Today we are pleased to feature author John Clayton as our Authors Talk series contributor. In the podcast, John discusses the subjectivity of memory and the dynamic nature of family as seen in his short story, “Memory Loss.” “Memory Loss” describes the journey of a son to understand the truth of his own experience in the midst of family members attempting to “rewrite the narrative” of their own history. Thus the question is, as John states: “Who is truly distorting the past? Whose memory has gotten ‘lost?'”
John notes that we “don’t remember our lives by means of a clear, objective lens,” and that everything in our lives is seen through the prism of our own subjectivity. He states that “observation is filtered by memory, and memory is always distorted.” However, he concludes by saying that, when authors make the choice to share these distorted and sometimes-painful memories, the memories are “given shape, sweetened, and made tender. The author stands apart from them, and the pain is temporarily assuaged.”
You can read John’s story, “Memory Loss,” in Issue 21 of Superstition Review.
Today we are pleased to feature author JR Tappenden as our Authors Talk series contributor. In her Authors Talk, JR discusses the inspiration behind two of her poems, “Regarding Your Wish For Do-Overs,” and “Regarding the Adirondack Trip.” JR says that these pieces are part of a series of poems about grieving, written after the death of her father in April of 2015.
While JR states that she “never set out to do such a cliched thing as being a poet who writes about death,” she notes that her father’s passing left her with many conflicted emotions that she needed to process. She states that the poems began as notes to her sister, with the exception of “Regarding Your Wish For Do-Overs,” which she addresses to herself. By doing so, JR states her desire to “talk herself through” any old exasperation that she had with her father, as well as to reflect her gratitude for not being able to revisit the past, knowing what it would come to mean. Doing so, she says, “would overload me.”
JR Tappenden’s poem, “Regarding Your Wish for Do-Overs,” appears in Issue 21 of Superstition Review.
Today we are pleased to feature poet Jessica Mehta as our Authors Talk series contributor. Mehta talks about her poem “Bars and Planets” and how her writing is connected to her childhood and family history. Mehta mentions in her talk “everything I write stems from my perspective and my lens of growing up in an abusive household, in a household full of substance abuse, as a Native American woman, as someone who has seen these very specific traumas,” which provides a “marker” of her work.
Jessica Mehta’s poem appears in Issue 21 of Superstition Review.
Today we are pleased to feature artist Jenny Day as our Authors Talk series contributor. In this short interview, Day talks about her five art pieces from her “Nearly Somewhere” series and “Forgotten Topographies” series featured in Issue 19. Day expands on her own artistic background, influences, goals, and the places and memories that inspired her art pieces.
Jenny Day’s five art pieces appear in Issue 19 of Superstition Review.
Today we are pleased to feature poet Anne Champion as our Authors Talk series contributor. Champion talks about the personal events, thoughts, and external influences that led to the creation of her poems “False Idols” and “I get pneumonia and ignore politics for a month.” She as well expands on the importance of political poetry and “the empathizing process” of reading.
Anne Champion’s poems appear in Issue 21 of Superstition Review.
Today we are pleased to feature poet Jane Satterfield as our Authors Talk series contributor. Satterfield discusses the process and inspirations apocalyptic literature and her project book played on the creation of her poem “The Zombie Skateboarder at the Bus Stop.”
Jane Satterfield’s poem appears in Issue 21 of Superstition Review.
Today we are pleased to feature Grady Chambers as our Authors Talk series contributor. Chambers talks about his poem “Stopping the War” featured in Issue 21, he mentions the focus on his talk is on the “origins of that poem and what it was like to be a teenager in Chicago in the early and middle years of the wars in Iraq and Afghanistan, and the influences of my parents who are long time anti war and social justice activists, on the small actions I took as a teenager to voice my dissent for those wars.” He also expands on the uncertainties he felt during the time of the events mentioned and gives further context to the poem.
Grady Chambers’ poem appears in Issue 21 of Superstition Review.