SR Pod/Vod Series: Poet Deborah Bogen

Deborah Bogen_portrait 11_for internet copy-2For several years, we have featured audio or video of Superstition Review contributors reading their work. We’re now establishing a new series of podcasts called Authors Talk. The podcasts in this series take a broader scope and feature SR contributors discussing their own thoughts on writing, the creative process, and anything else they may want to share with listeners.

Today we’re proud to feature Deborah Bogen as our fourth Authors Talk series contributor, discussing “what it’s like to be a writer while you are not in school” in her podcast “Try This At Home.”

Writing courses and MFA programs provide much-desired support and resources for writers. But for people who have left these things behind, Deborah offers advice on how to create a different kind of structure. With topics like forming writing groups and partnerships, immersing yourself in the broader world so that it still benefits your writing, and achieving financial survival, she works through them all with a level of specificity and detail that’s all the more admirable for a 7.5 minute talk.

This is a tightly focused how-to that doesn’t disappoint. Flecked with alternating bits of humor and poignancy, Deborah takes advice you may have heard before and adds new insight and depth. The most resonating example for me came towards the end of the talk: “In the end, one person is responsible for your work.” Somehow, she makes this daunting statement sound like the most wonderful thing in the world.

You can listen to the podcast on our iTunes Channel.

You can read Deborah Bogen’s poetry in Superstition Review, Issues 12 and 10.

More About the Author:

Deborah Bogen’s three books of poems are Let Me Open You a Swan, winner of the Elixir Press Antivenom Prize 2009, Landscape With Silos, National Poetry Series Finalist and XJ Kennedy Poetry Prize winner 2005, and Living by the Children’s Cemetery, ByLine Press Chapbook winner 2002. Her poems and reviews appear widely.

In addition to writing poems, Bogen is currently at work on a trio of novels set in 13th century. Book One, The Witch of Leper Cove, explores traditional herbal medicine, blind ambition and the early Inquisition in England. Book Two, The Hounds of God, is set in Paris where Church politics, the strict structure of the noble classes and the power of art collide.

She lives in Pittsburgh, Pennsylvania, teaching occasionally, playing ukulele in the Highland Park Mini Band and writing lots of prose poems for a new manuscript, Prayer Flags.

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