Authors Talk: Benjamin Soileau
Today we are pleased to feature Benjamin Soileau as our Authors Talk series contributor. With jazzy Louisiana music playing lightly in the background, Ms. Kennedy Soileau—Benjamin’s wife, first reader, and editor—interviews Benjamin about his writing process and recent fiction piece, “What Paul Would Do,” published in SR’s Issue 23.
Benjamin explains that the idea for his short story stemmed from an old family memory: one where his father would send Benjamin and his little brother outside into the garden with a jar and list of bugs to catch for some pocket change. From here, writing “What Paul Would Do” came naturally, unlike some of Benjamin’s other stories. However, he explains that the biggest challenge in writing “What Paul Would Do” was working with the interrupted grief in Gayle’s character. In reflecting on Gayle, Benjamin notices nearly all of the characters in his story grapple with “a grief interrupted.”
Kennedy remarks that she finds the protagonist’s simultaneous likability and reprehensible action to be an interesting “balance act.” To this, Benjamin acknowledges, “We’re all capable of terrible things. Just like, you know, we’re capable of good things. Terrible. Beautiful. We’re all mixed up.”
Benjamin and his wife also take time to discuss the way he captures cajun-style dialogue and story structure with his language. Although some of his inspiration may have come from Joel Chandler Harris’ Uncle Remus stories or Roald Dahl’s “Lamb to the Slaughter” (which he read around the time he composed “What Paul Would Do”), Benjamin explains that his ability to construct the voices in his stories comes from listening to the family voices in his grandmother’s kitchen who “spoke French half the time.” He believes this particular voice is dying while the “land is slipping away” and “the culture, of course, is going with it.”
Benjamin and Kennedy also consider their unique relationship, with Benjamin acting as a writer and husband and Kennedy acting as his editor and wife. Benjamin mentions the challenges of this editing process, but he notices it gives him someone to write for and impress. Kennedy explains how their relationship dynamic switches to a writer-editor relationship during this editing phase. While she feels apologetic about marking up his story with a red pen, she likes to see how the stories change between the first and last drafts. Benjamin concludes, laughing “They usually do [change], quite a bit. I wish they’d change a lot quicker.”
You can read Benjamin’s work, “What Paul Would Do,” in Issue 23 of Superstition Review.
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