Guest Blog Post, Bruce Cohen: SIGNS

Bruce CohenMost of us would be lost, wandering around aimlessly, without signs. Enter, exit.  Push, pull.  Take a ticket.  Some people who know me might say I am an inflexible rule follower with no sense of adventure or humor, but I have a wild streak.  For example, I walked up to the convenience store and considered the sign: No Shirt, No Shoes, No Service.  So I took off my shirt and spray painted my upper torso black but the cashier threw me out despite my protests.  What constitutes clothes?  Must they be made of cloth?  I mentioned that Lady Gaga wore a gown made of raw meat.  My argument was shown to the curb, so I rapped on the glass door until another minimum wage attendant shuffled out and I inquired if flip flops and tank tops were acceptable.  He shrugged, not seeming to have a problem with that wardrobe choice, so I went home to put on some real clothes, came back and bought my energy drink, two unlucky lottery tickets and read the front page of the scandal sheet while standing in line, which technically is probably illegal, since I wasn’t going to buy it, but what are they going to do?  They can’t make what’s in your mind or what you see illegal, can they?  Technically it’s probably stealing but is it really?  Plus, there’s no rule (or even a sign) that states that your eyes must remain forward while waiting for the cashier to make change.  Some women have eyes in back of their heads, but I don’t want to go down that road.  Also, because of this digital age, part time cashiers are terrible at basic arithmetic and fewer and fewer can even make proper change in their heads.  My bill was $7.43 with tax so I gave the girl a ten-spot and three singles and she acted flummoxed, horrified and said I had given her too much money.  She seemed angry with my explanation that I just wanted a crisp five dollar bill and a few coins as though that was somehow more taxing for her brain.  She reached under the counter for a calculator and freaked out when she discovered the batteries were dead.  I hate to have singles crowd and clutter up my life and wallet.  Plus, I am an active political advocate for abolishing the penny.  Ironically we should all stash our pennies till they become obsolete and then they will be worth something but if everyone does it they will continue to have no real value.  Life is filled with such ironies and paradoxes.

 

I am the last person in America to not have automatic deposit or an ATM card, at least that what my friends say, not my real friends.  My real friends know who I am and don’t judge.  The idea of paying bills online is so beyond me I believe more in the feasibility of time machines or the lost continent of Atlantis.  Besides, I like going to the Post Office and picking out the various specialty stamps.  I especially love the jazz musicians and famous poets and baseball legends.  Every other Thursday, when I get my paycheck, I drive over to the bank.  Often I am the only customer in line.  I remember back in the good old days there would be long lines on Thursdays and it was almost impossible to find a parking spot and people would grow impatient and eat their lunches while fidgeting in line but now the tellers look bored and are more friendly, welcoming the few patrons who actually come into the bank and they know each of us by our first names.  There is a sign on the door that I believe is not so subtlety directed at would-be bank robbers that I don’t remember verbatim but the gist of it is that it’s against bank policy to wear masks, hoods, sunglasses or anything that covers your face when entering the bank.  Footnote: when a man walks into the bank wearing a Ninja Turtle mask it’s a safe assumption that he also is carrying a gun unless it’s Halloween and he has fake nun chucks.  It says it’s for the safety and comfort of all patrons but everyone knows the deal.  Plus, there are cameras all over.  Nothing is secret in America anymore.  You can’t get away with anything.  You can even get speeding tickets when there are no cops around.  They put microchips under babies skin the instant they are born and the government, of course, can trace are whereabouts by our cell phones.  Some convenience stores have signs over the lottery tickets that say the premises are under recorded surveillance but I don’t believe it.  I think the sign is just for show.  Fake cameras with no film.  Scare tactics so you don’t stick-up the joint. And out of human compassion, they offer an 800 number to call if you think you have a gambling problem.  So, in summer I put on more clothes for the convenience store and in winter I take off my warm head and facial gear to cash my checks.  I love how the world dictates how I should dress.  It’s nice that there are dress codes that are designed, in essence, to protect us from harm and health hazards and signs everywhere, when to slow down, when to inform us deaf children are at play, when to beware of dogs, when the seedy hotel, indeed, has a vacancy.

 

The fancy-schmancy restaurants dictate that I wear the appropriate attire and in the olden days they had spare crass sport jackets for men who came ill suited (get it) for dinner.  I went out to a restaurant for my birthday, not my real birthday but my family birthday, and printed in bold letters on the menu was a directive that I should tell my server if I had any peanut allergies.  I was curious why it was linguistically phrased as though one could have more than one peanut allergy.  I called the waitress over and excused myself but said shouldn’t the menu say “a” peanut allergy because I was confused how a person could have more than one peanut allergy and she asked if I was telling her that I had a peanut allergy and I told her I didn’t, that it was a grammar, not a peanut, issue.  When I was a kid, no one used to have peanut allergies but now it’s swelled to epidemic proportions.  And every other person must be Glutton Free.  What happened?  A sore leg is now a stress fracture and being lazy and disinterested is an Attention Deficit Disorder.  There used to be no such thing as anxiety or depression; you were just blue, down in the dumps.  There must be something to this modernization of naming things.  In fact, it’s poetic, as poetry was originally “the naming of things”.  I learned that from my poetry teacher way back.  Our society is becoming more poetic.  Yeah!  So the waitress blinked multiple times, overly dramatic, as though she wanted her eyelashes to inform me I was being a dope.  She told our table she’d be back to take our drink orders in a minute.  It’s nice that they don’t want folks unknowingly consuming stuff that would make their throats swell, turn their faces bright red and make them gasp for oxygen during their meals but what if you don’t know about your peanut allergy until you consume peanuts in their restaurant.  So much in life is nobody’s fault.  I won’t even go into the fact that for some reason, on the back page, it says I should tell my server if I am lactose intolerant or to inform the manager if I require special service.  I always want special service; that’s the idea.  At the finer restaurants the servers don’t wear name tags.  I guess they figure you don’t care about the plebian’s name or that the patrons are smart enough to remember the server’s name when they introduce themselves.  On the drive home, I notice there are no more stationary billboards only electronic gizmos that change their messages every twenty seconds and traffic signs that alert us on the highway about delays and accidents and there are Amber alerts for kidnapped children. I want to know less, not more.  That’s what I want.

 

When I was a kid, not that I believed in God or anything, but churches were serious places, no sense of humor or fucking around.  Now the clergy try to be clever, comedic in a way that might guilt you into attending services with signs like: “I don’t know why some people change churches; what difference does it make which one you stay home from?” or “There are some questions that can’t be answered by Google,” or my favorite slogan, cloaked in Anti-Semitism: “Christmas: easier to spell than Hanukkah.”   I guess all the clergymen got together at some convention when they experienced a major drop-off in church goers and said we need a new strategic plan, a marketing brand.  Comedy works and maybe we should be more inclusive while we’re at it.  Nah, just kidding…I wonder if the banks will succumb to comedy to make would-be robber chuckle and decide not the stick-up the joint.  Smile: You’re on Candid Camera; We Can Use This Same Photo for Your Mug Shot! People don’t take things seriously enough anymore, but then again we don’t really have stuff like the Black Plague and Leprosy and Concentration Camps but in their stead we do have unstable, unemployed college drop-outs who live in their parents’ basements and gun down children and entire populations without clean drinking water and a world that makes it illegal for people who love each other to be legally married.  And let’s not forget suicide bombers and doomsday anti-government preppers.  Maybe they know something.

 

I love those stories of love letters written by a lovesick teenage draftee in a foxhole during a war that never reached the intended person and shows up half a century later, having been accumulating dust in some dead letter bin.  The Post Office makes a valiant effort to deliver it, news station cover the event, cameras galore, but alas, the woman is usually long dead and the story evolves into the fantasy of unrequited romanticism.  We want to believe such rare love still exists.  We want to believe the written word has that power over us.  The woman leaves for a short errand and never returns to her Paris apartment so the mail carrier returns the next day with the letter to nobody home and a half century latter some great granddaughter inherits the dusty, untouched farm house and enters it and finds a primitive Van Gogh and handmade toys from Germany and first editions of the Great Russian novelists.  On the door was a hastily scribbled sign: “Back in an hour”.  I guess the ultimate sign is that which one wants etched on his gravestone. My poetry teacher, on his deathbed, whispered to me what he wanted: Never Mind.  I guess that sums up life with an exclamation point and makes people realize you can develop a sense of humor even after you’re dead.

Guest Blog Post, Jerry Eckert: Land As Character

jerryeckertFrom Thoreau’s glacial puddle to Muir’s tectonic Sierras to Annie Dillard’s little creek, nature writers have sought for over 200 years to bring landscape into their essays with all the power of real characters. Arguably, with his landscape-laden Desert Solitaire, Ed Abbey launched modern nature writing. Those of us today who would write of nature, especially in the West, still have a vast supply of natural wonders and beauty around us to bring into our work. How can landscape become a character? Let’s ask what makes for memorable human characters.

First, more than cardboard cutouts, characters have texture and depth, and a good author will turn to several senses to capture these finer points. Sharp vision is always useful. But nature reaches us, often vividly, through touch, smell, sound, even taste in ways that humans cannot. Imagine caressing an alligator bark juniper with your eyes closed. Listen to how wind songs differ sliding through junipers vs. pines. Did you know Ponderosa pines are unique? Their bark smells like vanilla.

Second, great characters are alive, vibrant, never still. And so with Nature. Behind the pretty scenery, nature teems with dynamics for an author’s use. Nothing is static. Evolution is a work in progress, rending, rebuilding, creating wholly new forms from the shards. Even the lowly lichen, neither plant nor animal, sits there seemingly immobile on its granite boulder, quietly dissolving its host.

Characters have moods. To give Nature moods is anthropomorphic. But the experience of  Nature creates moods in others, in other characters, in the reader. The trauma and threat of violent storms are the easy parts. More challenging to the writer are Nature’s softer tones, the quiet promise of morning dew in Spring, the foreboding of a temperature shift in the breeze. As with humans, subtle mood changes wrought by Nature can run deep with meaning.

Characters interact with each other. Dominance, dependence, synergy, all abound in the intricately woven fabric of the natural world. The easy ones for the writer are the least interesting, when some natural element forces an altered path, a behavioral change in another character. The blizzard that drives a ship off course, a canyon that redirects the wanderer. More important are those bits of landscape that bring fundamental moral or intellectual change in a character. A mountain standing there, infusing strength into a quailing man, a bee alight on a columbine suggesting with fragile beauty the depth of our dependence on wilderness, the Milky Way blazing in darkest sky, telling us how infinitesimally small and insignificant we really are.

If we write the land into our essays as character, and the character that land interacts with most deeply is the reader, then we will have truly created art.

Do you have a recent story that might be enriched if you brought in the natural world?

SR Pod/Vod Series: Poet Claire McQuerry

Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by Claire McQuerry.

Claire McQuerryClaire McQuerry is a Creative Writing Fellow at the University of Missouri and the Contest Editor for The Missouri Review. Her poetry collection, Lacemakers, won the Crab Orchard Series First Book Prize, and her poems and essays have appeared in Mid-American Review, Creative Nonfiction, American Literary Review, and other journals.

You can read along with her poems in issue 2 of Superstition Review.

To subscribe to our iTunes U channel, go to http://itunes.apple.com/us/itunes-u/superstition-review-online/id552593273

Past Intern Updates: John S. Martinson

Summer 2012 Social Networking intern John S. Martinson shares how Superstition Review gave him the impetus to pursue his interest in creative nonfiction writing.

PastInternUpdateJohnSMartinsonMy stint as Summer Blogger for Superstition Review was the impetus I needed to move forward toward finding a graduate degree program. I have always enjoyed writing, but other than English 102, a blogging course taught by Trish, research reports in Sustainability, and weekly posts in Sociology and Rhetorical Studies, I have had no assignments to write. I had thought about applying for a Masters of Arts in the School of Sustainability because I found the subject matter compelling—the kind of science policy I could rap about. I had started a sustainability blog in the blogging class (ecocanyon.org) and fed it a few posts, but, alas, it has wallowed since. Nevertheless, working in a literary environment, albeit an online environment, was stimulating. I was especially drawn to creative nonfiction. For years, I have been an avid of reader The Sun Magazine and The New Yorker.

The other kick in the pants came from a gentleman I met on Facebook (a friend of a friend), Marvin Kupfer, a professional TV writer who lives here in the Valley. We had lunch on September 13 of last year where we discussed my search for a graduate program. I explained my dilemma: although I was interested in sustainability, I did not see myself as a scientist. My real passion lay in writing, especially creative nonfiction. Marvin encouraged me to follow my passion; I could always write about sustainability. This echoed encouragement from my wife in the same direction.

After our lunch, I immediately searched writing programs at ASU. I have a business and
I am a hands-on Dad so a full-time program like an MFA was out of the question, especially with my wife working on a Masters of Gifted Education at the same time. I needed flexibility. So, I decided on a Master of Liberal Studies with a concentration in Creative Nonfiction Writing at ASU Online. I started the program in January, with a course in Memoir Writing from SR Nonfiction Advisor Rebecca Byrkit. I have written six memoir assignments so far. I am home.

Brooke Passey: Top Ten Literary Newsletters

Before I started as an intern for Superstition Review, I wasn’t aware that most literary magazines and organizations send out biweekly newsletters. As I’ve become more acquainted with the literary scene, I’ve realized just how much information I have been missing. Let’s talk about why newsletters in general are so great.

First of all, newsletters are one of the best resources for compact and relevant literary information. They cover literary news, updates and advice from published authors, upcoming literary events, and articles on a wide range of beneficial writing topics.

Better yet, the information comes to you—delivered right to your inbox. Other sources of information such as Facebook, Twitter, and Google Reader are useful, but newsletters allow you to get the information as soon as it is published. Most newsletters are monthly or biweekly, so they won’t ever crowd your inbox.

Most importantly, they’re free! And who doesn’t like free things? Especially free things that help you to become a better writer, be involved in a network with successful authors, and stay up to date in the field.

Over the last few months I have subscribed to over 20 newsletters not only to improve my own writing skills, but also to take advantage of all the beneficial, interesting, and free information. Here are my top 10 newsletters. They are my favorites because they have consistently provided fresh and useful information along with dependable resources.

  1. Poets & Writers http://www.pw.org
  2. Poets.org https://www.poets.org
  3. The Paris Review http://www.theparisreview.org
  4. The Review Review http://www.thereviewreview.net
  5. The Nervous Breakdown http://www.thenervousbreakdown.com
  6. Tin House http://www.tinhouse.com
  7. Creative Nonfiction https://www.creativenonfiction.org
  8. Willow Springs http://willowsprings.ewu.edu
  9. Five Points http://www.fivepoints.gsu.edu
  10. Kenyon Review http://www.kenyonreview.org

And of course I recommend our own newsletter here at Superstition Review. Even my own mother subscribed recently. So join our mailing list by clicking here.

MEMBER DISCOUNT: Literary Writers Conference} NYC 2012 with Michael Cunningham!

NOVEMBER 8-9, 2012
A two-day conference for fiction, poetry, and creative-nonfiction writers learning how to maneuver in the marketplace.

If you are a Council of Literary Magazines and Presses member, register HERE for 50% off!

Don’t Miss:
The Author and His Team: Pulitzer Prize winning author Michael Cunningham with Jonathan Galassi, Jeff Seroy, and Gail Hochman.

For more information and to register, please visit www.clmp.org/lwc/
or call (212)741-9110

 

SR Pod/Vod Series: Poet Lucinda Roy

Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature this podcast by Lucinda Roy.

lucindaroyLucinda Roy’s publications include the poetry collections The Humming Birds (winner of the Eighth Mountain Poetry Prize), and Wailing the Dead to Sleep; the novels Lady Moses and The Hotel Alleluia; and a memoir-critique, No Right to Remain Silent: What We’ve Learned from the Tragedy at Virginia Tech. Her work has appeared recently or is forthcoming in American Poetry Review, Blackbird, Callaloo, Measure, Poet Lore, Prairie Schooner, River Styx, and USA Today. She is an Alumni Distinguished Professor in English at Virginia Tech, where she teaches fiction, creative nonfiction, and poetry in the MFA program.

You can read along with her poems in Issue 8 of Superstition Review.

To subscribe to our iTunes U channel, go to http://itunes.apple.com/us/itunes-u/superstition-review-online/id552593273

 

The Power of the (Famous) Muses

Until I was asked to write a blog on famous muses, I really never gave the idea much thought. I’ve always used my surroundings or circumstances to rev up my creative juices. But it didn’t take me long to recall those who held my hand as I began my love affair with the written word, as well as the ones who paved the way for me on this journey of self-exploration. Or, my life as a writer.

Anne Lamott, in her book Bird by Bird, is the first author whose words challenged me to break free of the excuses and “take it bird by bird.” In her book, she speaks about her older brother who procrastinated on a book report about birds which was now due the following day. The task ahead of him appeared insurmountable when Lamott’s father “sat down beside him, put his arm around [her] brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”

Currently, I’m in a season where my writing revolves around blogs and articles. I haven’t sat down and written my novel just yet. So for me, I’m taking it blog by blog. And I’m also avidly following guidance from another one of my muses: Stephen King. In his book On Writing, he reminds writers to read a lot and write a lot. I tend to go in spurts — right now I’ve been reading a lot. My muse was recently rediscovered in between the pages of Garth Stein’s The Art of Racing in the Rain and Blake Crouch’s Snowbound. Consequently, I’m feeling one step closer to sitting down and tackling the writing a lot part of King’s advice.

Another writer, Lee Gutkind, ASU professor and managing editor of Creative Nonfiction magazine, also incites me to explore life’s next adventure. In his essay, “The Five Rs of Creative Nonfiction,” he encourages writers to seize our sense of wonder by immersion, or the “real life” aspect of the writing experience. The four remaining Rs include reflection, research, read (this cannot be stressed enough!) and “writing.” Simple but sage counsel.

With his sardonic, humble wit, David Sedaris inspires me with his edgier pieces, touching on off-the-wall topics that both entertain and challenge. My daughter and I once waited six hours in line to meet the man in person and receive an autographed copy of his book Squirrel Meets Chipmunk: A Modest Bestiary. He did not disappoint; neither did the book.

But I’ve also discovered that even the underdogs may rise up among the famous. One such muse of mine is a close friend incarcerated for the next few years. He tutors other inmates in math, takes college courses while serving his sentence and studies the craft of memoir writing late into the evening hours. And then he pounds out his daily observations on a typewriter, the kind with ribbons, platen and correction tape. He motivates me as he devours book after book, doing what each of the successful writers who have gone before us have done and continue to do.

I read because I love it. I write because I cannot help it. So I grab onto the shirt tails of those who make it look easy and hope a little of their spunk (and a whole lot of talent) rubs off on me. They are the ones who have paved the way and carved a niche in the literary world. The guiding spirit(s) for my truth.

Do you have a famous — or not so famous — muse that inspires?

Meet the Review Crew: Jamie Acevedo

Jamie Acevedo is an Interview Editor at Superstition Review, and a senior in his final semester working towards a bachelors degree in English focused on Literature with a minor in Religious Studies. After graduation he aspires to attend an MFA program in a new part of the country, maybe the southeast or west coast, and work on his goal becoming an accomplished writer of fiction.

Jamie moved to Tempe from New York to attend Arizona State University to pursue his goal of studying literature and has found life in the southwest to be an enlightening experience. Originally focused on critical theory and literary criticism he discovered a passion for writing short stories in his freshman year and has recently started working on creative nonfiction and biographies. He loves reading literary magazines, which he was introduced to after taking a course on pursuing publication taught by Superstition Review‘s founding editor Patricia Colleen Murphy. This internship has provided him with an opportunity as an Interview Editor to work with authors he has been reading and studying in creative writing classes and really admires.

His personal definition of art is that it is a tool that allows human beings to communicate abstract concepts and complicated emotions with each other. The writers who have had the biggest influence on him are those who seem to have made unique insights into the human condition. These include the short stories of Jhumpa Lahiri, Flannery O’ Connor, Stephen Crane and James Joyce and the novels of Robert Stone and Thomas Pynchon. He also enjoys novels that tackle religious and ideological themes like those of Fyodor Dostoyevsky and George Orwell. In addition to works of fiction he also enjoys reading essays on literary criticism, especially those on postcolonialism and reader response criticism.

Outside of literature and writing Jamie enjoys sports, hiking, cycling and travel. After this semester he plans to spend time in Puerto Rico to visit family.

George Estreich’s The Shape of the Eye Wins 2012 Oregon Book Award

George Estreich, poet and author of “Shape of the Eye”

Congratulations to Issue 7 Contributor George Estreich, whose book The Shape of the Eye: Down Syndrome, Family, and the Stories We Inherit won the 2012 Oregon Book Award for Creative Nonfiction. You can read more about the award here and read the judge’s comments here.