This Tuesday, we are proud to feature a podcast of SR contributor Katie Flynn reading her short story from Issue 17.
You can listen to the podcast on our iTunes channel, podcast #230.
You can follow along with Katie’s short story in Superstition Review, Issue 17.
More about the author:
Katie M. Flynn is Fiction Editor at the Indianola Review. Her stories have appeared or are forthcoming in Barrelhouse, Carve, Flyway, Monkeybicycle, Paper Darts, and elsewhere. She’s been nominated for a Pushcart Prize twice and holds an MFA from the University of San Francisco. Recently, she completed her first novel about love, revenge, and uploaded consciousness. When she’s not writing, she’s teaching herself classical guitar, nerding out over chess, or chasing her two kids through the wilds of San Francisco.
Today we are pleased to feature author Shawna Ervin as our 35th Authors Talk series contributor. Shawna discusses her writing process, which she says is defined by what it is not. It is not a formula and it is not easy. Though she doesn’t have the answer on how to have a successful writing process, she knows things to avoid.
She notes that “the problem with aiming for perfection is that failure looms around every corner.” She values freedom when writing, the ability to take time off and write when and how she wants. This can even be something like taking notes on her phone while grocery shopping. She finds it difficult to write “when I believe that only by my merit does an essay have merit,” and the piece “quickly falls apart.” Sometimes she finds it easiest to start with a blank page if she is really struggling on a piece. Though she doesn’t have the answer of how to have a successful writing process, she calls upon James Baldwin urging you to “go and question and make art.”
You can listen to the podcast on our iTunes channel, podcast #229.
You can read Shawna’s essay in Superstition Review Issue 17, and hear her read it aloud in last week’s podcast, #228.
This Tuesday, we are proud to feature a podcast of SR contributor Shawna Ervin reading her essay from Issue 17.
You can listen to the podcast on our iTunes channel, podcast #228.
You can follow along with Shawna’s essay in Superstition Review, Issue 17.
More about the author:
Shawna is a Pushcart nominee and has taught writing workshops for both adults and children. She is a member of Lighthouse Writers Workshop in Denver, where she recently graduated from the Book Project, a two-year intensive mentoring program. She is working on a memoir about her experience in foster care and adopting two kids from South Korea. Recent publications include poetry in Forge, and prose in Moon City Review, Willow Review, Existere, The Delmarva Review, The Diverse Arts Project, and Sliver of Stone.
Today we are pleased to feature author Jonathan Louis Duckworth as our thirty fourth Authors Talk series contributor. Jonathan gives a brief history of his family which inspired him to write “Chanson de Louis.” Then he talks about his writing process and his choice of form. He notes that his essay is mainly about celebrating turn arounds, as his grandfather was buried in a cellar for three days because of a wartime rocket strike, but survived to live a long, wonderful life.
For a long time, Jonathan wanted to write this family story. First he thought of writing it as a poem, but then he decided it would work better as a lyrical essay. He interviewed his mother to get the facts for his essay. He calls his essay a fable because “fables are a matter of identity” that are so important to people, that it doesn’t matter if it is entirely true of not. At the end of his essay, he writes fiction when his grandfather meets von Braun.
You can listen to the podcast on our iTunes channel, podcast #227.
You can read Jonathan’s essay in Superstition Review Issue 17, and hear him read it aloud in last week’s podcast, #226.
This Tuesday, we are proud to feature a podcast of SR contributor Jonathan Louis Duckworth reading his nonfiction essay from Issue 17.
You can listen to the podcast on our iTunes channel, podcast #226.
You can follow along with Jonathan’s nonfiction essay in Superstition Review, Issue 17.
More about the author:
Jonathan Louis Duckworth is an MFA student at Florida International University, where he serves as a reader and copy-editor for the Gulf Stream Magazine. His fiction, poetry, and non-fiction appears in or is forthcoming in New Ohio Review, Fourteen Hills, Literary Orphans, Cha, Off the Coast, Superstition, and elsewhere. He is a dual-citizen with American and Belgian citizenship. Apart from his love of the written word, he also loves to cook, and hopes to start a cooking blog one day.
Today we are pleased to feature poet Patricia Clark as our thirty third Authors Talk series contributor. Patricia titles her Authors Talk “Lessons in Composition and Freedom.” She has five points which she hopes will serve as pieces of advice to writers. Three points relate directly to her three poems in issue 17.
Her first point is that there is more than one way to write a poem; be open to new ways of preceding. Her second piece of advice is to not think too much, or don’t plan out the poem; she used this method when she composed her poem, “Treatise on the Double Self.” Thirdly, Patricia suggests trying new things, something you haven’t used before, perhaps rhyme. This relates to “Rowing American Lake,” where she used rhyme in the terza rima form. Trying new forms is Patricia’s fourth point. She recommends trying poetic forms as exercises, such as the ghazal form for her poem “Infidelities.” Lastly, she recommends to “write often, read even more.”
You can listen to the podcast on our iTunes channel, podcast #225.
You can read Patricia’s poems in Superstition Review Issue 17, and hear her read them aloud in last week’s podcast, #224.
This Tuesday, we are proud to feature a podcast of SR contributor Patricia Clark reading her poems from Issue 17.
You can listen to the podcast on our iTunes channel, podcast #224.
You can follow along with Patricia’s poems in Superstition Review, Issue 17.
More about the author:
Patricia Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. Author of four volumes of poetry, Patricia’s latest book is Sunday Rising. Her work has been featured on Poetry Daily and Verse Daily, also appearing in The Atlantic, Gettysburg Review, Poetry, Slate, and Stand. Recent work appears (or is forthcoming) in Kenyon Review, New England Review, Southern Humanities Review, Michigan Quarterly Review, Prairie Schooner, Coal Hill Review, Plume, and elsewhere. Her new manuscript of poems is called Goodbye to the Poetry of Marble.