Patricia Caspers has released her first full-length poetry collection, “In the Belly of the Albatross,” available from Glass Lyre Press. Patricia is the winner of the Nimrod /Hardman Pablo Neruda Prize for Poetry, the Mary Merritt Henry Prize for Poetry, and the Marion Hood Boess Haworth Prize for Poetry. She also has poetry and essays published widely in publications such as Anderbo, Ploughshares, PANK, Quiddity, Valparaiso, Generations, Dirtcakes, Cortland Review, r.k.v.r.y, and the Superstition Review.
“In these moving poems, many of them dramatic monologues spoken by women, Patricia Caspers conjures up the lives of historical individuals — a black slave midwife who [gives] ‘Justice her dowry,’ Amelia Earhart’s mother, waiting hopefully for her daughter’s return. And she reimagines the figures of Greek and Hebrew legend– the Gorgon who begs for ‘the gift of monstrosity’ the biblical Ruth, revealing a sensuality the Bible does not allow her … Caspers’ poems flourish and grow by turning themselves undaunted to the light.” — Chana Bloch
It is available for purchase from Glass Lyre’s Facebook page complete with free shipping if ordered before 11/14/15. It can also be bought from Amazon.
For the past year, Treehouse has been dedicated to exhibiting pleasantly unusual and interesting writing that is short enough to read on a coffee break but good enough to linger over. We feature previously unpublished work from emerging and established writers alike. We accept writing no longer than 1,000 words in fiction, nonfiction, and poetry genres. Simultaneous and multiple (up to three) submissions are accepted. Submissions are read on a rolling basis (unless otherwise noted).
To celebrate our successful first year, Treehouse is proud to present our First Annual Literary Loot Contest for Unusual Prose! In addition to publication in Treehouse, the contest winner will also receive: a one year subscription to Barrelhouse, Booth, Carolina Quarterly, Ecotone, Gigantic, Gulf Coast, [PANK], and REAL: Regarding Arts & Letters; two new Fall titles from brand new (but no less awesome) indie press A Strange Object, two new titles from Dzanc Books and a six-month subscription to their e-book club; a copy of Michael Kimball Writes Your Life Story (on a postcard) and First Year (an MLP Anthology) from Mud Luscious Press; and a t-shirt from A Strange Object and [PANK].
Our favorite non-winning contest entries will also be published in Treehouse.The rules:
- We’re interested in prose that does unusual stuff. In the past we’ve published stories in the form of to-do lists, invisible text with footnotes, survival guides, landlord-tenant correspondence, recipes, and also all kinds of inventive work that was linguistically, but not necessarily structurally, experimental. So if you think your story, essay, prose poem, or genrebender fits the bill, send it our way. (Sorry, no poetry with line breaks for this one.)
- Entries are to be a maximum of 750 words.
- All entries must be emailed to firstname.lastname@example.org by April 30. Preferred format is .doc, but .docx and .pdf are also acceptable.
- Subject line of contest entries must say: CONTEST ENTRY. Otherwise, they will simply be filed as regular submissions and will have zero chance of receiving cool swag.
- Your name MUST NOT APPEAR ANYWHERE ON YOUR PIECE. Since we often get writing from people we kind of know, either via real life or the internet, we want to be extra careful that everything is getting read blind. We’re even going to implement our ultra-secret “assigning numbers to stories and then not telling anybody what the numbers mean” system.
- In the interest of fairness, we can’t accept submission from editors at any of the magazines or publishing houses that are participating. UNCW students may submit work, so long as they’re not currently on staff at Ecotone.
- Former Treehouse contributors are invited to submit work.
- We also can’t accept submissions from anyone who has gotten past second base with any member of the editorial staff. (In this case, “second base” refers to urban second base; rural second base is okay.) However, if you have gotten past second base with a member of the editorial staff: why don’t you call us already? It’s been more than three days.
- One of the main things we’re trying to communicate with this contest is that literature is a community. We picked out the journals and publishing houses we’re most excited about because we wanted to share them with you—our favorite readers. (And pretty much everybody we asked to participate eagerly agreed.) As such, we’ll be featuring a different participating magazine or indie house every week. Please check out their sites and consider subscribing or buying books—not because they’re helping our contest, but because they’re sustaining a thriving literary community that you’re not going to get from mainstream publishing. And because they publish cool shit!
- We really believe in doing as much as we can without getting money involved. So even if you can’t afford to subscribe to any of our partners’ publications, consider spreading the word—about the contest and/or about any of the publishers you see that tickle your fancy—via facebook, twitter, or other social media. Or, you know, your mouth.
Our authors have been featured in Best American Short Stories, The Pushcart Prize Anthology, Best New American Voices, Best American Mystery Stories, and Best American Fantasy. In the past year we’ve published new work from acclaimed young writers like Roxane Gay, Matt Bell, Patrick Somerville, Marie-Helene Bertino, and many others.
We look forward to reading your work! To support Treehouse, you can read the magazine, follow us on Twitter and like us on Facebook!