AWP 2013 Self-Interview by Amanda Auchter

We hope that you’ll enjoy Amanda’s self-interview so much you’ll submit your own.

Email your answers to superstition.review@gmail.com

AWP Bookfair1. What did you hope to get out of AWP? Did you get it?

I wanted to be energized by being surrounded by other poets and writers, all of those books at the book fair, the hullabaloo of AWP for three days. I wanted to come back with the desire to return to writing poetry after a near-year hiatus and thankfully, I did get what I so eagerly wanted. Even before I left for the airport, ideas for poems and poem titles danced in my head. I couldn’t wait to get home and begin anew.

2. Was this your first AWP? If not, how does this year’s AWP rate among the ones you’ve attended?

This was my sixth AWP and I think that this year’s was my favorite by far, even though I actually saw little of it (panels and book fair) compared to other years (such as in New York, where I literally ran from one panel to the next) because of AWP-related obligations. I felt that the energy at this year’s AWP was different in a positive way and everyone I met, even if they were exhausted, seemed to be having a great time.

3. Favorite AWP 2013 moment?

I have two favorite AWP 2013 moments actually. The first was being able to read with so many amazing poets and writers at the Zone 3 Press/University of Wisconsin Press reading on Friday night. It was truly a humbling experience to be able to read with the likes of Richard Blanco, Timothy Liu, James Allen Hall, Paul Lisicky, Charles Rice-González, Andrew Kozma, Kate Gleason, John Pursley III, and Karen Skolfied.

My second favorite moment was actually more personal and really not AWP-related at all.  I was blessed to meet my biological cousin (I’m adopted), Hope, for the first time at the aforementioned reading on Friday night. We planned this for a while and have chatted a bit over the past couple of years, but meeting her was beyond exciting. I couldn’t have asked for a better experience to coincide with AWP. Who says poetry can’t bring people together?

4. Favorite panels?

I am embarrassed to say that I didn’t go to any other panels (other than the one I was on with Bellevue Literary Review) because I had quite a lot of obligations (AWP-related and otherwise). I really wished I had. There were so many that looked amazing that I wanted to attend, but couldn’t, such as the one on Post-Genre Lit, Essaying the Essay, A Reading by Four Crab Orchard Series in Poetry Authors, Options of the I: The Post-Memoir Memoir, 40 Years of Poetry from Alice James Books, A Tribute to Adrienne Rich, the VIDA panel, and the Copper Canyon Press 40th Anniversary Reading.  Next year I am going to come in on Wednesday instead of Thursday late afternoon and try to get my schedule better organized because I’m kicking myself that I couldn’t get it together this year!

5. Most embarrassing AWP 2013 moment?

I have one big embarrassing AWP 2013 moment, which took place on Friday afternoon in the book fair. I ran into Rigoberto González, who I dearly love and who chose (and wrote the introduction for) my first book, The Glass Crib. We were chatting and he mentioned that Eduardo Corral was around (who we both know) and minutes after that, I called Rigoberto Eduardo no less than three times in the space of a five minute conversation. I am still mortified. He must think I’m completely daffy.

6. Fangirl/fanboy moment?

I’m not going to lie: I had the biggest fangirl moment when I discovered that I was reading with Richard Blanco. I about died. I’m really glad that I didn’t know that I was going to be reading with him because I probably would have passed out, wet my pants, or acted like a giddy 10-year-old. Luckily, I held it together long enough to do the reading.

The next day, my husband, Jeff, came over to me at the Perugia Press table (where I was signing copies of my book) and told me that Blanco was also signing books down the aisle. I told my editor, Susan Kan, that I would be right back and weaved in and out of the throng of people on the L aisle to get to where Blanco was calmly seated, pen in hand. I quickly snapped up a copy of his book and the chapbook of his inaugural poem and had him sign both. It was such a high to not only have read with him the night before, but to actually have a few minutes of face time with such a meaningful poet. I felt like the dorky creative writing undergrad that I once was chasing down poets in AWP to get them to sign copies of their books. It was awesome.

7. Did you participate in any AWP-related activities?

I participated in three AWP-related activities: the 10th Anniversary of the Bellevue Literary Review panel reading that took place on Friday morning, the Zone 3 Press/University of Wisconsin Press reading on Friday night, and I had a book signing for my recently-released second book, The Wishing Tomb, at the Perugia Press table on Saturday afternoon. I was a busy girl. I was also originally slated to do the Perugia Press 16th anniversary panel reading, but wasn’t able to in the end because of my flight schedule.

8. How was the infamous book fair at this year’s AWP?

I unfortunately didn’t spend much time at this year’s book fair (maybe a total of two hours) because I had so many obligations. I also didn’t find out there was a second floor to the book fair until Saturday (thankfully, for my wallet)! There are some years where I practically live in the book fair and come home with loads of books, journals, buttons, pens, matchbooks covers, and the like, but this didn’t turn out to be one of those years. What I did see of the book fair, however, looked amazing and I’m so upset that I didn’t at least get to have a peek at the second story! Who was up there?

9. What was included in your AWP book fair haul?

Even though I wasn’t able to spend much time at the book fair, I did manage to score some great things! I got: free copies of Poets & Writers, Looking for the Gulf Motel by Richard Blanco, One Today by Richard Blanco (the limited-edition chapbook of Blanco’s Inaugural poem), free copies of The Southeast Review, Predatory by Glenn Shaheen, Charms for Finding by Rebecca Kinzie Bastian, Bright Power, Dark Peace by Traci Brimhall and Brynn Saito, a copy of The American Poetry Review, a cool little notebook/pen set and nylon drawstring book bag from Zone 3 Press, a diode button, two bookmarks from Boxcar Poetry Review, and two of the coolest-designed books I’ve ever seen from idiot books (a new-to-me press): After Everafter and Ten Thousand Stories. I do wish I’d gotten more swag, but I’m pretty sure my suitcase (and my shoulders) doesn’t!

10. What is one bit of advice you could give to someone who’s never been to AWP and is thinking about going next year?

1. Wear comfortable shoes. Those girls who wear stilettos at AWP? They’re kidding themselves. 2. Take your gummy vitamins and Emergen-C as AWP is a cesspool of flus and colds. 3. You will not make every panel. 4. Budget your money wisely because it runs out faster than you’d think. 5. You will run into your frenemies. 6. The hotel bar is overrated and expensive. Go for the free wine and beer at the dance party instead. 7. You will fall down at least once. 8.That famous poet really doesn’t want to read your manuscript or blurb your book. 9. You will not have time to have meaningful conversations, unless you count a meaningful conversation as three minutes of hellos and one awkward photo taken on a camera phone. 10. It’s the best time ever.

Guest Blog Post, Brooke Passey: Top Ten Literary Newsletters

Before I started as an intern for Superstition Review, I wasn’t aware that most literary magazines and organizations send out biweekly newsletters. As I’ve become more acquainted with the literary scene, I’ve realized just how much information I have been missing. Let’s talk about why newsletters in general are so great.

First of all, newsletters are one of the best resources for compact and relevant literary information. They cover literary news, updates and advice from published authors, upcoming literary events, and articles on a wide range of beneficial writing topics.

Better yet, the information comes to you—delivered right to your inbox. Other sources of information such as Facebook, Twitter, and Google Reader are useful, but newsletters allow you to get the information as soon as it is published. Most newsletters are monthly or biweekly, so they won’t ever crowd your inbox.

Most importantly, they’re free! And who doesn’t like free things? Especially free things that help you to become a better writer, be involved in a network with successful authors, and stay up to date in the field.

Over the last few months I have subscribed to over 20 newsletters not only to improve my own writing skills, but also to take advantage of all the beneficial, interesting, and free information. Here are my top 10 newsletters. They are my favorites because they have consistently provided fresh and useful information along with dependable resources.

  1. Poets & Writers http://www.pw.org
  2. Poets.org https://www.poets.org
  3. The Paris Review http://www.theparisreview.org
  4. The Review Review http://www.thereviewreview.net
  5. The Nervous Breakdown http://www.thenervousbreakdown.com
  6. Tin House http://www.tinhouse.com
  7. Creative Nonfiction https://www.creativenonfiction.org
  8. Willow Springs http://willowsprings.ewu.edu
  9. Five Points http://www.fivepoints.gsu.edu
  10. Kenyon Review http://www.kenyonreview.org

And of course I recommend our own newsletter here at Superstition Review. Even my own mother subscribed recently. So join our mailing list by clicking here.

A Database for Literary Travelers from Poets & Writers Magazine

Poets & Writers Magazine has created Literary Places, a nifty database of U.S. destinations “where writers can visit for inspiration, to promote their writing, for research, and to discover community.” It includes over 130 historical sites, indie bookstores, literary archives, reading venues, writing centers, writers spaces and other places of interest. The database links to your “My P&W account” and to Google Maps, so writers can save locations and create personalized maps. The space includes an interactive map and is searchable by state, city, and even zip code.

For example, a search of Lenox, Massachusetts brought up “The Mount,” Edith Wharton’s estate in Lenox. A link provided a photo with a brief description of the site, a Google map, address, links to the website, their phone number, contact email, more literary places nearby, nearby conferences and residencies, writing contests, and a directory of area writers. A click on writers’ names takes you to the writer’s directory listing on Poets & Writers’ website.

Literary Places is a great resource for writers who travel and users can suggest places to build the database as well.

Launch of Issue 7: Fiction

Superstition Review Issue 7 has launched and to celebrate we will be featuring blog posts about our artists and authors. Today we will be highlighting a few of the talented fiction authors who are featured in Issue 7.

Aaron Michael Morales is an Associate Professor of English & Gender Studies at Indiana State University. His first novel, Drowning Tucson (2010)—cited by Esquireas “the bleakly human debut of the new Bukowski”—was named a “Top Five Fiction Debut” by Poets & Writers. Other books include a chapbook of short fiction, titled From Here You Can Almost See the End of the Desert (2008), and a textbook, The American Mashup (2011). He edits fiction for Grasslands Review and reviews books for Latino Poetry Review and Multicultural Review. He is completing his second novel, Eat Your Children. Read his fiction piece “A Shoebox. A Thimble. A Onesie” featured in issue 7. Aaron Morales’s Website

Samuel Kolawole’s fiction has appeared in Black Biro, Storytime, Authorme, Storymoja, Eastown fiction, forthcoming in jungle jim and elsewhere. His story collection The book of M is due to be out soon. A recipient of the Reading Bridges fellowship, Samuel lives in Ibadan, southwest Nigeria where he has begun work on his novel Olivia of Hustle House.
Read his fiction piece “Mud, if it Were Gold” featured in issue 7.

Rich Ives has received grants and awards from the National Endowment for the Arts, Artist Trust, Seattle Arts Commission and the Coordinating Council of Literary Magazines for his work in poetry, fiction, editing, publishing, translation and photography. His writing has appeared in Verse, North American Review, Massachusetts Review, Northwest Review, Quarterly West, Iowa Review, Poetry Northwest, Virginia Quarterly Review, Fiction Daily and many more. He is the 2009 winner of the Francis Locke Memorial Poetry Award from Bitter Oleander. His story collection, The Balloon Containing the Water Containing the Narrative Begins Leaking, was one of five finalists for the 2009 Starcherone Innovative Fiction Prize. In 2010 he has been a finalist in fiction at Black Warrior Review and Mississippi Review and in poetry at Cloudbank and Mississippi Review. Read his fiction piece “Who the Hell Does He Think He Is?” in issue 7.

Terese Svoboda‘s sixth novel, Bohemian Girl, will be published next fall. Her fifth, Pirate Talk or Mermalade (2010), is “a strange and nastily beautiful book,”—The Millions. Read her fiction piece “Madonna in the Terminal” in issue 7. Terese Svoboda’s Website

 

 

 

The full magazine with featured art and artists can be found here. Check back tomorrow to read about the interviews featured in Issue 7.