CGCC Poetry Reading: Allyson Boggess, Matthew Jolly, Patricia Murphy

Join us to celebrate National Poetry Month.

Thursday, April 5, 2012
7 p.m. until 8:30 p.m.
Library First Floor
Chandler-Gilbert Community College
2626 E. Pecos Rd., Chandler, AZ 85225-2499

 

Allyson BoggessAllyson Boggess is a graduate of the MFA program at Arizona State University, where she was a poetry editor at Hayden’s Ferry Review. She teaches poetry at CGCC and writing at ASU and the Harvard Extension School. Her work was recently published in [PANK]. She lives in Phoenix.

 

 

 

 

 

 

Matthew JollyMatthew Jolly is a member of the English faculty at GateWay Community College where he teaches classes in English composition and literature. He grew up outside Cleveland, Ohio, but now lives in Southeast Phoenix with his wife Lauren, his son Benjamin, three devious dogs, and a cat named Ebbilah. He received his MFA in poetry from Arizona State University where he was the recipient of a graduate fellowship and winner of the Glendon and Kathryn Swarthout Award in poetry. His work has appeared in Phoebe: A Journal of Literature and Art; The New Delta Review; and as part of NCTE’s online celebration of National Poetry Month. His “Elegy, Autopsy, and Archeological Excavation: An Interview with David Wojahn” (Hayden’s Ferry Review, 2003) was nominated for a Pushcart Prize.

 

 

Patricia Murphy

Patricia Murphy is a Senior Lecturer at ASU where she teaches creative writing and is the founding editor of Superstition Review. In Spring 2009 she won the Provost’s Faculty Achievement Award for Excellence in Undergraduate Student Mentoring. Murphy earned her B.A. in English and French from Miami University and her M.F.A. in Poetry from ASU. Her poems have appeared in many literary magazines including The Massachusetts Review, Clackamas Literary Review, New Orleans Review, Seattle Review, Cimarron Review, Kalliope, Quarterly West, American Poetry Review, Green Mountains Review, Indiana Review, and The Iowa Review. Her poems have received awards from the Cream City Review, The GSU Review, Glimmer Train Press, the Ann Stanford Poetry Prize, and Gulf Coast among others. She is the recipient of an Artist’s Project Grant from the Arizona Commission on the Arts and she has been awarded residencies at Mesa Refuge, Atlantic Center for the Arts, and Vermont Studio Center.

Note from the Editor

Founding Editor Trish Murphy and Poetry Editor Emily Beckley  

 

 

 

 

 

 

 

 

 

As most of you know, I started Superstition Review because I wanted my writing students to gain practical experience with a literary magazine before going off into the working world or on to graduate school. I wanted to teach students to correspond with authors, meet deadlines, make editorial decisions, design websites, organize events, and advertise through email, Facebook, Twitter and blogs.

This week marks the launch of Issue 7 of Superstition Review, which gives me occasion to look back on those goals I had when I first started the magazine. In seven semesters I have mentored 95 students, many of whom have gone on to jobs in publishing, or spots in grad school, or teaching careers.

Recently I had the opportunity to do one of my favorite things: act as a reference for a former intern. “Oh I’m going to make your job easy,” I said to the hiring manager. “Throw away all the other applications because you need to hire my student.” I backed that recommendation up with a story about a task the student accomplished despite my complete inability to tell her how to do it. My interns work hard. They earn their 3 credit hours. And they earn their glowing recommendations from me as well.

I have now had seven semesters of managing students as we put together each issue in only 14 weeks, and it occurs to me that while I was training my students to run a magazine I was getting a crash course in mentoring. Trust me when I say for certain that putting together Issue 7 was 95% easier than putting together Issue 1. We’ve passed a learning curve. And I think you’ll agree that it shows in what we do.

I hope you enjoy the new work of 48 artists and authors in our Issue 7. And please don’t hesitate to contact me if you have a job waiting for one of my student interns.

ASU Lecturer Patricia Murphy Poetry Reading @ Urban Beans

Urban Beans, a coffee shop located in Midtown Phoenix, is a great place to grab an exceptional cup of locally roasted coffee, smoothies, tea, pastries or a tasty lunch. It’s also a great place to hang out and listen to local poets. This Friday night, that’s tomorrow, Urban Beans is hosting a poetry reading and ASU Lecturer and alum Particia Murphy will be reading.

Patricia Murphy earned her MFA in Poetry from Arizona State University where she has been teaching writing for 18 years. Her work has received awards from the Associated Writing Programs and the Academy of American Poets, Glimmer Train PressThe GSU Review, and The Southern California Review. She teaches several writing classes including Poetry, Blogging, Travel Writing and Publishing in Literary Magazines.

Her reading will be this Friday, April 15 at 7 p.m. Stop by, get a delicious coffee with a little heart in it, and stay for the reading. Map here.

The Mercury Building
3508 N. 7th Street
Suite 100
Phoenix, AZ 85014
602.595.2244

Issue 6 Launch: A Note from the Managing Editor

One of my favorite Simpsons Episodes involves Bart, Homer and Lisa watching a TV program called “When Buildings Collapse.” The entire point of the program is to see building after building fall down, but during the show Homer comments “I didn’t think it was going to fall over.”

I now use that phrase when it seems like something is never ever going to happen: a car making a slow left turn, a waiter taking too long bringing food. “I didn’t think it was going to fall over.”

And I have to admit that phrase has applied to each of our six issues of Superstition Review.

Every semester I gather 15-20 undergraduate student interns with varying levels of experience. I put them through “lit mag boot camp,” and within a few weeks they are corresponding with authors, reading and rating submissions, designing advertisements, creating blog posts, gathering bios and headshots, editing endless web pages, organizing readings on and off campus. And maybe most importantly, they are learning how REAL deadlines work in the field of publishing. Like, if your building doesn’t fall over NOW the next building can’t go up.

Oh, and I forgot to mention that I do this all online. Our work is done through Blackboard, Google Docs and Submishmash.

We take about 14 weeks to put together each of the issues, which we publish in December and May. By the time the end of the semester rolls around, I’m never quite sure that the building is going to fall over.

But thanks to the support of my Dean Fred Corey, my Department Head Ian Moulton, my faculty advisors Claire Lauer, Kristin Lacroix, Judith Van, Mark Haunschild, Rebecca Byrkit, and Sherry Rankins-Robertson; and also to my endlessly brave and diligent and kind students, we now have six pretty impressive buildings under our belts.

After each issue is published and I get a good deep breath, I get to enjoy what my students have accomplished. In this Issue alone we feature work from (and interviews with) 66 artists, poets and writers from all over the nation. I hope you will make a cup of tea, grab your laptop or iPad, and enjoy the hard work of my talented students and our esteemed contributors.

Sincerely,

Patricia Colleen Murphy

Managing Editor, Superstition Review

Melissa Pritchard reads from “Echorché, Flayed Man”

On November 8 the Superstition Review reading series was pleased to feature Melissa Pritchard. The intimate atmosphere of the reading allowed for a personal view of her story Echorché, Flayed Man. Music from an Italian composer, the pungent scent of incense and a few words from Patricia Murphy and Reading Series Coordinator Mary Richardson provided the perfect introduction. While a large group of friends, colleagues and admirers filled the Pima Auditorium in the Memorial Union at ASU, her voice was quiet and seemed to engage us individually as she read. As Melissa stood against a backdrop lit with magenta bulbs, the audience silently absorbed each emotion-filled sentence.

After the applause from eager listeners Melissa answered several questions. She touched on working with A Public Space and the technicalities of writing a story that is both fiction, and also the true story of certain individuals from La Specula, the museum in Italy upon which the story takes place. Echorché, Flayed Man has been published in Issue 11 of A Public Space and will also appear in her latest book The Odditorium, to be released in January 2011.

 

Meet The Interns: Madeline Beach

Madeline Beach is currently completing her final semester hours to earn the designation of a Bachelor of Arts in English Literature. At this time, Madeline is professionally working as a technical writer and enjoys seeing the worlds of technology and literacy work together in tandem, in both professional and academic settings. This is Madeline’s second semester with Superstition Review as she enjoys being closely involved with the ever-growing revolution of online publishing.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Madeline Beach: Currently I hold the position of Content Coordinator. My responsibilities include receiving and tracking all submissions received as a part of our open submission period.

SR: Why did you decide to get involved with Superstition Review?

MB: I first learned about Superstition Review when I took a course led by the journal’s Managing Editor Trish Murphy. The course involved researching and studying Literary Magazines, so I felt the best next step was to become familiar with the publication process. After having interned last semester, I felt that continuing to gain experience in online publishing would prove invaluable to my future career endeavors.

SR: Besides interning for Superstition Review, how do you spend your time?

MB: Currently, I work full-time as a Project Administrator at a large financial company. After my workday ends, I rush home to begin my schoolwork. In the spare time I have, I write short essays for practice, perfecting my skills as a writer.

SR: What other position(s) for Superstition Review would you like to try out?

MB: I think it would great to gain experience in the actual web design process of online publishing.

SR: Describe one of your favorite literary works.

MB: My favorite literary work, which as written by Tammy Delatorre, is titled Gifts from my Mother. The piece is a cynical coming of age tales that describes the “gifts” a young girl receives from her mother. At night the narrator’s mother leaves her young daughter in the car while she frequents the local bar. The mother brings her daughter the parasols and olives from her drinks at the bar, which the daughter sarcastically remarks as being so thoughtful. I like the feel of the story because it is dark and poignant, telling the short story of a young girl’s experience of her mother.

SR: What are you currently reading?

MB: I have recently begun to re-read 1984, by George Orwell. A co-worker and I were discussing the film and I felt the urge to read the book again to better familiarize with the details.

SR: Creatively, what are you currently working on?

MB: I am currently finishing a piece of creative non-fiction, detailing my experience of my father’s untimely death and how I felt caring for him at a young age.

SR: Where do you see yourself in 10 years?

MB: I see myself as a leader within my employer’s brand management services division, editing work that is submitted for approval, prior to publication.

Meet The Interns: Rebecca Glenn

Rebecca Glenn is looking forward to the challenge of contributing to the publishing process at Superstition Review. Her experiences in upper-division class work have inspired and encouraged her to consider a career in publishing. She is thrilled to have an opportunity to experience the field first-hand through Superstition Review.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Rebecca Glenn: I am an Art Editor and I am responsible for soliciting art submissions from local and national artists. I also make decisions on art to include in the issue and then I correspond with artists to facilitate its publication.

SR: Why did you decide to get involved with Superstition Review?

RG: I took a class on publishing in literary magazines with Trish Murphy and my interests stemmed from that experience. I have always been drawn to the publishing process, but it wasn’t until I took the class that I was educated on what exactly literary magazines are.

SR: Besides interning for Superstition Review, how do you spend your time?

RG: I’m a homebody with a traveling streak. I love to cook and goof around with my two girls. We do a lot of drawing, art projects and impromptu dance parties.

SR: What other position(s) for Superstition Review would you like to try out?

RG: Nonfiction is my passion. It would be exciting to be the nonfiction editor. I also really like the idea of being a reader.

SR: Describe one of your favorite literary works.

RG: Madelene L’Engle’s A Wrinkle in Time is a personal favorite. There are certain creations, like A Wrinkle in Time, that are beyond category and that is part of the appeal to me. Most would say it is a children’s novel and yet I read it again a couple weeks ago and was entranced.

SR: What are you currently reading?

RG: I like to spend summers re-reading books from my childhood. I was addicted to reading in my youth and my summer days were almost always monopolized by a book and a cool spot in the shade. Since we are just coming out of the summer months now, I most recently finished the Lord of the Rings trilogy.

SR: Creatively, what are you currently working on?

RG: I paint sporadically and also dabble in charcoal. I am constantly drawing. I just finished a charcoal portrait of my mother for her 50th birthday. It is such a momentous celebration and I spent a lot of time trying to capture the years of her life in a single expression; it was tough. As far as writing goes, most of it is academic these days due to my school schedule.

SR: Where do you see yourself in 10years?

RG: That is the big question…I’m not so concerned with knowing. I can say with all confidence I have no idea; maybe a pig farmer in Peru.