Submissions are now open for the fiction portion of The Restless Books Prize for New Immigrant Writing, judged by Maaza Mengiste, Javier Molea, and Ilan Stavans. Novels or collections of short stories will both be considered for the grand prize of $10,000 and publication of their work. There is no application fee, however, applicants can only submit once. Applicants must be first-generation U.S. residents who have not previously published a book in English. All entries must be submitted under the author’s legal name.
Submissions are now open for Indiana Review‘s 2015 1/2 K Prize, judged by Kim Chinquee. Work from any genre will be considered–just as long as it’s under 500 words. Entrants may send up to three pieces of up to 500 words per submission. All entries are considered anonymously. Multiple entries are OK, but the entry fee is non-refundable if the submitted work is accepted elsewhere.
For an upcoming issue, Creative Nonfiction is seeking new essays about THE WEATHER. We’re not just making idle chit-chat; the weather affects us all, and talking about the weather is a fundamental human experience. Now, as we confront our changing climate, talking about the weather may be more important than ever.
Send us your true stories—personal, historical, reported—about fog, drought, flooding, tornado-chasing, blizzards, hurricanes, hail the size of golfballs, or whatever’s happening where you are. We’re looking for well-crafted essays that will change the way we see the world around us.
Essays must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element and reach beyond a strictly personal experience for some universal or deeper meaning. We’re looking for well-written prose, rich with detail and a distinctive voice; all essays must tell true stories and be factually accurate.
A note about fact-checking: Essays accepted for publication in Creative Nonfiction undergo a rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and it should, at least to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.
Creative Nonfiction editors will award $1,000 for Best Essay and $500 for runner-up. All essays will be considered for publication in a special “Weather” issue of the magazine.
Guidelines: Essays must be previously unpublished and no longer than 4,000 words. There is a $20 reading fee, or $25 to include a 4-issue subscription to Creative Nonfiction (US addresses only). If you’re already a subscriber, you may use this option to extend your current subscription or give your new subscription as a gift. Multiple entries are welcome ($20/essay) as are entries from outside the United States (though due to shipping costs we cannot offer the subscription deal). All proceeds will go to prize pools and printing costs.
November may be National Novel Writing Month (NaNoWriMo), but for ASU students and Tempe residents who’d rather try their hand at shorter works, this is also the month to start preparing for a new spring writing challenge.
The writing contest, which invites submissions in the genres of poetry, short fiction and nonfiction, is open to all Tempe residents, Tempe Library cardholders and all ASU students.
Entries will be accepted between Jan. 15, 2015 and Feb. 15, 2015 at this online submission link, and individuals may submit one piece in each genre if they wish. Entries will be read anonymously within three judging categories: high school student, college student (undergraduate or graduate) and community adult. One winner from each entry category will be chosen for each genre.
“The contest was the idea of several of the Tempe Public Library staff,” explains Jill Brenner, adult services librarian. “We’ve recently been offering more programming for writers as a natural extension of library services. The response has been fantastic, so we wanted to take it one step further.
“We immediately thought of ASU as a partner, since several of our writing workshops are being presented by ASU faculty members,” says Brenner.
She began collaborating in August with Jeanne Hanrahan, faculty associate and liaison for ASU Academic Success Programs, and Duane Roen, College of Letters and Sciences interim dean, to organize the contest and enlist judges from the university’s creative writing community.
“I thank the many faculty and staff who have enthusiastically stepped up to support the contest, and hope faculty across ASU will encourage their students to submit their writing,” observes Roen, who enjoys leading Tempe Public Library workshops to inspire family-history writing. “The process of writing, like any of the arts, can be an outlet for expression and a lifelong journey that enriches our individual lives and our communities.”
The Tempe Community Writing Contest winners will be announced in the spring and celebrated at a reception at Tempe Public Library. Winning entries will also be published on the library’s website. Additional information and contest details and a PDF of the contest announcement can be found at the Tempe Public Library events webpage.
For more information visit: https://asunews.asu.edu/20141110-tempe-writing-contest
Sonora Review — the graduate-run literary journal from the University of Arizona — has just announced its 2013-14 Poetry Contest. The contest will be judged by Eduardo C. Corral, has a deadline Feb. 14, 2014, and will award $1000 to the winner. The entry fee is $15, and all submissions will be considered for publication in Issue 66 of Sonora Review.
Past winners of Sonora Review’s Poetry Contest include Shawn Fawson, Rebecca Kutzer-Rice, and Michael Tod Edgerton.
Past judges include Dawn Lundy Martin, D.A. Powell, and Caroline Bergvall.
For the past year, Treehouse has been dedicated to exhibiting pleasantly unusual and interesting writing that is short enough to read on a coffee break but good enough to linger over. We feature previously unpublished work from emerging and established writers alike. We accept writing no longer than 1,000 words in fiction, nonfiction, and poetry genres. Simultaneous and multiple (up to three) submissions are accepted. Submissions are read on a rolling basis (unless otherwise noted).
To celebrate our successful first year, Treehouse is proud to present our First Annual Literary Loot Contest for Unusual Prose! In addition to publication in Treehouse, the contest winner will also receive: a one year subscription to Barrelhouse, Booth, Carolina Quarterly, Ecotone, Gigantic, Gulf Coast, [PANK], and REAL: Regarding Arts & Letters; two new Fall titles from brand new (but no less awesome) indie press A Strange Object, two new titles from Dzanc Books and a six-month subscription to their e-book club; a copy of Michael Kimball Writes Your Life Story (on a postcard) and First Year (an MLP Anthology) from Mud Luscious Press; and a t-shirt from A Strange Object and [PANK].
Our favorite non-winning contest entries will also be published in Treehouse.The rules:
We’re interested in prose that does unusual stuff. In the past we’ve published stories in the form of to-do lists, invisible text with footnotes, survival guides, landlord-tenant correspondence, recipes, and also all kinds of inventive work that was linguistically, but not necessarily structurally, experimental. So if you think your story, essay, prose poem, or genrebender fits the bill, send it our way. (Sorry, no poetry with line breaks for this one.)
Entries are to be a maximum of 750 words.
All entries must be emailed to firstname.lastname@example.org by April 30. Preferred format is .doc, but .docx and .pdf are also acceptable.
Subject line of contest entries must say: CONTEST ENTRY. Otherwise, they will simply be filed as regular submissions and will have zero chance of receiving cool swag.
Your name MUST NOT APPEAR ANYWHERE ON YOUR PIECE. Since we often get writing from people we kind of know, either via real life or the internet, we want to be extra careful that everything is getting read blind. We’re even going to implement our ultra-secret “assigning numbers to stories and then not telling anybody what the numbers mean” system.
In the interest of fairness, we can’t accept submission from editors at any of the magazines or publishing houses that are participating. UNCW students may submit work, so long as they’re not currently on staff at Ecotone.
Former Treehouse contributors are invited to submit work.
We also can’t accept submissions from anyone who has gotten past second base with any member of the editorial staff. (In this case, “second base” refers to urban second base; rural second base is okay.) However, if you have gotten past second base with a member of the editorial staff: why don’t you call us already? It’s been more than three days.
One of the main things we’re trying to communicate with this contest is that literature is a community. We picked out the journals and publishing houses we’re most excited about because we wanted to share them with you—our favorite readers. (And pretty much everybody we asked to participate eagerly agreed.) As such, we’ll be featuring a different participating magazine or indie house every week. Please check out their sites and consider subscribing or buying books—not because they’re helping our contest, but because they’re sustaining a thriving literary community that you’re not going to get from mainstream publishing. And because they publish cool shit!
We really believe in doing as much as we can without getting money involved. So even if you can’t afford to subscribe to any of our partners’ publications, consider spreading the word—about the contest and/or about any of the publishers you see that tickle your fancy—via facebook, twitter, or other social media. Or, you know, your mouth.
Our authors have been featured in Best American Short Stories, The Pushcart Prize Anthology, Best New American Voices, Best American Mystery Stories,and Best American Fantasy. In the past year we’ve published new work from acclaimed young writers like Roxane Gay, Matt Bell, Patrick Somerville, Marie-Helene Bertino, and many others.
We look forward to reading your work! To support Treehouse, you can read the magazine, follow us on Twitter and like us on Facebook!