Hey there, readers! In the most recent bit of good news that’s floated by Superstition Review’s open windowsill, we are immensely pleased to announce that past contributor Barbara Crooker has a new book out called “Les Fauves,” which has been published by C&R Press. “Les Fauves” is a collection of ekphrastic poems that utilize the works of the Fauve and Post-Impressionist in order to move through the world, both as it is given and as it is withheld. Crooker’s poetry was featured in the Poetry section of our second issue, and can be viewed here. Go check out some reviews and order yourself a copy of “Les Fauves” here. A hearty congratulations to Barbara Crooker, and as always, feel free to let us know what you all liked about “Les Fauves,” as well as the rest of Crooker’s poetry, in the comments section down below.
Good afternoon! Superstition Review is elated to announce that past contributor Adam Houle’s first book, titled “Stray” will be dropping March 21st from the good folks over at Lithic Press. Lauded by press and peers alike, “Stray” features an updated version of one of Houle’s poems that were featured in the Poetry section of Issue 9, which can all be found here. Go pre-order your copy of “Stray” right here, right now, and behold the wonders of Houle’s poetry!
Hey there dear readers! Superstition Review is back after a brief hiatus with more good news: past contributor Victor Lodato’s essay “When Your Greatest Romance Is a Friendship” has been published in The New York Times‘ “Modern Love” column. Lodato was featured in our Interview section of Issue 8 in an interview conducted by former intern Marie Lazaro. In addition to being a recipient of the PEN Center USA Award for fiction, Victor Lodato has also been the recipient of fellowships from the Guggenheim Institute as well as the National Endowment for the Arts. His latest novel, “Edgar and Lucy” is out now from Macmillan, and can be found both online as well as at most major bookstores. Do yourself a favor and check out the essay here, and buy one (or two, or seven) copies of “Edgar and Lucy” here. Congratulations Victor, we couldn’t be happier to know you!
Hey readers! Superstition Review is proud to announce that Ruben Quesada, a former faculty member at Eastern Illinois University who was featured in the Poetry section of Issue 13, has been named a faculty member at the UCLA Extension, and will be teaching a course on Poetry and Popular Culture alongside Rosebud Ben-Oni this summer. Do yourself a favor, and check out Ruben Quesada’s poem “On Witness” here, and stay tuned to the blog for more updates on the beautiful happenings here at Superstition Review.
Congratulations to our former contributor Stevie Edwards! Stevie’s poem, Sadness Workshop, is a finalist for the Button Poetry chapbook. Superstition Review first published Sadness Workshop in Issue 17 with three other poems by Stevie. Button Poetry produces and distributes poetry media, including: video from local and national events, chapbooks, collaborative audio recordings, scholarship and criticism, and many other products. Keep an eye out for their upcoming chapbook, on their facebook and on their website.
To me art must tell a story, whether it is a complex one or a simple one. Looking at a piece of artwork and having an emotional response means the artist did his or her job. One of my favorite leisurely activities is to go to an art museum with my dad and try to figure out the story behind what the artist is conveying through the piece. Whether we come up with serious stories or sometimes silly ones, everyone sees art differently and that is what I love about art: it speaks to us all in a different way.
I enjoy a variety of mediums when it comes to art, but the two I enjoy a little more are photographs and oil paintings. Photographs can take you back to a memory you long to relive and a gorgeous oil painting can make your wildest dreams take flight on a canvas.
There is a beauty to complex pieces of art as well as beauty in simplicity. Picasso said, “Everything you can imagine is real.” So create it- any way imaginable. Tell a story in the craft, complexity and simplicity of it all.
Ashlee Cunningham is a sophomore at Arizona State University pursuing an undergraduate degree in Intermedia Art. She is the Art Editor for Superstition Review and has loved growing her knowledge of art. When she is not in class you can find her capturing life through the lens of her camera.
Editorial Preferences in Fiction: H. Rae Monk (Spring 2017)
I remember fondly an Advanced Fiction class, where my peers and I workshopped two previously published short stories. The first piece took up only a few minutes of discussion, because everything about the craft, the content and the emotion was air-tight. The second, with many a swiftly moving editing pen and several hands risen, in need to remark on this or that took much, much longer to finish with. I think the instructor had us do this exercise for multiple reasons, however I remember the experience, because I couldn’t help asking, “Why did so-and-so publish this when it’s so obviously not a fully realized draft?” I think there has to be an honesty contract between editors and those who submit. I won’t push a story for consideration because it’s just “good enough”, but I’ll advocate for stories that I believe in, from the title to the final punctuation mark.
I love short literary fiction because there are no places to hide; unnecessary information is erased, prose are polished, and a truth about genuine human experience and emotion remain. I search for fearless, relatable, fully-formed stories that keep me engaged from the first sentence to the last. I tend to focus on stories with clean, well-paced writing, attention to detail, sentence variation, as well as situations and interactions that subvert my expectations. E. Annie Proulx writes, “I find it satisfying and intellectually stimulating to work with the intensity, brevity, balance and word play of the short story.” I look forward to working with, and helping put the concise beauties of submitting contemporary authors out into the public eye.
Bio: Student Fiction Editor H. Rae Monk is a Wyoming native and an almost graduate of ASU’s Creative Writing program. When she isn’t reading every book that comes under her nose, she enjoys creating short fiction driven by characters that see the world through the lens of their abnormal vocations. She also enjoys strong coffee, bouldering, traveling on a tiny budget with a big backpack and engaging with her local literary community. Her future plans are constantly changing, but she is considering both MFA programs and jobs in publishing.