Today we are pleased to feature author Bryn Gribben as our Authors Talk series contributor. The topic of Bryn’s podcast is “finding your voice.” She begins by saying that “Everything you do before you find your voice matters,” and, to demonstrate this truth, describes her own journey of discovery as a creative writer and poet.
In the beginning of her college experience, Bryn states that she “was more interested in learning than in creating.” However, after discovering that she “just wasn’t having enough fun,” she began to pursue the creation of poetry. She says that “the feedback I was getting at the time made it seem like I had to choose between two paths: the academic and the creative,” but as she continued to find her literary voice, she realized that she didn’t have to make a choice. She just, as she says, “had to find a different audience.” She emphasizes that nowadays, she is still “pulled constantly between those two modes of being,” the analytical and the creative; for, as she says, “both modes of being engage my best self.”
Today we are pleased to feature author Denise Emanuel Clemen as our Authors Talk series contributor. In her podcast, Denise discusses memoir and personal essay in this current era of “alternative facts.” Specifically, she talks about this in the context of “The Marriage Essay,” published in Issue 18.
Denise notes the difference between “truth” and “Truth,” and she reveals that memoir and personal essay must have both. She also discusses how “memoir writers are obligated to the facts, the unenhanced, unembellished facts,” though they do still have access to imagery, metaphor and reportage (like writers of fiction and poetry).
She ends her podcast by explaining how she hopes that readers will be “caught and lovingly held in the safety net of true stories,” as she is when she writes them.
Today we are pleased to feature author Judith Sara Gelt as our Authors Talk series contributor. In her podcast, Judith discusses the “hermit crab essay,” which she describes as an essay living inside a form that isn’t typically in an essay. In the case of her piece in Issue 18, it is an essay living inside a rubric.
Judith also shares how delighted she is that readers have found humor in her piece, “Loneliness Recovery Rubric–Female.” She then discusses her pursuit for authenticity and explains how personal sharing requires practice, practice, and more practice. Before signing off, Judith encourages everyone to try pushing the envelop because “it’s wonderful to experiment.”
The Constance Rooke Creative Nonfiction Prize is awarded to the best work submitted to the magazine’s annual contest for a genre that embraces, but is not limited to, the personal essay, memoir, narrative nonfiction, social commentary, travel writing, historical accounts, and biography, all enhanced by such elements as description, dramatic scenes, dialogue, and characterization.