Hello everybody! We here at Superstition Review are pleased to bring a bit of follow-up news regarding past contributor Patricia Clark (featured in the Poetry section of our 7th, 8th, and 17th issues) and her brilliant new book, titled “The Canopy.” Clark was interviewed by WYCE 88.1, a local radio station in Grand Rapids, as part of their Electric Poetry series, while “The Canopy” was recently reviewed by Cultured.GR, an art blog based in Grand Rapids. The entire review can be read here, and while you’re at it, do yourself a big favor and listen to the interview here. Patricia Clark’s “The Canopy,” out now from Terrapin Books, can be purchased here. Do yourself a favor and check out “The Canopy” and see for yourself what all the hype is about!
Superstition Review is both pleased and proud as all get-out to announce the forthcoming book The Canopy, written by past contributor Patricia Clark and published by Terrapin Books. The Canopy is Clark’s 5th full-length book of poetry (others include Sunday Rising and She Walks into the Sea).
Patricia Clark is the recipient of many awards and honors including the former poet laureate of Grand Rapids, Michigan, as well as the recipient of the Gwendolyn Brooks Prize, the Mississippi Review Prize, and the Lucille Medwick Prize from the Poetry Society of America. She currently serves as the Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University.
To read the official press release, click here.
To preview and purchase the book, click here.
Today we are pleased to feature poet Patricia Clark as our thirty third Authors Talk series contributor. Patricia titles her Authors Talk “Lessons in Composition and Freedom.” She has five points which she hopes will serve as pieces of advice to writers. Three points relate directly to her three poems in issue 17.
Her first point is that there is more than one way to write a poem; be open to new ways of preceding. Her second piece of advice is to not think too much, or don’t plan out the poem; she used this method when she composed her poem, “Treatise on the Double Self.” Thirdly, Patricia suggests trying new things, something you haven’t used before, perhaps rhyme. This relates to “Rowing American Lake,” where she used rhyme in the terza rima form. Trying new forms is Patricia’s fourth point. She recommends trying poetic forms as exercises, such as the ghazal form for her poem “Infidelities.” Lastly, she recommends to “write often, read even more.”
You can listen to the podcast on our iTunes channel, podcast #225.
You can read Patricia’s poems in Superstition Review Issue 17, and hear her read them aloud in last week’s podcast, #224.
You can listen to the podcast on our iTunes channel, podcast #224.
You can follow along with Patricia’s poems in Superstition Review, Issue 17.
More about the author:
Patricia Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. Author of four volumes of poetry, Patricia’s latest book is Sunday Rising. Her work has been featured on Poetry Daily and Verse Daily, also appearing in The Atlantic, Gettysburg Review, Poetry, Slate, and Stand. Recent work appears (or is forthcoming) in Kenyon Review, New England Review, Southern Humanities Review, Michigan Quarterly Review, Prairie Schooner, Coal Hill Review, Plume, and elsewhere. Her new manuscript of poems is called Goodbye to the Poetry of Marble.
Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by Patricia Clark.
Patricia Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. Author of three volumes of poetry, Patricia’s newest book is She Walks into the Sea; she has also published a chapbook, Given the Trees. Patricia’s work has been featured on Poetry Daily and Verse Daily. She has won Mississippi Reviews Poetry Prize, and been honored as the 2nd prize winner in the 2005 Pablo Neruda/Nimrod International Journal Poetry competition. Her poems have appeared in The Atlantic Monthly, Poetry, Slate, Stand, The Gettysburg Review, and many other literary magazines.
Superstition Review Issue 7 has launched and to celebrate we will be featuring blog posts about our artists and authors. Today we will be highlighting a few of the talented poets who are featured in Issue 7.
Angela S. Gentry is the two-time recipient of the Devine Summer Fellowship in Poetry from Bowling Green State University. Her first chapbook, Stirrings of Movement, was released in 2010 from Finishing Line Press. She received her BA in Christian Education from Cedarville University and her MFA in Poetry from BGSU. In her spare time, she would like to build a tree house, in addition to writing, but finds herself inordinately occupied with evaluating student papers. She currently resides in Michigan. Read her poem “My Barber” featured in issue 7. Angela Gentry’s Website
Marge Piercy is the author of 18 collections of poetry, most recently The Crooked Inheritance and this spring, her second volume of new and selected poems 1980-2010 The Hunger Moon, out from Knopf. She has published 17 novels, most recently Sex Wars. Two of her early novels, Dance The Eagle To Sleep and Vida, are being republished with new introductions by PM Press this fall. Her work has been translated into 19 languages. Her memoir Sleeping With Cats is available from Harper Perennial. Read her four poems featured in issue 7. Marge Piercy’s Website
Matthew Gavin Frank is the author of Barolo (The University of Nebraska Press), Pot Farm (forthcoming from the University of Nebraska Press), Warranty in Zulu (Barrow Street Press), The Morrow Plots (forthcoming from Black Lawrence Press/Dzanc Books), Sagittarius Agitprop (Black Lawrence Press/Dzanc Books), and the chapbooks Four Hours to Mpumalanga (Pudding House Publications), and Aardvark (West Town Press). Recent work appears in The New Republic, The Huffington Post, Field, Epoch, AGNI, Crazyhorse, Indiana Review, North American Review, Pleiades, Crab Orchard Review, The Best Food Writing, The Best Travel Writing, Creative Nonfiction, Prairie Schooner, Hotel Amerika, Gastronomica, and others. He was born and raised in Illinois and teaches at Northern Michigan University. Read his poem “The Sticking-Place, Stripped Screws” in issue 7. Matthew Gavin Frank’s Website
Patricia Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. Author of three volumes of poetry, Patricia’s newest book is She Walks into the Sea; she has also published a chapbook, Given the Trees. Patricia’s work has been featured on Poetry Daily and Verse Daily; she has won Mississippi Review’s Poetry Prize; and been honored as the 2nd prize winner in the 2005 Pablo Neruda/Nimrod International Journal Poetry competition. Her poems have appeared in The Atlantic Monthly, Poetry, Slate, Stand, The Gettysburg Review, and many other literary magazines. Read her poem “Until it Speaks” in issue 7. Patricia Clark’s Website
Tanaya Winder is from the Southern Ute and Duckwater Shoshone Nations. She graduated from Stanford University in 2008 with a BA in English. Tanaya was a finalist in the 2009 Joy Harjo Poetry Competition and a winner of the A Room Of Her Own Foundation’s Spring 2010 Orlando prize in poetry. Her work appears in Cutthroat magazine, Yellow Medicine Review, Adobe Walls, Barrier Islands Review, and Lingerpost. She is the co-editor of a forthcoming collection Soul Talk, Song Language: Conversations with Joy Harjo. She is currently pursuing a MFA in Poetry at the University of New Mexico. Read her two poems published in issue 7.
The full magazine with featured art and artists from issue 7 can be found here.