#ArtLitPhx: Borderlands Poetry

 

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Event Description:

Natalie Diaz and [archi]TEXTS present Borderlands Poetry: A Reading and Conversation with Eduardo C. Corral benefitting No More Deaths/No Más Muertes

Date(s): Monday, November 19, 2018, 6:30 p.m. – 8:30 p.m.
Location: Pima Auditorium, Memorial Union, Arizona State University, 301 E. Orange St., Tempe, AZ 85281
Type(s): Conversation, Discussion, Lecture, Reading
Genre and Form(s): Multi-genre, Poetry
Cost: Free; Suggested donation to No Más Muertes

Live streaming will be available at the date and time listed at https://asunow.asu.edu/asulive

To make a donation to No Más Muertes, visit https://donatenow.networkforgood.org/nomoredeaths?code=asu

To learn more and RSVP, visit http://piper.asu.edu/classes/eduardo-c-corral/borderlands-poetry

About the Conversation
What are the physical and metaphysical conditions of borders and borderlands? How do borders span the imaginary, emotional, and physical landscapes of the human condition? Join a conversation and reading with poet and educator, Eduardo Corral, exploring the imaginative, bodily, societal, political, emotional, physical, and linguistic impacts of borders to us as human beings, our connections, and our artistic bodies of work.

Fundraising for No Más Muertes
This conversation benefits No Más Muertes (No More Deaths), a humanitarian organization based in southern Arizona dedicated to increasing efforts to stop deaths of migrants in the desert. Their mission is to “end death and suffering in the Mexico–US borderlands through civil initiative: people of conscience working openly and in community to uphold fundamental human rights” (No Más Muertes).

About Eduardo C. Corral
Eduardo C. Corral is the author of Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. His second book, Guillotine, will be published by Graywolf Press in 2020. He’s the recipient of Whiting Writers’ Award, a National Endowment for the Arts Fellowship, the Holmes National Poetry Prize and the Hodder Fellowship, both from Princeton University. He teaches in the MFA program at North Carolina State University.

Presented by [archi]TEXTS and the Virginia G. Piper Center for Creative Writing at ASU

Original photo credits: Sonoran desert by No Más Muertes; Eduardo C. Corral by Matt Valentine.

#ArtLitPhx: Maggie Smith: Reading

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Date: November 29th

Time: 7:00pm

Location: University of Arizona: Poetry Center, 1508 E Helen St, Tucson, AZ 85719

Event Description:

We are proud to present Maggie Smith, who will read from her work. After the reading, there will be a short Q&A and a book signing.

Maggie Smith’s fall residency is presented with support from the Amazon Literary Partnership.

#ArtLitPhx: ASU Undergraduate Writers Showcase

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Event Description:

Join the Virginia G. Piper Center for Creative Writing for our second-annual ASU Undergraduate Writers Showcase, Thursday, November 15, 2018 at the Piper Writers House (450 E Tyler Mall, Tempe, AZ 85281) from 7:00 to 9:00 p.m.!

To RSVP or submit your work, visit our website at http://piper.asu.edu/events/2018/asu-undergraduate-writers-showcase. The deadline for submissions is October 19, 2018.

While encouraged, RSVPs are purely for the purposes of monitoring attendance, gauging interest, and communicating information about parking, directions, and other aspects of the event. This event is open to the public and free.

A final line-up of readers will be announced November 1st.

#ArtLitPhx: Mesa Arts Festival

 

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Date: December 8-9

Time: 10:00 am

Event Description:

The Mesa Arts Festival is the best place to kick-start your holiday spirit and finish off your shopping list. Snack on culinary delights as you stroll through the wide array of handmade offerings from local, regional and national artists. Bring the whole family for free children’s activities. It’s not a festival without entertainment so we’ve got two stages packed with amazing talent.

FREE parking and admission!

https://www.mesaartscenter.com/mesaartsfestival

#ArtLitPhx: First Fiction at First Draft

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Event Description:

It’s back! First Fiction returns to Changing Hands Bookstore, now at our own First Draft Book Bar.

Three first-time fiction writers read excerpts from their buzz-worthy novels while YOU enjoy happy hour prices at the bar. Afterwards, we’ll open the floor to questions, then enjoy an informal mixer with the authors, who will meet attendees, take photos, and sign their books.

FREE EVENT / VIP OPTIONS
The event is free, but you can also select from two VIP options, both of which entitle you to a pre-event mixer with the authors, all three books, an exclusive First Fiction tote, a free drink from our First Draft Book Bar, and complimentary light refreshments.

EVENT DETAILS RSVP: free: Entry to the FREE event starting at 7pm. → VIP Package 1: $85 + fees: Admission for one (1) person to an EXCLUSIVE pre-event Meet & Greet with the authors (get pictures taken, mingle, one free drink, and free light refreshments), plus a collectible First Fiction tote, a reserved seat for the event, one (1) copy of THE INCENDIARIES, one (1) copy of FRUIT OF THE DRUNKEN TREE, and one (1) copy of FRIDAY BLACK. → VIP Package 2: $100 + fees: Admission for two (2) people to an EXCLUSIVE pre-event Meet & Greet with the authors (get pictures taken, mingle, two (2) free drinks, and free light refreshments), plus a collectible First Fiction tote, reserved seats for the event, one (1) copy of THE INCENDIARIES, one (1) copy of FRUIT OF THE DRUNKEN TREE, and one (1) copy of FRIDAY BLACK.

The EXCLUSIVE pre-event Meet & Greet (with the purchase of a VIP Package) takes place from 6-7-pm.

FREE PARKING / LIGHT RAIL

  • Don’t want to drive? Take the Light Rail! It lets off at the Central Avenue/Camelback Park-and-Ride, which has hundreds of free parking spaces across the street from Changing Hands.

ABOUT THE BOOKS

The Incendiaries by R. O. Kwon

The Incendiaries probes the seductive and dangerous places to which we drift when loss unmoors us. In dazzlingly acrobatic prose, R. O. Kwon explores the lines between faith and fanaticism, passion and violence, the rational and the unknowable.” Celeste Ng, author of LITTLE FIRES EVERYWHERE and EVERYTHING I NEVER TOLD YOU

Phoebe Lin and Will Kendall meet in their first month at prestigious Edwards University. Phoebe is a glamorous girl who doesn’t tell anyone she blames herself for her mother’s recent death. Will is a misfit scholarship boy who transfers to Edwards from Bible college, waiting tables to get by. What he knows for sure is that he loves Phoebe. Grieving and guilt-ridden, Phoebe is drawn into a secretive cult founded by a charismatic former student with an enigmatic past. When the group commits a violent act in the name of faith, Will finds himself struggling to confront a new version of the fanaticism he’s worked so hard to escape. Haunting and intense, The Incendiaries is a fractured love story that explores what can befall those who lose what they love most.

Fruit of the Drunken Tree by Ingrid Rojas Contreras.

“When women tell stories, they are finally at the center of the page. When women of color write history, we see the world as we have never seen it before. In Fruit of the Drunken Tree, Ingrid Rojas Contreras honors the lives of girls who witness war. Brava! I was swept up by this story.” Sandra Cisneros, author of THE HOUSE ON MANGO STREET

Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city’s guerrilla-occupied slum, Chula makes it her mission to understand Petrona’s mysterious ways. But Petrona’s unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls’ families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author’s own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricably linked coming-of-age stories. In lush prose, Rojas Contreras has written a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

Friday Black by Nana Kwame Adjei-Brenyah

“This book is dark and captivating and essential…A call to arms and a condemnation. Adjei-Brenyah offers powerful prose as parable. The writing in this outstanding collection will make you hurt and demand your hope. Read this book.” — Roxane Gay

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by Ice King” show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

ABOUT THE AUTHORS

R. O. KWON is a National Endowment for the Arts Literature Fellow. Her writing is published or forthcoming in The Guardian, Vice, Buzzfeed, Time, Noon, Electric Literature, Playboy, and elsewhere. She has received awards from Yaddo, MacDowell, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, Omi International, the Steinbeck Center, and the Norman Mailer Writers’ Colony. Born in South Korea, she has lived most of her life in the United States.

INGRID ROJAS CONTRERAS was born and raised in Bogotá, Colombia. Her essays and short stories have appeared in the Los Angeles Review of Books, Electric Literature, Guernica, and Huffington Post, among others. She has received fellowships and awards from The Missouri Review, Bread Loaf Writer’s Conference, VONA, Hedgebrook, The Camargo Foundation, Djerassi Resident Artists Program, and the National Association of Latino Arts and Cultures. She is the book columnist for KQED Arts, the Bay Area’s NPR affiliate.

NANA KWAME ADJEI-BRENYAH is from Spring Valley, New York. He graduated from SUNY Albany and went on to receive his MFA from Syracuse University. His work has appeared or is forthcoming in numerous publications, including Guernica, Compose: A Journal of Simply Good Writing, Printer’s Row, Gravel, and The Breakwater Review, where he was selected by ZZ Packer as the winner of the 2nd Annual Breakwater Review Fiction Contest. Friday Black is his first book.

#ArtLitPhx: Poetry of Witness with Andrea Scarpino

 

 

 

 

 

 

 

 

Event Description:

Poetry of Witness. Poetry as Trace with Andrea Scarpino

Date: Friday, November 16, 2018, 5:30 to 8:30 p.m.
Location: Piper Writers House, 450 E Tyler Mall, Tempe, AZ 85281
Individual Course Cost: $119 Regular, $107 ASU, $99 Student
Two-Course Bundle: $210 Regular, $189 ASU, $175 Student

Poetry of the Body with Andrea Scarpino takes place the following day, Saturday, November 17, 2018 from 10:00 a.m. to 1:00 p.m. Both classes can be bundled for additional savings.

To learn more and register, visit http://piper.asu.edu/classes/andrea-scarpino/two-poetry-workshops

About the Class:
The poet Carolyn Forché describes poems of witness as bearing “the trace of extremity within them . . . the poem might be our only evidence that an act has occurred.” Traditionally, this has meant bearing witness to atrocities like war or genocide, but we will take a more expansive look at the form and how to bear witness to our own lives and to our own stories. This could include bearing witness to homophobia or racism, environmental degradation, or sexual harassment (#metoo), but it could also include bearing witness to difficult relationships, to a health crisis, or to the death of someone we love. In this workshop, we will read and discuss poems of witness, generate our own poems of witness through writing prompts, and workshop our writing together.

About the Instructor:
Andrea Scarpino is the author of the poetry collections Once Upon Wing Lake (Four Chambers Press, 2017), What the Willow Said as it Fell (Red Hen Press, 2016) and Once, Then (Red Hen Press, 2014). She received a Ph.D. in Creative Writing from Bath Spa University and an MFA from The Ohio State University. She has published in numerous journals, is co-editor of Nine Mile Magazine, and served as Poet Laureate of Michigan’s Upper Peninsula 2015-2017. Her upcoming edited anthology is Undocumented: Great Lakes Poets Laureate on Social Justice (MSU Press).