Editorial Preferences in Fiction: Spencer Litman

One of the most important realizations of my life was that people are not one way, that they often do and say conflicting things not out of malice or to deceit, but because it a necessary part of the ever-changing human condition. There is a sort of dialectic behavioral therapy that must take place within all of our minds when we consider that good people can do very bad things and bad people can do very good things. This is the dynamic nature of humanity. It is unavoidable. It might be the only unchanging and shared characteristic of humanity.

And it is for this reason that I am drawn to literary fiction. There often isn’t a clear line between good and bad. The characters in literary fiction make terrible choices and deal with the repercussions. As a reader and editor, I want to read stories that sink deep into these chasms between right and wrong, stories that teach us something about what it means to be fallible and imperfect. I want to read stories that challenge me, that make me so angry I hold my breath until the final sentence, so sad that I think of the characters long after I finish the stories. I want to see myself and my flaws laid out before me. I want to read narratives that do not pass judgement but present a situation and ask me to consider a point of view I may never have arrived at myself.

Literary fiction is a conversation between all of the writers in the world, constantly arriving at theses only to have them blown up and reordered by the next. Show me a side of humanity only you can construct, the things that make your perception unique.

But above everything, I want to feel something. I want to finish a story, let take root in my brain and change my long-held beliefs. Whether it is characters, setting, plot, language, form, it doesn’t matter. The stories that stick with me are the ones that make me think about life in a way I couldn’t or wouldn’t. This is the goal of fiction, and this is the fiction I want to see adding to the literary conversation.  

Spencer Litman is the fiction editor for Issue 23. He is a fiction writer and essayist living in Phoenix with his wife, Kristine, and his two children, Jayden and Aubrey. He is finishing his undergraduate degree in English with a creative writing concentration and hopes to attend an MFA program somewhere cold, with pine needles and snow.

Contributor Update, Terese Svoboda: Great American Desert

Terese SvobodaToday we are happy to share news about past contributor Terese Svoboda. Terese’s new short story collection Great American Desert is to be published by Mad Creek books. The collection has found its home in the new genre of ‘cli-fi’, or climate fiction, as it explores the relationship between man and earth from the past to distant future.

The collection launches at the Corner Bookstore on March 26th at 6 pm in New York City. Terese will be in Phoenix to teach a workshop at Pipers Writing Studio on April 20th.

S[r]’s author interview with Terese can be found here, and her short story “Madonna in the Terminal” can be found here.

Congratulations Terese!

Contributor Update, Jenn Givhan: Trinity Sight

Today we are thrilled to share news of past contributor Jenn Givhan. Jenn’s debut novel, Trinity Sight, is available for preorder from Blackstone Publishing, and will be published October 1, 2019. The novel, inspired by indigenous oral-history traditions, takes a new spin on dystopian fiction. Jenn’s characters are confronted with dueling concepts of science, faith, modern identity and ancestral tradition as they attempt to understand how the world fell apart.

The book is available for preorder here.

Congratulations Jenn!

Contributor Update, Pam Houston: Deep Creek, Finding Hope in the High Country

Today we are happy to share the news of past contributor Pam Houston. Pam’s memoir “Deep Creek: Finding Hope in the High Country” was just published by W. W. Norton & Company in January of 2019. Reminiscing about her life living in the Colorado Rockies, Pam discusses the beauty and pain of human life and her ties to the earth, specifically her 120-acre ranch. The memoir not only includes her essays but also 12 of the author’s own black and white photographs.

The book can be purchased here, and information about her signing event at Bookshop Santa Cruz can be found here.

Congratulations Pam!

Editorial Preferences in Art: Shalanndra Benally

Through the process of curating art, I would say that I have gained new eyes for looking at different pieces of work. I can admit that I was never one to look at art in the manner of color, context, and composition before. I mainly base what I like on no other context other than just liking the way things look.

I think art as a medium can be something over saturated with the sheer number of artists, but I believe that I have learned so much. Through this journey I was also able to differentiate an artist from a hobbyist.

Looking at art now, I am finding myself drawn to artists that have a lot of work and specifically work that contains the three C’s. The first aspect I like to look for is composition. I really like to take composition into consideration and make sure that it matches the Superstition Review and what the audience would engage with. Secondly, I like to look into the context of the piece. Not simply understanding what the piece looks like, but taking the time to understand what the underlying theme is or what the piece is trying to say. And of course, taking color into consideration with each piece. All of these elements have helped me understand on a different level of viewing and appreciating art.

With that being said, I don’t particularly have a specific type of art I enjoy, I can look at any piece of work from any medium and still be able to apply what I have learned.

Overall, I am very grateful and pleased that I am able to see art differently. And I will continue to utilize what I have learned as I flourish throughout the art community.

Shalanndra Benally is the art editor for issue 23. She is currently in her first semester of her Senior year at Arizona State University studying Digital Culture with a concentration in Design. Currently she is working on the design team for TEDx at ASU, as well as being the sole designer for the 40th annual Ms. and Mr. Indian ASU. She is always looking for new opportunities to show off her artistic abilities and demonstrate her extensive design experience. After graduation she hopes to work in digital media or another creative field.

#ArtLitPhx: Meet Your Literary Community

#artlitphxMeet Your Literary Community

Event Description:

Meet your literary community at the Open Air Market at the Phoenix Public Market Saturday, October 6, 2018 from 8:00 a.m to 12:00 p.m.

Featuring the Virginia G. Piper Center for Creative Writing, Wasted Ink Zine Distro, Cardboard House Press, PC Rising, Superstition Review, Hayden’s Ferry Review, Lux Undergraduate Creative Review, Normal Noise and more.

Additional space will be provided for local authors and other literary organizations and groups to engage with the community. If you’re interested in participating, learn more by visiting our website at http://piper.asu.edu/events/meet-your-community.

More information about activities and programs will be announced soon.

#ArtLitPhx: Poetry Reading: Morgan Parker and Tommy Pico

#artlitphx

 

 

 

 

 

 

 

 

This is a free event open to the public.
Reserve your spot at tickets.phxart.org

About the poets:

Morgan Parker is the author of Other People’s Comfort Keeps Me Up At Night (Switchback Books, 2015) and There Are More Beautiful Things Than Beyonce (Tin House Books, 2017). She is a Cave Canem graduate fellow and a Pushcart Prize winner. With poet Angel Nafis, she runs The Other Black Girl Collective, an internationally touring Black Feminist poetry duo. She lives in Brooklyn. -Poetry Foundation

Tommy Pico is a writer and karaoke enthusiast. Originally from the Viejas Indian reservation of the Kumeyaay nation, he currently lives in Brooklyn. -Poetry Foundation

Presented with the University of Arizona Poetry Center. Sponsored by the Virginia G. Piper Center for Creative Writing, the Creative Writing Program at Arizona State University, the Literary and Prologue Society of the Southwest, Superstition Review, and the Angela and Leonard Singer Endowment for Performing Arts.