Today we are pleased to feature poet Brandon Amico as our Authors Talk series contributor.
Brandon Amico has a conversation with his friend Kylie Brown, a musician and music instructor at the Asheville Music School, on his poems “If You Like This Poem,” “Occupational Hazard,” and “Housing Complex” featured in Issue 21.
Amico and Brown discuss connection and disconnection in the modern world, perspectives, and the uses of language in his poems. Amico ends the conversation by expanding on the theme of “incompleteness” found in all three poems and the concept of “framing with words” seen in “Housing Complex.”
Today we are glad to feature poet Margaret Young as our Authors Talk series contributor. Margaret offers thoughts on her poems, “September Diary, Dreams and Walking” and “Moving On.” She identifies her mother’s absence as well as images and ideas of nature and its non-human elements as recurring characters in both poems. Margaret concludes her talk by discussing the challenge of writing about living family so directly and inviting her father’s poetry into her own work.
Today we are pleased to feature Jen Knox as our Authors Talk series contributor. Jen talks about her contributions to Superstition Review and what she, as a reader, looks for in a strong short story. Jen also says that the why and how she writes ultimately boils down to character and her desire to understand the human condition from different purviews. She ends her talk by offering advice to burgeoning fiction writers.
Today we are excited to feature author Jo Scott-Coe as our Authors Talk series contributor.
Jo discusses how her essay, “The Other Spencer Girl,” led her to write her recently published book, MASS: A Sniper, a Father, and a Priest. About “The Other Spencer Girl,” she notes on the visual contrasts between the lives of Cleveland Elementary School shooter, Brenda Spencer, and Princess of Wales, Diana Spencer. About MASS: A Sniper, a Father, and a Priest, she talks about UT shooter, Charles Whitman, and how his intense catholic upbringing has not been fully explored. Jo ends her talk by illuminating the question that arises from both of her mentioned works: “What if there is something we need to learn, something really awful that is hiding in plain sight, in ourselves, in the places we think we are safe, in the places we are comfortable and self-satisfied either collectively or alone?”
Today we are pleased to feature Jonathan Duckworth as our Authors Talk series contributor. In this interview by fellow writer Jaimie Eubanks, Jonathan discusses his story, “On Clear Days I Can See Your Aura.”
Jonathan tells us how he decides what a story is about and how his spontaneous writing process is guided mostly by what a story calls for. Though his approach to writing is without “method,” Jonathan finds that a short story assembles itself. He concludes the podcast by discussing the differences between writing a novel and a short story.
Today we are pleased to feature poet Johannah Racz Knudson as our Authors Talk series contributor.
Johannah speaks about her poem, “Cosmology: Four Score,” and her current main creative project titled Transylvania Blue. She discusses Lincoln’s Gettysburg Address and how the voice of authority of the speech has benefited her poem. After discussing the background of the poem, Johannah moves on to her current project, a biography centered around the life of her great uncle who escaped from the Nazis and eventually immigrated to Canada. She concludes her podcast by emphasizing the importance of sharing his story, which is her own rich yet painful inheritance.
To know more about Transylvania Blue visit Johannah’s blog here.
Today we are pleased to feature C.A. Schaefer as our Authors Talk series contributor.
C.A. Schaefer discusses the origin of her short story “Raw Materials.” She parallels performed magic and fiction, and how she serves as both the magician and assistant of her own work. She then talks about research being at the heart of her writing and the importance of science, philosophy, history, and art in the fantastic. She ends her talk by discussing the next step for her writing; one of endless possibility.
C.A. Schaefer’s short story, “Raw Materials,” can be read in Issue 20 of Superstition Review.