Guest Post, Diane Payne: From Migration to Hibernation

Back in the dial-up day, before there were so many online literary magazines and publishing resources, I used to scroll through the Call for Submissions in the print version of Poet and Writers, looking for anthology themes as a means to find inspiration to start writing about something, anything.  Now the calls for submissions flood my Facebook and Twitter feed, entangled between the endless calls to sign petitions, dogs howling at TV videos, and the tiresome parenting memes. The expediency of posts is overwhelming. At night, my dreams are filled with so many imaginary Instagram and Snapchat images, I feel unmotivated and unable to write notes in my dream journal.

This past week, on a day when I thought things couldn’t become even more bleak at work, they did.  Then a call for submission flashed by with the theme:  A World in Pain. Seemed like a twisted moment of fate.

But I did not want to address this theme about our World in Pain since that has seemed to be our country’s mantra since the last presidential election. The dogs and I took the easy way out and we left for a walk.

When I returned from the walk, for some stubborn reason I decided to tackle this unpleasant theme, but not in my usual creative nonfiction form, but as a migrating bird flying from Canada to Mexico, flying over those borders with relative ease, free of the Facebook and Twitter feeds, the endless news on TV and radio. At times, the effects of climate change made the journey more difficult, and the bird learned to be on the lookout for the elderly, who have already endured a life time of personal tragedy, leaving them less grief-stricken and immobilized, and more enthusiastic about the arrival of the birds.

Then the short story ended and I felt a little better about life.

Until I submitted the story and discovered that the  magazine had closed their fiction submissions early, perhaps even at the very moment I tried to send the story, because just the day before, I could have submitted the story, had I not decided to sleep on it first. Perhaps this was their own personal twist to their theme of pain.

And then, just like that, another call for submission emerged with a climate change theme, and that bird flew off for another migration while my submission now enters a form of hibernation.

Iron City Magazine Open for Submissions

Iron City Magazine LogoWe are happy to share news that Iron City Magazine is currently accepting submissions for their third issue.

Iron City Magazine is, as put by Jessica Fletcher — former Superstition Review Intern and Iron City Magazine’s fiction editor — a “journal devoted entirely to writing and art from the prison world.” The journal publishes these works to help show that prisoners are not solely defined by their crimes, but are human also.  Submissions are limited to current and former inmates, prison volunteers, and staff.

The submission deadline is April 15th, 2018.

Iron City Magazine can also be supported through donation here.

For greater detail about Iron City Magazine’s mission and submission guidelines visit the Iron City Magazine’s website.

 

Editorial Preferences in Fiction: John Chakravarty

Reading submissions for Superstition Review allowed me to think about the stories I love to read. I’ve found that the best stories have a character I can connect with, and also an interesting problem.

There are so many elements that can make a piece of writing good. The first thing that comes to mind is characterization, which means creating round characters, with both internal and external struggles, and a full life that exists outside the page. My sister says that when she finishes a good book, she sometimes misses the characters and the time that she’s spent with them. One of my professors will always remind us in class not to say the word character, because writers are actually creating souls.

But it’s not enough to have an interesting character sitting in a room doing nothing. What makes a character truly endearing and relatable is their problems and how they choose to deal with them. Even Nick Carroway and Jay Gatsby without their dramatic love affairs would likely not hold a reader’s attention very long.

This is where I feel we get the human experience: when we read about someone relatable that has a problem foreign to us. Or someone that is completely foreign to us, and how they’ve overcome their problems (or not). Stories are about what a character wants and what they are willing to go through to get it. These struggles create an empathetic connection between the reader and the outside world.

Scientific American recently highlighted a study that found reading literary fiction helps young students to learn empathy. The experiment presented young groups with various types of reading; literary fiction, genre fiction, nonfiction, and nothing. The young readers that read literary fiction were significantly stronger at inferring others’ thoughts and emotions. Through seeing someone else’s trials and tribulations, a person is able to learn better how to interpret other people.

Interesting souls with interesting problems create the basis of fiction that empathetically moves readers. These are the kinds of stories that I love; stories that help to build an understanding of the world around us.

Fiction Editor for Issue 20 of Superstition Review

Bio: John Chakravarty is an undergraduate student at ASU majoring in English and Creative Writing. He is the Fiction Editor at Superstition Review. He also interns at Four Chambers Press reading submissions. When he graduates he hopes to write, edit, and publish for the comic book industry.

#ArtLitPhx: Chocolate and Art Show Phoenix 2017

Chocolate and Art ShowChocolate and Art Show Phoenix is seeking both attendees and artists! Chocolate and Art Show is one of the biggest underground art shows in Phoenix. It boasts over 1,500 attendees per show. As they say, “There is something for everybody, including live body painting, live music, face-painting, and free chocolate!”

The show will take place on Thursday, September 14 and Friday, September 15. It will go from 8pm until 2am both nights. It will take place at The Monorchid Gallery (214 E Roosevelt Street, Phoenix, AZ 85004). You must be 21+ to attend. Tickets can be bought via Eventbrite, ranging from $5 to $15 depending on time of purchase. They can also be bought at the door for $20.

Chocolate Fountain at Chocolate and Art Show

If you’re an artist, the show is also still accepting art submissions of all mediums! Artists can sell their artwork at the show for 100% commission. If you’re interested, email ChocolateAndArt@gmail.com or fill out this form.

For more information, check out their website or their Facebook page.

Intern Update: Elijah Matthew Tubbs

A warm welcome on this warm afternoon, everybody! Today, Superstition Review is proud beyond reason to announce that former intern Elijah Matthew Tubbs, who was with us for the Fall of 2015 and the Spring of 2016, was recently featured by the good folks over at Passages North, an annual literary journal sponsored by Northern Michigan University, with his poem titled “In through a Door, out a Window.” Elijah is the founder of ELKE “a little journal,” which you can check out here, and his poem over at Northern Passages can be read here. Our congratulations to Elijah, and to our dear readers, stay posted for further updates on the successes of the staff and contributors of Superstition Review.

Former intern Elijah Matthew Tubbs, whose poem "In through a Window, out a Door" was featured over at Northern Passages.

Former intern Elijah Matthew Tubbs, whose poem “In through a Window, out a Door” was featured over at Northern Passages.

Contributor Update: Jennifer Givhan

Good afternoon, dear readers! We here at Superstition Review are thrilled to announce that past contributor Jennifer Givhan, who was featured in the Poetry section of our 14th issue, has won the 2017 Blue Light Books Prize for her collection “Girl With Death Mask.” Says contest judge Ross Gay “How many times I found myself looking into space, sort of shaken, sort of grasping, turning and turning inside a line or phrase, inside an image or metaphor, inside some devastating music while reading these poems, I do not know. But again and again. Put it like that.  These poems beautifully, convincingly do what I hope poems might–they disrupt what I know, or what I thought I knew. And in that way they invent for me a world.  A world haunted and brutal, yes. But one mended, too, by the love and tenderness and vision and magic by which these poems are made.” The winning collection will be published in 2018 by Indiana University Press, but you can get a taste of Givhan’s work now, by checking out her poem here.

Stay posted for more contributor updates!

Past contributor Jennifer Givhan, whose collection of poetry “Girl With Death Mask” won the 2017 Blue Light Books Prize.

Contributor Update: Victor Lodato

Morning, readers! Today we’ve got a spectacular bit of news: past contributor Victor Lodato, who was featured in the Interviews section of our 8th issue (which can be read here), has published his newest novel, titled “Edgar & Lucy,” out now from St. Martin’s Press. Hailed by the New York Times as a “riveting and exuberant ride,” Lodato’s novel can be purchased here. Do yourself a favor and read the novel Lodato spent ten years in the making, and see for yourself exactly why we here at  Superstition Review think that “Edgar & Lucy” is destined to be your new favorite book.

Buy this book!

“Edgar & Lucy,” the new novel out from St. Martin’s Press by past contributor Victor Lodato.