Today we are pleased to feature author Joe Bardin as our Authors Talk series contributor. In this podcast, Joe discusses the process of envisioning and writing his essay “Trenton into Time.”
Joe reflects how he first realized “that there was an essay to write” during a conversation with his housemates, where he “started talking about this period of my life…And I realized… that the things I was recounting were, in some sense, remarkable.” He affirms that “I think there’s a kind of epiphany that some writers experience, when at different points we realize that… our experience matters, that it has some kind of meaning or substance,” and states that, “That’s what got me going onto ‘Trenton into Time.'”
“We all sort of live ‘on top’ of these stories and experiences that have happened to us,” Joe declares. “We may remember or not remember [them] clearly, or consider or not consider [them] important, but underneath lie these moments in time that are part of who we are.” He calls the exploration of such moments “a kind of archaeology,” stating that “the person we are now is like the city built on top of a hill that’s full of relics of the past.” He emphasizes that “there’s something very intimate about remembering… and making some kind of sense of it now.”
You can read Joe’s essay, “Trenton into Time,” in Issue 19 of Superstition Review.
Today we are proud to announce news about past contributor James M. Chesbro. James’ collection of essays titled A Lion in the Snow has been released and is available for purchase through Amazon here. The synopsis reads as follows: When his wife was pregnant, James M. Chesbro started having daydreams of seeing a lion in his street, padding toward his house through the snowflakes of a New England storm. He felt more like a son, still grieving over the early loss of his own father, rather than a prepared expectant-dad. In these essays, Chesbro finds himself disoriented and bewildered by fatherhood again and again as he explores the maddening moments that provide occasions for new understandings about our children and us.
James’ essay, “From the Rust and Sawdust,” which first appeared in Issue 12 of Superstition Review, is included in the collection.
Today we are pleased to feature Kate Lechler as our Authors Talk series contributor. Kate discusses her essay, “The Breathtaking Sting of the Pull,” and what non-fiction offers to her as a writer.
She reflects on her time as an ESL teacher in the suburbs of Seoul, South Korea, and finds that most of the stories she writes are the last stories she’d think of sharing. She identifies religion as a recurring theme in most of her work, including the novel she is currently writing, in which her protagonist, like herself, grew up conservative Christian. Finally, Kate ends her podcast by talking about the strength of fiction and how, “we can create a world where we can think about all the things we care about.”
Today we are pleased to share news about past contributor Rochelle Hurt. Rochelle’s essay “An Entrance, an Exit, an Entrance” has been included in The Orison Anthology, vol. 2. The anthology is available for purchase from Orison Books’ website.
This Friday July 21st, New York Times best selling author Terry Tempest Williams will be at Changing Hands in Tempe. Williams will be presenting her new book The Hour of the Land, a literary exploration of the US national parks. The book is a mixture of memoir, natural history, and social critique. The event will be from 7 to 9 p.m. and is a ticketed event. Find out more on the facebook event page here.
Today we are pleased to feature author William J. Cobb as our Authors Talk series contributor. William talks about his essay “The Altered States of Stuffed Animals” which was inspired by his daughter’s collection of stuffed animals. He goes on to say that he has a complicated relationship with stuffed animals one that is, “usually dismissive, [and] begrudgingly sentimental.”
Today we are pleased to feature author Kirsten Voris as our Authors Talk series contributor. In her podcast, Kirsten discusses her discovery of the different stories you can tell you about yourself. She reveals, “When I choose a version of reality to sell in an essay, what I’m really doing is selling the idea to myself. I’m deciding what kind of a story I want to tell me about myself.” Kirsten also discusses her process, her writing partner, and how she’s learned that “not writing is essential to writing.”
Today we are pleased to feature author Julie Marie Wade as our Authors Talk series contributor. In her podcast, Julie discusses the influence of Bernard Cooper’s Truth Serum on her work, like “Where I’m From” and The Regulars. She explains how Cooper’s memoir made her feel more comfortable exploring different essay lengths. In particular, she was inspired by Cooper’s essay, “Where to Begin,” which Julie describes as “really profound to [her] in its compression and how well it establishes what you can expect in the larger volume.”
Julie also reveals the driving force of “trying to figure out what it meant to come from a particular kind of world, where in [her] family being a regular person (synonymous with normal) was the goal.” Julie concludes by reading her essay aloud to contextualize these insights.
Today we are pleased to feature Roy Guzmán as our Authors Talk series contributor. In his podcast, Roy discusses community, culture, and struggle with Christina Collins from Lockjaw. Specifically, the pair discusses these ideas in the context of Roy’s piece, “Payday Loan Phenomenology,” which was published in Issue 18. They share how they first met on Twitter and then how they both ended up living in Minneapolis, which brings them to a discussion on displacement.
When discussing his piece in Issue 18, Roy notes, “it’s me trying to work with memory…if I’m looking at my past and I do not want it to depress me and I want it to sort of propel me, I need to create some kind of beauty.” Later, Christina tells Roy, “your work is so rooted in culture and it’s so rooted in your experience of being…an outsider to this monolithic American culture,” which leads to a discussion on the importance of culture and sharing the experiences of those who are disadvantaged.
It’s impossible to list all of Roy and Christina’s comments and insights here, so you’ll just have to listen for yourself! You can access Roy’s poem in Issue 18 of Superstition Review, and you can stay updated with his website as well.
Today we are pleased to feature author Judith Sara Gelt as our Authors Talk series contributor. In her podcast, Judith discusses the “hermit crab essay,” which she describes as an essay living inside a form that isn’t typically in an essay. In the case of her piece in Issue 18, it is an essay living inside a rubric.
Judith also shares how delighted she is that readers have found humor in her piece, “Loneliness Recovery Rubric–Female.” She then discusses her pursuit for authenticity and explains how personal sharing requires practice, practice, and more practice. Before signing off, Judith encourages everyone to try pushing the envelop because “it’s wonderful to experiment.”