Join ASU’s TomorrowTalks with Jemele Hill on Thursday, January 26th, at 6pm AZ time. TomorrowTalks is a student-engagement initiative meant to put students in conversation with authors, who explain how they use their writing to address society’s most pressing issues. It’s led by the Division of Humanities at ASU and hosted by ASU’s Department of English in partnership with Macmillan Publishers.
This event takes place over Zoom and is free, although registration is required. Hill will be discussing her memoir Uphill, published by Henry Holt and Co. One of Oprah Daily’s Best Fall Nonfiction Books of 2022, Uphill is a bold, unflinching look at Hill’s life and her battle to overcome intergenerational trauma. Hill forges a new path with truth and confidence, rising to find her voice and speak to the world.
Jemele Hill’s commitment to truth telling is unparalleled. Whether she is exposing white supremacy or being radically transparent about her own history, Jemele’s resolve remains steadfast. She makes you want to lean in and listen, but more importantly, she encourages us all to use our voices to tell necessary, hard truths.
Gabrielle Union, New York Times bestselling author of We’re Going to Need More Wine and You Got Anything Stronger?
Jemele Hill is currently a contributor for the Atlantic, where she writes about the intersection of culture, politics, race, and sports. She was an Emmy-Award winning cohost of ESPN and was 2018 NABJ Journalist of the Year.
Hill is relentless but fair, and she is equally comfortable parsing out instances of institutional racism and admitting to her own mistakes. She balances humor, vulnerability, and passion, creating a text that is both exciting and emotionally satisfying.
To learn more about TomorrowTalks and register for the event, go here.
In just two days, Issue 30 of Superstition Review will launch! On Dec. 1st, readers will have access to paintings, photography, and more—all created by five talented artists: Corey S. Pressman, Jenny Wu, RAEchel Running, Shirin Mellat Gohar, and Valyntina Grenier. Read about all of them below!
Corey S. Pressman is an artist, writer, and teacher living in the Pacific Northwest. His art is shown around the country and has won several awards. He has published academic works as well as short stories and poetry in both journals and book collections including Gastronomica, the Clackamas Literary Review, Lucky Jefferson Magazine, and Arizona State University Press.
Jenny Wu is an artist and educator. She is a visiting assistant professor at Trinity College in Hartford, CT. Wu’s work acknowledges the sensational and perceptual properties of materiality and then transforms the materials from their original forms and purpose to present them within new contexts. Her work has been exhibited in galleries and museums including Denise Bibro Fine Art, Katzen Museum, Huntington Museum of Art, Vilnius Academy of Arts in Lithuania, and CICA Museum in South Korea. Jenny Wu was born in Nanjing, China. She holds a B.A. from William Smith College, and an M.F.A. from American University.
RAEchel Running (She/Her) is a visual storyteller, creating multi-media images that explore and champion restorative relationships of the diverse cultures connected to these beautiful, tragic and mystical histories of the Americas. Born in Flagstaff, AZ, of Trinidadian (Chinese and Afro Caribbean) American (French Canadian and Swedish) She hangs her hat in Bisbee, AZ. Her current work cross-pollinates a documentarian’s eye with handmade and digital photo illustrations, mixing the interspace between reality and dream. Internationally published, she enjoys fostering visual literacy and planet stewardship to inspire and enrich restorative relationships within communities for upcoming generations.
Shirin Mellat Gohar is a visual artist based in Tehran, Iran. She received her BFA from the Tehran University of Art. Her work has been included in numerous exhibitions, nationally and internationally, such as Sugar Gallery, USA; Naregatsi Gallery, Armenia; as well as Aaran Gallery, Homa Gallery, First Painting Symposium in Museum of Qasr, and First Drawing Biennial in Iran. Shirin, with a hybrid national identity (Iranian-Iraqi), grew up within Iranian society during Iran-Iraq the war. Working primarily with painting and drawing, she addresses her dual identity through employing domestic crafts, which she learned from her mother at a very young age.
Valyntina Grenier is a multi-genre eco artist living with her wife in Tucson, AZ. She works with paint, ink, neon, encaustic medium, recycled or repurposed materials and words. She is the author of two poetry chapbooks, Fever Dream/ Take Heart (Cathexis Northwest Press 2020) and In Our Now (Finishing Line Press 2022). You’ll find her work in, Impermanent Earth, The Impossible Beast, The Journal, Lana Turner, The Night Heron Barks, Querencia, Ran Off With the Star Bassoon, Sunspot, and The Wardrobe. Find her at valyntinagrenier.com or Insta @valyntinagrenier.
There’s only a week left until Superstition Review’s Issue 30 Launch Party! Join us next Thursday, Dec. 1st, from 4-5 pm AZ time, as we celebrate Superstition Review’s fifteenth anniversary. The event will feature RAEchel Running, Gabriel Granillo, Audacia Ray, and Danny Rivera.
In just eight days, Issue 30 of Superstition Review will launch! On Dec. 1st, readers will have access to poetry by twelve talented writers: Charles Peck, Constance Hansen, Danny Rivera, Joanne Diaz, Natalie Girratano, Rebecca Griswold, Remi Recchia, Young-Yu Huang, Susan L. Leary, Cynthia Marie Hoffman, Rachel Nelson, and Kathryn Bratt-Pfotenhuar. Read about all of them below!
Charlie Peck is from Omaha, Nebraska. He received his MFA from Purdue University where he served as Editor-in-Chief of Sycamore Review. His work has appeared previously or is forthcoming in Cincinnati Review, Columbia Poetry Review, Ninth Letter, Massachusetts Review, Quarterly West, and Best New Poets 2019, among others. He currently teaches at the University of Bayreuth in Germany.
Constance Hansen is the Assistant Managing Editor of Poetry Northwest. She holds an MFA in Poetry from the University of Washington. Her poetry has appeared or is forthcoming in: Rhino Poetry, Four Way Review, Harvard Review Online, Southern Humanities Review, Cimarron Review, The Idaho Review, Vallum, On the Seawall, Northwest Review, Mercury Firs, River Mouth Review, Psaltery & Lyre, EcoTheo Review, Volume Poetry, and elsewhere. She lives in Seattle, where she was born and raised.
Danny Rivera is the author of Ancestral Throat, a poetry chapbook published by Finishing Line Press in 2021. He received an MFA in Creative Writing from City College of New York, and his poems and literary criticism have appeared in Washington Square, Western Humanities Review, Epiphany, American Book Review, and other journals. He lives in New York City.
Joanne Diaz is the author of two poetry collections,The Lessons and My Favorite Tyrants. She is the recipient of fellowships from the Illinois Arts Council and the National Endowment for the Arts. Her recent poems have been published in American Poetry Review, Colorado Review, New England Review, Poetry, River Styx, and Waxwing. She is the Isaac Funk Endowed Professor of English at Illinois Wesleyan University. She is also the co-host of the Poetry for All podcast.
Natalie Giarratano is the author of two full-length poetry collections—Big Thicket Blues (Sundress Publications) and Leaving Clean, winner of the 2013 Liam Rector First Book Prize in Poetry (Briery Creek Press). Her poems have appeared or are forthcoming in Waxwing, Mississippi Review, McNeese Review, and Whale Road Review, among others. She edits and lives in Fort Collins, Colorado, and was the poet laureate of the city from 2018 – 2020.
Rebecca Griswold is an MFA candidate at Warren Wilson. Her debut collection of poems, The Attic Bedroom, is out with Milk & Cake Press. Her poems can be found or are forthcoming in Cimarron Review, Blood Orange Review,Still: The Journal, Pine Mountain Sand & Gravel, and others. She was a River Styx International Poetry Contest finalist. She owns and operates White Whale Tattoo alongside her husband in Cincinnati.
Remi Recchia is a trans poet and essayist from Kalamazoo, Michigan. He is a PhD candidate in English-Creative Writing at Oklahoma State University. He currently serves as an associate editor for the Cimarron Review and as the reviews editor for Gasher Journal. A four-time Pushcart Prize nominee, Remi’s work has appeared in World Literature Today, Best New Poets 2021, Columbia Online Journal, Harpur Palate, and Juked, among others. He holds an MFA in poetry from Bowling Green State University. Remi is the author of Quicksand/Stargazing (Cooper Dillon Books, 2021) and Sober (Red Bird Chapbooks, 2022).
Yong-Yu Huang is a writer based in Illinois, but she is originally from Taiwan and Malaysia. Her work is featured or forthcoming in Waxwing, Frontier Poetry, and Passages North, among others. She has been recognized by various institutions, including Princeton University, The Kenyon Review, and the Poetry Society of the UK, and the Hippocrates Society. She is the recipient of the 2021 Elinor Benedict Poetry Prize and has been included in Best Small Fictions. She attends Northwestern University.
Susan L. Leary is the author of Contraband Paradise (Main Street Rag, 2021) and the chapbook, This Girl, Your Disciple (Finishing Line Press, 2019), which was a finalist for The Heartland Review Press Chapbook Prize and a semi-finalist for the Elyse Wolf Prize. Her work has appeared or is forthcoming in such places as Tar River Poetry, Tahoma Literary Review, Cherry Tree, Up the Staircase Quarterly, and Pithead Chapel. Recently, she was a finalist for the 16th Mudfish Poetry Prize, judged by Marie Howe. She holds an MFA from the University of Miami, where she also teaches Writing Studies.
Cynthia Marie Hoffman is the author of the poetry collections Call Me When You Want to Talk about the Tombstones, Paper Doll Fetus, and Sightseer. She is a former Diane Middlebrook Poetry Fellow at the Wisconsin Institute for Creative Writing, Director’s Guest at the Civitella Ranieri Foundation, and recipient of an Individual Artist Fellowship from the Wisconsin Arts Board. Her work has appeared in Lake Effect, Smartish Pace, The Los Angeles Review, diode, and elsewhere.
Rachel Nelson is a Cave Canem fellow and a graduate of the University of Michigan’s MFA program, where she won a Hopwood prize for playwriting. Her poems have appeared or are forthcoming in the museum of americana, Muzzle Magazine, Pleiades, Radar Poetry, Thrush, and elsewhere. She lives in Ann Arbor, Michigan.
Kathryn Bratt-Pfotenhauer’s work has previously been published or is forthcoming in The Adroit Journal, Crazyhorse, Poet Lore, Beloit Poetry Journal, and others. The recipient of a 2022 Pushcart Prize, they have won awards from the Ledbury Poetry Festival and Bryn Mawr College, as well as received support from The Seventh Wave and Tin House. Their chapbook, Small Geometries, is forthcoming with Ethel Zine and Micro Press in April/May 2023. They attend Syracuse University’s MFA program.
On Friday, Dec. 2nd, from 10am – 1pm, the Graduate Scholars of English Association will be hosting a writing workshop at Ross-Blakely Hall, room 117. There will be two 45-minute writing sessions (so be sure to bring your laptop) and a Q&A session with faculty members. Free food will be provided.
GSEA is an official student organization; its goal is to promote the “professional development of the English Graduate Student community at Arizona State University.” It regularly hosts writing workshops.
This event can also be joined online. To learn more and register, go here.
The launch for Issue 30 of Superstition Review is only fifteen days away! On Dec. 1st, readers will have access to fiction stories by seven talented authors: Amy Reardon, Gabriel Granillo, Michael Colbert, Mohamed Shalabi, Morris Collins, Patrick Thomas Henry, and J. T. Townley. Read about all of them below!
Amy Reardon has an MFA in fiction from UC Riverside. Her work has appeared in The Believer, Alta Journal Electric Literature, Glamour, The Common, and The Los Angeles Review of Books, among others. She lives in Denver, Colorado. Photo Credit: Trey Burnette
Gabriel Matthew Granillo is a writer and photographer. His works have appeared in both print and online journals including Postcard Poems and Prose, Flash Fiction Magazine, and Timberline Review. He currently lives in Portland, Oregon, where he is an editor at Oni Press.
Michael Colbert is a queer writer based in Massachusetts, where he’s at work on a novel about bisexual love, loss, and hauntings. He holds an MFA from UNC Wilmington, and his writing appears in Esquire, NYLON, Catapult, and Electric Literature, among others.
Mohamed (Moe) Shalabi is a Palestinian-American author of literary works, often with a speculative edge. Moe’s short stories appear in multiple literary magazines both online and in print and can be found in the Nonbinary Review and Reed Literary. His short story Palestina was nominated for a Pushcart Prize. When he’s not working on his many manuscripts, Moe works as a full-time consultant in the Washington D.C. Metro. He is represented by Kat Kerr of the Donald Maass Literary Agency.
Morris Collins’ first novel, Horse Latitudes, was published in 2013 and was released in a 2nd edition by Dzanc Books in January 2019. He was awarded a Massachusetts Cultural Council Fellowship for Fiction in 2020. Other fiction and poetry has appeared in Gulf Coast, Pleiades, Passages North, Michigan Quarterly Review, The Chattahoochee Review and The Florida Review among others.
Patrick Thomas Henry is the fiction and poetry editor for Modern Language Studies. His fiction and essays have recently appeared in West Branch online, Lake Effect, Sundog, North Dakota Quarterly, and other publications. His work was selected for inclusion in Best Microfiction 2020, and his short story collection manuscript won the 2022 Northeast Modern Language Association Creative Writing Book Award, selected by Jean McGarry. He is an Assistant Professor and Coordinator of Creative Writing at the University of North Dakota. You can find him on Twitter @Patrick_T_Henry.
J. T. Townley has published in Harvard Review, The Kenyon Review, The Threepenny Review, and dozens of other magazines and journals. His stories (“A Christmas Letter,” “My Life as Mark Wahlberg,” and “The Hole That Dave Dug”) have been nominated for the Pushcart Prize, and another (“Meat Dreams”) has been nominated for the Best of the Net award. He holds an MFA in Creative Writing from the University of British Columbia and an MPhil in English from the University of Oxford, and he teaches fiction writing at Pacific Northwest College of Art at Willamette University.
From 7pm – 9pm on Friday, November 25, the Changing Hands Bookstore in Phoenix will be hosting its monthly Storyline Slam. This is an event where eight storytellers are invited to share six-minute stories, which will be judged by members of the audience.
This event requires purchasing a $10 ticket, and slots for the storytellers are limited.
Join ASU’s TomorrowTalks with Percival Everett, November 3rd at 6pm AZ time. TomorrowTalks is a student-engagement initiative meant to put students in conversation with authors who explain how they use their writing to address society’s most pressing issues. It’s led by the Division of Humanities at ASU and hosted by ASU’s Department of English in partnership with Macmillan Publishers.
This event takes place over Zoom and is free, although registration is required. Everett will be discussing his book The Trees,published by Graywolf Press. Winner of the 2022 Anisfield-Wolf Book Award, this novel deals with a series of devastating and puzzling murders in Money, Mississippi. As detectives attempt to figure out what’s going on, they discover that similar murders are taking place all over the country. In the process, they must reckon with America’s brutal history of racism and police violence.
Everett has mastered the movement between unspeakable terror and knockout comedy.
Amy Rowland, The New York Times Book Review
Percival Everett has written over twenty novels and is a Distinguished Professor of English at the University of Southern California.
“The Trees” is a wild book: a gory pulp revenge fantasy and a detective narrative. . . . [It] is just as blood-soaked and just as hilarious as Inglourious Basterds or Django Unchained, but it comes with more authentic historical weight for being set in a dreamlike counterpresent.
To learn more about TomorrowTalks and register for the event, go here.