Authors Talk: Heidi Czerwiec
Today we are pleased to feature Heidi Czerwiec as our Authors Talk series contributor. In this podcast, she takes the time to discuss her nonfiction piece, “The Perfumer’s Organ,” published in SR’s Issue 23. The essay is part of a larger work-in-progress that examines “perfume as a physical and cultural object.”
“The Perfumer’s Organ,” which contains five short sections that each explore a different association with the piece’s title, was “born during a self-organized retreat at [her] in-law’s lake cabin” where she was armed with research and notes about perfumery.
Research is an important part of Heidi’s creative process, which you can see reflected in the essay’s footnotes. For this particular nonfiction piece, she looked to her research for recurring language. She explains, “For instance, ‘perfumer’s organ’ is a musical metaphor which let me tie in how perfume is composed of notes that create an accord.”
Heidi first learned the term “Perfumer’s Organ,” which describes a perfumer’s shelving system, from Perfumer Mandy Aftel, but she originally misinterpreted the phrase to mean “the nose.” As Heidi continued her research and writing, the term began to take on new meaning and she fell in love with the “rich suggestiveness of the term” that gave her a way to “organiz[e] so much of what [she] had been researching about perfume.”
Heidi calls her aesthetic a “weird mix of strict structures and loose associativeness,” which this nonfiction piece encapsulates beautifully. Because the essay captures her aesthetic so well and the title phrase helped her see the various connections she wanted to make, the work has become “one of [her] darlings” that she “love[s] irrationally” and is happy to share with all of our SR readers.
You can read Heidi’s work, “The Perfumer’s Organ,” in Issue 23 of Superstition Review.
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