anne lamott

Michelle Brafman’s Swimming With Ghosts

Michelle Brafman’s Swimming With Ghosts

Superstition Review
Swimming With Ghosts (Keylight Books, forthcoming June 13th, 2023) | Michelle Brafman

In Michelle Brafman’s forthcoming novel Swimming With Ghosts, published by Keylight Books, she explores the darkness and humor of children’s competitive swimming. Themes of family secrets, obsession and friendships shine through the lenses of childhood and the feuding families of the characters.

I really enjoyed Swimming with Ghosts, for the excellent characters, unusual plot inside the world of local competitive swimming, the fine writing, and the frequent insights and humor. I raced right through it.

ANNE LAMOTT, author of Bird by Bird

Michelle Brafman’s writing has been featured in Lilith Magazine, LitHub, and San Francisco Book Review. She has received numerous awards for her fiction, including a Special Mention in the 2010 Pushcart Prize Anthology, the F. Scott Fitzgerald Short Story prize, and first place in the Lilith Magazine Fiction contest. In 2019 she received the Excellence in Teaching Award for creative writing. Swimming With Ghosts will be her third published novel after Bertrand Court (2016) and Washing the Dead (2015).

Swimmers and readers rejoice! Michelle Brafman’s Swimming with Ghosts is proof that the most important events in life happen at the pool. Fast-paced and frequently hilarious, we unsuspectingly float on the novel’s wry, quirky humor until we’re suddenly over deep water, gazing into the depths of our need for purpose, friendship, and love. Anyone heading to a pool or beach this summer should have a copy of Swimming with Ghosts in their swim bag.

DAVID MCGLYNN, author of A Door in the Ocean

Swimming With Ghosts releases June 13th, 2023 and can be pre-ordered here. Learn more about Michelle Brafman’s writing and teaching by visiting her website. Her short story “Brain Freeze” was featured in Superstition Review issue 13.

#ArtLitPhx: Anne Lamott

Superstition Review

artlitphx

Date: Tuesday, March 19, 2019
Time: 7:30pm
Location: Ikeda Theater, 1 E Main St, Mesa, AZ 85201
Cost: $28-$50

Event Details:
Presented by Mesa Arts Center as part of the Performing Live series

Anne Lamott writes and speaks with self-effacing humor – she is laugh-out-loud funny. She writes about what most of us don’t like to think about. In all her novels, she writes about loss; loss of loved ones and loss of personal control. She doesn’t try to sugar-coat the sadness, frustration and disappointment, but tells her stories with honesty, compassion and a pureness of voice.

This performance is eligible for Mesa Bucks

For more information, or to buy tickets, click here.

 

Monica Petersen: The Art in the “Shitty first draft”

Monica Petersen

SFDTaken from Anne Lamott’s essay in her book Bird by Bird, the “shitty first draft,” or SFD, tries to make the most difficult step in writing easier. The concept is simple: write everything you can all at once and get it on the page. In her words, “almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper” (25). Don’t filter yourself, or you will never get past the first paragraph. I have always hated writing my first draft out of fear of that it will be worse than a 5-year-old’s first book report. Even Lamott recognizes her fear that if something were to happen to her, she would never have the chance to go back and fix her SFD.

The SFD is important to me because it transformed the way I write. My first draft is supposed to be bad, so it’s perfectly OK if it is. The worse the draft is, the better actually because it means I have more to work with to make it perfect. After chucking everything onto the page, the ideas are there, and only need tweaking (or maybe entire paragraph upheaval) to get it where I want the work to be. The point is the SFD provides a starting place when you didn’t have one before.

After the SFD, I spend the rest of my writing time editing it, stripping the work to its barest bones, and building it back up again. I have a tendency to overwrite (and by tendency I mean 1000 words over the limit on a paper). My SFD usually contains at least double the words allowed and is plagued by repetition. My writing process consists of paring that overwriting down day after day to get it under the limit—condensing sentences, and clarifying ideas.

The same thing goes for my fiction pieces and this post. I can write pages of text, giving me paragraphs to work with. Because of all the prose I have, I can cut down the bad, horrible, and not-so-good stuff and allow the best float to the top. I can take out an entire scene to a story, or rework a character’s personality when I realize I want her to be angry with the world instead of happy to be alive. The SFD provides a canvas and base to build upon and create a better piece.

Have you ever used an SFD before? What other significant tools have you used to make your writing process easier?

The Power of the (Famous) Muses

Chris Schmidt

Until I was asked to write a blog on famous muses, I really never gave the idea much thought. I’ve always used my surroundings or circumstances to rev up my creative juices. But it didn’t take me long to recall those who held my hand as I began my love affair with the written word, as well as the ones who paved the way for me on this journey of self-exploration. Or, my life as a writer.

Anne Lamott, in her book Bird by Bird, is the first author whose words challenged me to break free of the excuses and “take it bird by bird.” In her book, she speaks about her older brother who procrastinated on a book report about birds which was now due the following day. The task ahead of him appeared insurmountable when Lamott’s father “sat down beside him, put his arm around [her] brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”

Currently, I’m in a season where my writing revolves around blogs and articles. I haven’t sat down and written my novel just yet. So for me, I’m taking it blog by blog. And I’m also avidly following guidance from another one of my muses: Stephen King. In his book On Writing, he reminds writers to read a lot and write a lot. I tend to go in spurts — right now I’ve been reading a lot. My muse was recently rediscovered in between the pages of Garth Stein’s The Art of Racing in the Rain and Blake Crouch’s Snowbound. Consequently, I’m feeling one step closer to sitting down and tackling the writing a lot part of King’s advice.

Another writer, Lee Gutkind, ASU professor and managing editor of Creative Nonfiction magazine, also incites me to explore life’s next adventure. In his essay, “The Five Rs of Creative Nonfiction,” he encourages writers to seize our sense of wonder by immersion, or the “real life” aspect of the writing experience. The four remaining Rs include reflection, research, read (this cannot be stressed enough!) and “writing.” Simple but sage counsel.

With his sardonic, humble wit, David Sedaris inspires me with his edgier pieces, touching on off-the-wall topics that both entertain and challenge. My daughter and I once waited six hours in line to meet the man in person and receive an autographed copy of his book Squirrel Meets Chipmunk: A Modest Bestiary. He did not disappoint; neither did the book.

But I’ve also discovered that even the underdogs may rise up among the famous. One such muse of mine is a close friend incarcerated for the next few years. He tutors other inmates in math, takes college courses while serving his sentence and studies the craft of memoir writing late into the evening hours. And then he pounds out his daily observations on a typewriter, the kind with ribbons, platen and correction tape. He motivates me as he devours book after book, doing what each of the successful writers who have gone before us have done and continue to do.

I read because I love it. I write because I cannot help it. So I grab onto the shirt tails of those who make it look easy and hope a little of their spunk (and a whole lot of talent) rubs off on me. They are the ones who have paved the way and carved a niche in the literary world. The guiding spirit(s) for my truth.

Do you have a famous — or not so famous — muse that inspires?