Today we are pleased to feature author Emily Townsend as our Authors Talk series contributor. Emily speaks about finding her place in creative nonfiction, her “arbitrary” research process, and her complicated relationship with honeybees.
Emily captures the beauty of nonfiction writing concisely by noting its unique ability to allow writers to “untangling facts that [are] often left undiscovered.” Her podcast ranges from eloquent tidbits to candidly pointing out personal weaknesses in a way that makes the recording just as engaging and thought-provoking as her essay.
You can read Emily’s essay and hear her read it aloud in Superstition Review Issue 17.
Local literary publisher, Four Chambers Press is now accepting full-length manuscript submissions in poetry, fiction, and creative nonfiction through July 31st, 2017. Poetry should be between 60 and 160 pgs; prose should be between 30k and 80k words. For full guidelines, visit our website at http://fourchamberspress.com/submit.
From their press release: Four Chambers Press, an independent community press based in Phoenix, AZ is now accepting full-length manuscript submissions in poetry, fiction, creative nonfiction, hybrid, and all other forms of contemporary literature through Monday, July 31st, 2017. We also pun frequently on the idea of being a heart. Namely: that we’re lovable; somewhat cheeky; an occasional flirt. But we also take the responsibility of literature and book publishing very seriously. We will bleed for this if we have to. Our hearts beat for this. We don’t care where you come from or what you do. We’re interested in building something that’s going to outlast us. We want to feel something together. We’re interested in you. Writers of all backgrounds and skill levels are encouraged to submit. No fees.
Today we are pleased to feature author Julie Marie Wade as our Authors Talk series contributor. In her podcast, Julie discusses the influence of Bernard Cooper’s Truth Serum on her work, like “Where I’m From” and The Regulars. She explains how Cooper’s memoir made her feel more comfortable exploring different essay lengths. In particular, she was inspired by Cooper’s essay, “Where to Begin,” which Julie describes as “really profound to [her] in its compression and how well it establishes what you can expect in the larger volume.”
Julie also reveals the driving force of “trying to figure out what it meant to come from a particular kind of world, where in [her] family being a regular person (synonymous with normal) was the goal.” Julie concludes by reading her essay aloud to contextualize these insights.
You can access Julie’s essay, “Where I’m From,” in Issue 18 of Superstition Review.
Today we are pleased to feature authors Meghan McClure and Michael Schmeltzer as our Authors Talk series contributors. Meghan and Michael were brought together when they both had poems published in Issue 6; more recently, they collaborated on a work of creative nonfiction, A Single Throat Opens, which releases in June.
In their podcast, the pair says that the best advice they can give to a writer who wants to improve their writing is to read. Meghan says, “I think that writers and just people in general should read widely until you want to read deeply.” Michael echoes this and adds, “Read what interests you, first and foremost.” Meghan and Michael then delve into book recommendations; not only are these books that they love, but they are books that they believe will help writers better their own craft. For example, they offer recommendations that will teach you how to be observant, how to look at family in a different way, how to read and write through the lens of obsession, how to put together a linked collection, and more!
You can access Meghan’s pieces in Issue 6 and Issue 18 of Superstition Review, and you can access Michael’s pieces in Issue 6 and Issue 10. You can also preorder A Single Throat Opens here.
Greetings, dear readers! We here at Superstition Review are pleased to provide a double dose of good news: two of our past contributors, Meghan McClure and Michael Schmeltzer, have collaborated on a new book coming this June from Black Lawrence Press, titled A Single Throat Opens. Schmeltzer’s work was featured in the Poetry sections of both our 6th and 10th issues, while McClure’s work was featured in the Poetry section of our 6th issue and the Nonfiction section of our 18th issue. Preorder the book here, and check out both of these fine writers’ work out in our Archives (links here, here, here, and here)! Let us know what you think in the comments section below.
The cover art for “A Single Throat Opens,” by past contributors Meghan McClure and Michael Schmeltzer.
Hey there dear readers! Superstition Review is back after a brief hiatus with more good news: past contributor Victor Lodato’s essay “When Your Greatest Romance Is a Friendship” has been published in The New York Times‘ “Modern Love” column. Lodato was featured in our Interview section of Issue 8 in an interview conducted by former intern Marie Lazaro. In addition to being a recipient of the PEN Center USA Award for fiction, Victor Lodato has also been the recipient of fellowships from the Guggenheim Institute as well as the National Endowment for the Arts. His latest novel, “Edgar and Lucy” is out now from Macmillan, and can be found both online as well as at most major bookstores. Do yourself a favor and check out the essay here, and buy one (or two, or seven) copies of “Edgar and Lucy” here. Congratulations Victor, we couldn’t be happier to know you!
Victor Lodato, author of “When Your Greatest Romance Is a Friendship” and “Edgar and Lucy.”
Hello, readers! We are happy to announce that B.J. Hollars, a contributor featured in the Fiction Section of our 6th issue, has written a new book available here, titled Flock Together. A chapter preview is available here and provides a sobering glance at the ivory-billed woodpecker, now gone due to deforestation. The book follows a journey to investigate many of America’s now extinct bird population.
From Hollars’ website:
After stumbling upon a book of photographs depicting extinct animals, B.J. Hollars became fascinated by the creatures that are no longer with us; specifically, extinct North American birds. How, he wondered, could we preserve so beautifully on film what we’ve failed to preserve in life? And so begins his yearlong journey to find out, one that leads him from bogs to art museums, from archives to Christmas Counts, until he at last comes as close to extinct birds as he ever will during a behind-the-scenes visit at the Chicago Field Museum. Heartbroken by the birds we’ve lost, Hollars takes refuge in those that remain. Armed with binoculars, a field guide, and knowledgeable friends, he begins his transition from budding birder to environmentally conscious citizen, a first step on a longer journey toward understanding the true tragedy of a bird’s song silenced forever.
Told with charm and wit, Flock Together is a remarkable memoir that shows how “knowing” the natural world—even just a small part—illuminates what it means to be a global citizen and how only by embracing our ecological responsibilities do we ever become fully human. A moving elegy to birds we’ve lost, Hollars’s exploration of what we can learn from extinct species will resonate in the minds of readers long beyond the final page.