What We’re Reading

This is what our interns are reading:

Christina Arregoces, Interview Editor: Currently I’m reading Autobiography of a Face, a beautifully written memoir by the talented Lucy Grealy. The memoir deals with the real life experiences that Grealy went through as she began her childhood struggle with Ewing’s sarcoma, a cancer that went on to almost kill her, demand multiple life-threatening surgeries, and severely disfigure her face. And though the book is interlaced with the nonfiction aspects of the scientific and the medical, Grealy’s literary talent emerges at every turn and through her highly relatable and witty tone, she draws in her reader and transports him or her back to the confusing days of childhood and the rawness of adolescence.

Autobiography of a Face is striking and sad and through it, Grealy works to redefine what beauty truly is.

Samantha Veléz, Content Coordinator: A close friend of my mom’s recommended Teacher Man by Frank McCourt. She brought it up because I was describing my first (and so far only) experience teaching a class. One or two kids listen intently, two doze off, and most don’t seem to be paying attention at all. I’m glad I said that because now I am reading a borrowed copy of a great book.

Teacher Man is a memoir about teaching English in New York high schools. It’s filled with anecdotal bits of wisdom, occasionally of adolescent and naivety and determination, and a personal look into the dilemma of adulthood: Where do I go from here? Will I ever fulfill my dreams?

This book has an enjoyable, lightly sarcastic tone that tells a heartfelt story. Those acquainted with his work will be used to his tearjerkers and enjoy this light, personal tale.

Stephanie De La Rosa, Blogger: Candide by Voltaire, in the original French. The humor doesn’t translate quite the same in English. It’s still a wonderful read, an interesting insight into eighteenth century European literature. To say the least, it is hilariously surprising, and not at all what I expected.

The House on Mango Street by Sandra Cisneros. I am re-reading this book after about eight years. I absolutely love it; this is the novel that inspired me to start writing. It is whimsical, lyrical, little episodes that come together to make a comprehensive picture of what life was like for a little Hispanic girl growing up in Chicago and trying to come to terms with the person she wants to be.

Super Sad True Love Story by Gary Shteyngart. Both stylistically and content-wise, Super Sad True Love Story is a polemic in novel form. Lenny Abramov, middle-aged and afraid of death, falls in love with a young woman who embodies the restless youth of his chaotic world. It’s funny and thought provoking, especially when one considers how social relationships, across the globe, are being affected by technology.

I recommend watching Shteyngart’s book trailer for this novel as well.

 

 

An Interview with Mary Sojourner


Superstition Review
will be hosting Mary Sojourner during our 2011 Fall Reading Series, on Wednesday, November 9 at 7 p.m. on the ASU Tempe Campus in the Pima Auditorium at the Memorial Union Building.

On Thursday, November 10, NPR commentator and novelist Mary Sojourner hosts a writing workshop called The Jump Start Circle “for those,” she says, “who have always wanted to write and somehow haven’t begun; for writers who have blocked; and for writers who want to move to the next level of their work.” The Jump Start Circle is not a lecture workshop—participants write for most of the session. November 10, 6:30-8:30. Cost: $25. Registration and pre-payment at 480.730.0205.

We are incredibly excited to host Mary Sojourner on our campus, and encourage all to come out to see her. Admission is free and anyone can attend.

Superstition Review recently had the opportunity to talk to Sojourner and ask her a few questions, and her answers have us on the edge of our seat, eagerly anticipating more of her insight during her upcoming events in Arizona.

Superstition Review: What got you started as a writer? How did you decide to take that (career) path?

Mary Sojourner: I wrote in my memoir, Solace: Rituals of Loss and Desire, about growing up in a frightening childhood. My mother was a brilliant and gifted bi-polar psychotic. Every two years, she would descend toward a suicide attempt and be taken away to the grim shelter of the State Mental Hospital. My dad was terrified and helpless in the face of her illness. I learned fast to disappear into books – and into the safety of the outdoors. That was the beginning. I knew from the time I was 8 years old that I wanted to be a writer – only a little more than I wanted to be a cowboy on the Western plains.

The writing path took me. It is not a career, especially now in these mean days of contemporary publishing. I teach in order to earn my living. Writing is a possession, a torment and the most compelling love I’ve ever known.

SR: What is the most rewarding thing you’ve taken from your career? Is it teaching? Participating in public readings?

MS: Every day I take the knowledge that writing has chosen me. Only a little less, I take the knowledge that teaching other writers also owns me. And, of course, there are those moments when lightning arcs through me and onto the page.

SR: What advice would you offer aspiring writers and artists currently attending undergraduate universities?

MS: Either drop out of school right now or plan to do so once you graduate. Resist the pressure and impulse to get an advanced degree. Apprentice yourself to your creativity. Let it map your route. You – unless you have a trust fund – can plan on being poor, scared, frustrated. You might, if you’re lucky, find yourself walking the blade of an obsidian knife. Howling. Laughing. Being grateful for every breath you take.

She added:

“Those who have the privilege to know have the duty to act.” — Albert Einstein. Make beauty. Make change. Make trouble for the settled and secure.

Mary Sojourner’s personal blog can be found here: marysojourner.com