Past contributor Sarah Pape is the managing editor at the literary journal Watershed Review. The journal recently launched it’s spring issue for 2017 which features some impressive fiction, poetry, and artwork. The journal was founded in 1977 and operates out of California State University, Chico. Check out Watershed Review online here.
And check out two of Sarah Pape’s poems in issue 8 of Superstition Review here.
On Friday June 16th, Rinky Dink Press will be hosting a launch party for it’s newest series of micro-chapbooks. The event will take place at Wasted Ink Zine Distro from 7PM to 9PM. Stop in for refreshments and pop-up readings from ten brand new microzines and micro-chapbooks. All books will be on sale for $1 each, and performing poets include Virginia Chase Sutton and Randy Heflin. Other published poets include Justin Rogers, Jasmine Chatfield, Woody Woodger, Dane Hamann, Jessica Van de Kemp, Caroline Kessler, Alex Skorochid, and Nick Hopkins.
You can find the Facebook event here. Wasted Ink Zine Distro is located at 2222 N. 16th St. Phoenix, AZ 85006.
Explore the life of renowned Pulitzer Prize-winning American novelist Edith Wharton. Dr. Rivers-Norton will discuss excerpts from “Edith Wharton: When Words First Spoke,” the fourth chapter of her latest book The Demeter-Persephone Myth as Writing Ritual in the Lives of Literary Women. The talk will focus on the novelist Edith Wharton, who experiences loss, illness and confusion as a child and is mystified by the aloofness of her mother. Consequently, she feels insecure and inferior. Although destined to be a writer, Wharton is profoundly shaped by family discord and a war-torn world, and often courts humiliation and consequent exile by voicing what others in her family do not want to acknowledge. Despite these restrictions, Wharton continuously recasts painful experience as fodder for the imagination to forge a lasting literary career.
This free event will be on Thursday, June 8 from 6:00 PM to 8:00 PM. Located at Arizona Humanities 1242 N. Central Ave. Phoenix, AZ 85004. For more information and to RSVP click here.
We are pleased to announce the ninth collection of poetry by SR Contributor Cynthia Hogue, titled In June The Labyrinth. The new collection was released in mid-april from Red Hen Press. From the publisher’s page:
In June the Labyrinth is a book-length serial poem that is part pilgrimage, part elegy, in which the main character, Elle, embarks on a quest of sorts, investigating not only the “labyrinth” as myth and symbol, but the “labyrinth of the broken heart.”
Find out more and purchase the book here. And you can read three poems by Cynthia Hogue in Issue 11 of Superstition Review.
Senior lecturer of ethnic studies at NAU, Dr. Jerry Garcia, will be holding an author’s talk titled “Prisoners Without Chains: The Forced Relocation of Japanese Mexicans 1942-1945” on Tuesday, May 16th. The free event features a small group discussion (limited to 12 RSVPs) from 5:30 PM to 6:30 PM. Afterwards, from 6:45 PM to 8:30 PM there will be a presentation and Q&A. The event will be held at Arizona Humanities, located at 1242 N Central Ave Phoenix, AZ 85004. Light refreshments will be served. For more information and to RSVP to the event click here.
Explore the Japanese Mexican experience during World War II and learn how it was markedly different than the Japanese American experience in the United States. Dr. Jerry Garcia from Northern Arizona University shares how the Japanese negotiated a distinct space within Mexican culture where Japanese identity and ethnicity was maintained and rarely challenged due to a perception that the Japanese displayed markers of whiteness that were associated with western imperialism and power. Examine how the Japanese adjusted during turbulent and transformative periods in Mexican history and the over-arching policies of the U.S. regarding Japanese immigration throughout the Americas.
Dr. Garcia’s new book Looking Like the Enemy: Japanese Mexicans, the Mexican State, and US Hegemony, 1897-1945 examines Japanese immigrants in Mexico and the United States during World War II. The book focuses on the experiences of the Japanese on both sides of the borders and the similarities and differences in their treatment. You can purchase the book through University of Arizona Press here and use discount code AZHUM17 for a special offer.
Dr. Garcia received his doctorate from Washington State University and was the former Director of the Chicano Education Program and the College Assistance Migrant Program at Eastern Washington University. He is now the Senior Lecturer for Ethnic studies at Northern Arizona University. His research focuses on Chicano History, Latin American History, History of Mexico, Asians in the Americas, immigration, empire, masculinity, and race in the Americas.
Morning, readers! Today we’ve got a spectacular bit of news: past contributor Victor Lodato, who was featured in the Interviews section of our 8th issue (which can be read here), has published his newest novel, titled “Edgar & Lucy,” out now from St. Martin’s Press. Hailed by the New York Times as a “riveting and exuberant ride,” Lodato’s novel can be purchased here. Do yourself a favor and read the novel Lodato spent ten years in the making, and see for yourself exactly why we here at Superstition Review think that “Edgar & Lucy” is destined to be your new favorite book.
“Edgar & Lucy,” the new novel out from St. Martin’s Press by past contributor Victor Lodato.
Greetings, dear readers! We’ve got some tremendous news for you all today: past contributor Kevin Prufer, featured in the Interviews section of our 7th Issue, has a poem in the Spring 2017 issue of The Paris Review, titled “The Translator.” Check it out here, and do yourself the kindness of reading our interview with Kevin here. If you’d like to see more Kevin’s work, go ahead and check out his website, found here. Congratulations, Kevin! And readers, stay posted for more updates on the happenings of the incredible community here at Superstition Review.
Past contributor Kevin Prufer, whose poem “The Translator” was featured in the Spring 2017 issue of The Paris Review.