Wayuu land and the northern mountains in Colombia, as well as in Canada, in both London and Toronto, Ontario – and the music, in turn, reflects these settings. The sounds on La Papessa take listeners on a musical journey from traditional Afro-Colombian percussion to global bass and darker avant-garde electronic sounds.

Carolina Caycedo was born in London to Colombian parents. She transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Carolina’s artistic practice has a collective dimension to it in which performances, drawings, photographs and videos are not just an end result, but rather part of the artist’s process of research and acting. Through work that investigates relationships of movement, assimilation and resistance, representation and control, she addresses contexts, groups, and communities that are affected by developmental projects, like the constructions of dams, the privatization of water, and its consequences on riverside communities. She has developed publicly engaged projects in major cities across the globe, from Bogota to London, New York to Paris, and San Juan to Tijuana. Her work has been exhibited at several international biennials, and has been the subject of solo shows in galleries from Los Angeles to Berlin.

Josh Kun is an author, academic, curator and music critic. He is the recipient of a 2016 MacArthur Fellowship. His research focuses on the arts and politics of cultural connection, with an emphasis on popular music, the cultures of globalization, the US-Mexico border, Los Angeles and Jewish-American musical history.

#ArtLitPhx: Poetry Reading: Carl Phillips

#artlitphxDate: October 25, 2018

Time: 7:00pm

Location: University of Arizona Poetry Center, 1508 E Helen St, Tucson, AZ 85719

Event Description:

We are proud to present Carl Phillips, who will read from his work. After the reading, there will be a short Q&A and a book signing.

Carl Phillips is the author of fourteen books of poetry, most recently Wild Is the Wind (FSG, 2018), and Reconnaissance (FSG, 2015), winner of the PEN USA Award and the Lambda Literary Award.  He is also the author of two books of prose: The Art of Daring: Risk, Restlessness, Imagination (Graywolf, 2014) and Coin of the Realm: Essays on the Life and Art of Poetry (Graywolf, 2004), and he is the translator of Sophocles’ Philoctetes (Oxford, 2004).  A four-time finalist for the National Book Award, his honors include the Los Angeles Times Book Prize for Poetry, the Kingsley Tufts Award, the Kenyon Review Award for Literary Achievement, and fellowships from the Guggenheim Foundation, the Library of Congress, and the Academy of American Poets. He teaches at Washington University in St. Louis.