Editing

Guest Post: The Secret to Getting Started

Chris Schmidt


I love being a writer.  What I can’t stand is the paperwork. ~ Peter De Vries

If we all felt the way De Vries purports, the world would sorely lack reading material. I believe the great Mark Twain offers a solution to the daunting task we often ascribe to writing and the reason we procrastinate, telling ourselves we’ll do it as soon as we’ve finished X, Y or Z. According to Twain, “The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.”

While Twain’s quote easily applies to myriad goals or projects, I firmly believe his advice also works well when it comes to the writing process as a whole.

I’ve found that for me, it helps to take a good look at the big picture and then put into practice what Twain suggests: break down the seemingly insurmountable goal into doable steps. But even more importantly, each stage must be easily attainable, or I will hesitate to begin the first one.

The following is a model for accomplishing Twain’s solution.

Step #1: Planning

  • Make time to come up with the gist of your story. This may occur through daydreaming, brainstorming or writing organically for a pre-determined length of time, and can take place anywhere you do your best thinking: working out, meditating, hiking or lounging on your chaise.

Step #2: Writing

  • Commit to write a minimum number of words a week. This requires you to put pen (or pencil) to paper, fingers to keyboard, voice to recorder — anything to get a word count somewhere other than the gray matter inside your right brain.
  • Set aside the required number of hours per day, preferably uninterrupted. Accomplish this by removing distractions; i.e., log out of Facebook, instant messaging, Google, Dr. Phil — whatever keeps you from the first part of this step. If you’re the type who’s inspired by a little Beethoven or Pit Bull, by all means turn up the volume on your iPod. Along these lines, don’t underestimate the power of your muse; keep it forefront in your mind (stay tuned for a future post on this concept). The short of it: if an ocean view is what you need to write, then plaster your surroundings with the sights, sounds and smells of a tropical paradise. And if you can bring the real thing to life, all the better.

Step #3: Editing/rewriting

  • Read drafts one at a time, making notes/edits as you go. Try to read your words with new, fresh eyes. Pretend you’re picking the piece up for the first time and gauge your reaction as if you’ve never seen it before. Be critical.
  • Schedule a day or a week to rewrite. This is where a lot of us lose steam. But it’s important to consider this just another part of your “job” as a writer. Take what you’ve edited in the first part of this step and get it done. If you don’t, someone else will.

These manageable steps can be adapted to any writing assignment, such as articles, short stories and blogs. It simply takes an idea and a commitment to see it through.

What is your secret to getting started?

Meet the Review Crew: Jennie Ricks

Superstition Review

Each week we will be featuring one of our many talented interns here at Superstition Review.

Jennie Ricks is a Nonfiction Editor at Superstition Review. She is majoring in Literature, Writing, and Film with an emphasis in Creative Writing at ASU. Jennie is currently a senior and will graduate in May 2012. After graduation, Jennie plans to find employment in the editing and publishing fields. She loves to write and will continue working on her novel, fiction, and nonfiction pieces. Jennie’s excited to be a part of Superstition Review and the opportunities it gives her to understand the hands on processes of editing and publishing.

Jennie is an avid reader and is drawn toward a range of works by Jane Austen, the Bronte sisters, Aimee Bender, Flannery O’Connor, and Edgar Allan Poe. She likes stories that are thought provoking and in high school, she read Lord of the Flies, by William Golding which got her hooked on books that pushed her to think and analyze. Jennie has many stories and books she considers favorites. When reading, she wants something that will make her remember the writing or the concept of the work.

There are many hobbies and talents Jennie has incorporated into her life. The first is writing. Jennie prefers fictional pieces, although many of the stories she writes surround nonfiction examples from her own life. She loves to run and has been running since her middle school years. Jennie has run a marathon but prefers training and running in half marathons. She enjoys hiking, golfing, and eating good food.

Originally Jennie started her education in Behavioral Science but put things on hold to get married and have children. Since finding herself a single mom of four kids, she decided to go back to school and finish her education in what she felt most passionate about, reading and writing. She loves the direction her life is taking and the opportunities opening up for her.

National Novel Editing Month is Upon Us

Superstition Review

Each week we feature a blog post by one of our many talented interns here at Superstition Review. This week’s piece comes from Fiction Editor Sarah Murray.

 

Every year, thousands of people participate in what is colloquially called NaNoWriMo, or National Novel Writing Month. This popular event happens throughout November, and the goal is to write at least 50,000 words, or a novel, in a month. Generally, there are no rules. There is only one clear goal: write, and keep writing.

While that’s all well and good—considering that actually writing things down is the most important part of the whole writing process—there is, in fact, a lesser known side to writing. Here’s to the unsung hero of literary bliss: editing.

We’ve all been there. We know what it’s like at half past two in the morning, deliriously typing prose. And then you read it in the morning, and it’s like Texts from Last Night, but worse. You clearly can’t show this to anyone just yet. This is where editing, the writer’s best friend, comes in. And that’s the whole idea behind NaNoEdMo; writers, after giving their new novel some reading space, can dedicate a whole month to revising and layering in edits.

Of course, people aren’t truly expected to write an entire novel in a month. Nor are they expected to be able to polish it off in a month either. The intent is just to get people to write, to sit down and not be afraid of what they can create. And once they’ve created, they can also be empowered with the ability to destroy, to decompose and rebuild. So this time around for NaNoEdMo, don’t be afraid to grab your red, blue, or purple pens (and perhaps a friend who gives good advice) and have at it. I for one will be there right along there with you.

Get your pens ready. NaNoEdMo begins March 1st.

 

Writing Workshops with Mary Sojourner

Mary Sojourner

Pima Community College West Campus is hosting a wide array of weekend writing workshops ranging from Memoir Crafting to Poetry Workshops. Led by authors and professional writers, these workshops offer an opportunity to get hands-on experience and explore a variety of creative writing topics.

On April 13-15, Mary Sojourner, Issue 3 contributor, will lead the in-depth writing workshop, w(Rite): A Workshop in Deep Writing and Craft. The workshop will feature exercises and activities that help writers craft and “move personal writing into publishable work.”

Mary Sojourner is the author of novels Sisters of the Dream and Going Through Ghosts, and short story collection, Delicate. Sojourner is also known for her essay collection Bonelight: ruin and grace in the New Southwest and memoirs, Solace: rituals of loss and desire and She Bets Her Life. She has appeared as a commentator on NPR and teaches writing at colleges, universities, writing conferences, and privately. You can read her blog at marysojourner.com, or the November SR interview with Sojourner here.

If you’re looking to hone your craft or gather tools to eliminate your writer’s block, check out Writing Workshop Spring 2012 at Pima Community College.

Is Pushcart Pushing Out Online Publications?

Bri Perkins
Graphic courtesy of Perpetual Folly

With every new year comes a new edition of the Pushcart Prize and with it, the names of publications and pieces lucky enough to grace its pages. Known for compiling submissions from small presses all over the world, Pushcart has created a high standard of quality that authors and literary magazines alike hope to achieve. Perpetual Folly has released a ranking of Fiction, Non-Fiction, and Poetry submissions published in the Pushcart by each literary publication for 2012.

While some notable names like Tin House, Poetry, and Ploughshares grace the top spots, some new faces have also joined the ranks. The rankings are a great way to discover new publications and revisit some familiar magazines. You can also see rankings from 2010, 2009, and 2008.

The Pushcart Prize, known for its prestigious spot on the small press altar, has come under recent criticism for its narrowed scope. Pushcart editor Bill Henderson wrote in his introduction: “I have long railed against the e-book and instant Internet publication as damaging to writers. Instant anything is dangerous – great writing takes time. You should long to be as good as John Milton and Reynolds Price, not just barf into the electronic void.” There’s an excellent article about this comment in Luna Park, but we’d like to add our thoughts as well..

Publishing has come a long way since the days of stone tablets. Digital media has become a rapidly evolving field that is changing the way we consume literature. While some literary magazines have already converted to online platforms, other notable publications stand by their steadfast printers and traditional paper mediums.

The Pushcart’s bias against online publishing is apparent: only one submission from an online publication was printed in the 2012 Pushcart anthology. Pushcart had long been known for incorporating the best of the best small presses, but if it continues to disregard online publications, it will no longer be representative of small press publishing.

While not all online magazines uphold the same rigorous editing procedures of their print counterparts, many maintain traditional practices of print journals, with the only change being that they are free and immediately accessible.

We can understand Henderson’s argument to some degree. Online publishing, after all, is a double-edged sword. Often, editing is sacrificed in the name of immediate publication. An author can write a sentence and hit submit without a second thought. It can lack the craft and artistic value that many unplugged authors have spent years honing. However, online publication also opens doors to high-quality work. Connecting in a digital environment increases accessibility,  eliminates physical printing constraints, and fosters collaboration and community. We have to ask ourselves, how long will Pushcart continue to ignore the growing field of online lit mags?

Issue 8: Tim Flannery

Samantha Allen

Northern Michigan resident Tim Flannery is an artist whose work is deeply influenced by his surroundings. Living and working in the Upper Peninsula, his photography often captures the idyllic beauty of this place, which is defined by its dense forests, its Great Lakes, and its long, harsh winters. On his website, Flannery states, “during the long winters I find that my work becomes more convoluted…As the winters drag on the images start to take on a surreal feeling.”  Indeed, this is evident in the pieces that will appear in Issue 8 of Superstition Review this December, particularly his painting “Twig Man.” The palette is awash in grays, and looking at his painting I can’t help but feel the sense of confinement that comes with being forced indoors. I can only imagine that Flannery completed this particular piece during the coldest days.

Flannery’s passion for the Upper Peninsula is not confined to his artwork. When not working on his own art, he edits Art on Ice: Digital Magazine of Art and Culture in the Frozen Upper Peninsula. His magazine covers a wide array of subjects in the arts, including articles on everything from literature to dance to dining. What unites these subjects is a strong sense of the contributors’ regional identity, and like Flannery’s own art, the work in this magazine is clearly influenced by the thick forests and ever-present cold. Coming from Arizona, where Superstition Review is based, it is particularly interesting to explore how environment shapes art, since the Sonoran Desert and the Upper Peninsula are about as different as two environments can be. It is a pleasure to glimpse another part of the world through the work that reflects its identity.

 

Launch of Issue 7: Fiction

Tyler Hughes

Superstition Review Issue 7 has launched and to celebrate we will be featuring blog posts about our artists and authors. Today we will be highlighting a few of the talented fiction authors who are featured in Issue 7.

Aaron Michael Morales is an Associate Professor of English & Gender Studies at Indiana State University. His first novel, Drowning Tucson (2010)—cited by Esquireas “the bleakly human debut of the new Bukowski”—was named a “Top Five Fiction Debut” by Poets & Writers. Other books include a chapbook of short fiction, titled From Here You Can Almost See the End of the Desert (2008), and a textbook, The American Mashup (2011). He edits fiction for Grasslands Review and reviews books for Latino Poetry Review and Multicultural Review. He is completing his second novel, Eat Your Children. Read his fiction piece “A Shoebox. A Thimble. A Onesie” featured in issue 7. Aaron Morales’s Website

Samuel Kolawole’s fiction has appeared in Black Biro, Storytime, Authorme, Storymoja, Eastown fiction, forthcoming in jungle jim and elsewhere. His story collection The book of M is due to be out soon. A recipient of the Reading Bridges fellowship, Samuel lives in Ibadan, southwest Nigeria where he has begun work on his novel Olivia of Hustle House.
Read his fiction piece “Mud, if it Were Gold” featured in issue 7.

Rich Ives has received grants and awards from the National Endowment for the Arts, Artist Trust, Seattle Arts Commission and the Coordinating Council of Literary Magazines for his work in poetry, fiction, editing, publishing, translation and photography. His writing has appeared in Verse, North American Review, Massachusetts Review, Northwest Review, Quarterly West, Iowa Review, Poetry Northwest, Virginia Quarterly Review, Fiction Daily and many more. He is the 2009 winner of the Francis Locke Memorial Poetry Award from Bitter Oleander. His story collection, The Balloon Containing the Water Containing the Narrative Begins Leaking, was one of five finalists for the 2009 Starcherone Innovative Fiction Prize. In 2010 he has been a finalist in fiction at Black Warrior Review and Mississippi Review and in poetry at Cloudbank and Mississippi Review. Read his fiction piece “Who the Hell Does He Think He Is?” in issue 7.

Terese Svoboda‘s sixth novel, Bohemian Girl, will be published next fall. Her fifth, Pirate Talk or Mermalade (2010), is “a strange and nastily beautiful book,”—The Millions. Read her fiction piece “Madonna in the Terminal” in issue 7. Terese Svoboda’s Website

 

 

 

The full magazine with featured art and artists can be found here. Check back tomorrow to read about the interviews featured in Issue 7.

Note from the Editor

Patricia Murphy
Founding Editor Trish Murphy and Poetry Editor Emily Beckley  

 

 

 

 

 

 

 

 

 

As most of you know, I started Superstition Review because I wanted my writing students to gain practical experience with a literary magazine before going off into the working world or on to graduate school. I wanted to teach students to correspond with authors, meet deadlines, make editorial decisions, design websites, organize events, and advertise through email, Facebook, Twitter and blogs.

This week marks the launch of Issue 7 of Superstition Review, which gives me occasion to look back on those goals I had when I first started the magazine. In seven semesters I have mentored 95 students, many of whom have gone on to jobs in publishing, or spots in grad school, or teaching careers.

Recently I had the opportunity to do one of my favorite things: act as a reference for a former intern. “Oh I’m going to make your job easy,” I said to the hiring manager. “Throw away all the other applications because you need to hire my student.” I backed that recommendation up with a story about a task the student accomplished despite my complete inability to tell her how to do it. My interns work hard. They earn their 3 credit hours. And they earn their glowing recommendations from me as well.

I have now had seven semesters of managing students as we put together each issue in only 14 weeks, and it occurs to me that while I was training my students to run a magazine I was getting a crash course in mentoring. Trust me when I say for certain that putting together Issue 7 was 95% easier than putting together Issue 1. We’ve passed a learning curve. And I think you’ll agree that it shows in what we do.

I hope you enjoy the new work of 48 artists and authors in our Issue 7. And please don’t hesitate to contact me if you have a job waiting for one of my student interns.

Meet the Interns: Tyler Hughes

Superstition Review

Advertising Coordinator Tyler Hughes is a senior at Arizona State University. He will be graduating in 2011 with a degree in English Literature. After graduation he would like to be able to apply his skills and experiences learned at ASU and interning for Superstition Review into a career in publishing and editing. He also has a passion for writing fiction and hopes to be able to find a home for his writings. This is his first year working for Superstition Review.

1. What is your position with Superstition Review and what are your responsibilities?

My position at Superstition Review is Advertising Coordinator. I am in charge of the Superstition Review Blog. Some of my responsibilities include managing the blog, writing posts, and editing the posts that our editors write for the blog.

2. Why did you decide to get involved with Superstition Review?

My interests include writing, both creatively and for an audience, and along with that I am interested in pursuing a career in the publishing field. I thought that Superstition Review would provide some great hands-on experience.

3. How do you like to spend your free time?

In my free time I enjoy reading and writing, spending time with my friends and family and hiking with my dog.

4. What other position(s) for Superstition Review would you like to try out?

I would love to try out the position of Fiction Editor. They get to do a lot of fun stuff like review submissions and read pieces from great authors.

5. Describe one of your favorite literary works.

This is a hard question as there are so many great stories out there. One of the stories that I have always loved is Ender’s Game by Orson Scott Card. Ender’s Game is a science fiction story about a boy named Ender who is sent to a military run space station to train in tactical warfare in preparation for an alien encounter. It has some great characters and writing and the premise is pretty unique. It is hard to pick just one but Ender’s Game is definitely in my top five.

6. What are you currently reading?

I am currently re-reading World War Z by Max Brooks. It is an account of the zombie apocalypse through interviews with people from around the world. It is all treated very seriously, but not too seriously, and is a really fun read.

7. Creatively, what are you currently working on?

I have been a little bit swamped recently so I haven’t really had time to work on anything. However, I am in the early stages of brainstorming a short story project as well as editing some old stories.

8. What inspires you?

I am inspired by stories about people. People and their experiences are fascinating and I never get tired of hearing people’s stories.

9. What are you most proud of?

Right now, I am very proud of my accomplishments in school and being so close to earning my bachelor’s degree in English Literature.

10. Where do you see yourself in 10 years?

In 10 years I hope to be working in a job that I enjoy, hopefully something in publishing or editing.

The Steps to the Story

Superstition Review

I cannot count how many times I have been asked what my writing process is. It must be a writer’s most frequently asked question right up there with “Where do you get your inspiration from?” and “How do you spell (insert any word here)?” Because of this, I decided it would be worthwhile to compile a list of steps based on my own writing process and a few friends’ processes.

Please realize, these steps have been made with a longer, prose style type writing in mind but can also be applied to poetry, plays, academic writing, or anything else involving words.

Step One: Idea

To start writing, you must first have an idea of what to write about. Obviously. The unobvious part is where you obtain the idea. Inspiration can come from anything from a dream, to a lived experience, to a passing billboard. Sometimes ideas drift slowly, seeping into your brain in small waves of images and words. Other times, ideas creep up, grab you firmly, and yell “Write me now!” Regardless of how the idea presents itself, it’s a good idea to write it down.

Step One Point Five: Plan

This step can sometimes be skipped, and other times be labored over more than the actual writing. It really all depends on the author and the complexity of the story. Starting a plan can sometimes be as difficult or even more so than writing the story. It’s usually good to start with an outline of major events and a page of character bios. From there, fill in as many details as you deem necessary until you are comfortable enough to start writing.

Step Two: Write

The best and the worst part of the steps. On the one hand, your idea is realized! On the other hand, it will take countless hair pulling, pencil sharpening, teeth grinding, sweating, coffee consuming hours to make that idea real. Ok, so writing isn’t always that bad. A lot of the time, writing is fun! Either way, I find it best to sit down and write out the idea all the way through. Obviously, not every idea can be hammered out in one session at the computer but it is still best to write the story from beginning to end. Some writers like to go back and edit as they add more. I caution against that for the simple reason of many times you will get stuck trying to perfect the beginning and lose interest in finishing the story. If you have a hard time making yourself write all the way through, considering signing up for NaNoWriMo. National Novel Writing Month takes place in November with the goal to complete a 50,000-word novel between 12:00 am November 1st and 11:59 pm November 30th.

Step Three: Read

You’ve sat down and slammed out 20,000 words of brilliance. Now is a good time to go back, read it, and add more if you wish.

Step Four: Edit

Some writers hate this step. More loathe it. Personally, this is my favorite step and I believe it is the most important. Anyone can write, but it takes a true artist to do it well. This is where editing comes in. Take a fine-toothed comb to your work. Start with spelling and grammar and work your way to tone. A professor once told me if a single word has no function in your writing then throw it out. Be your biggest critic and edit away!

Step Five: Use Your Friends

That’s what they’re there for! Use away! Hand them a copy and make them read and review it honestly. If your friends are only praising your work, you may be that great. Or you may want to consider giving your story to a mentor or joining a writing group.

Step Six: Repeat

Repeat Steps Three, Four and Five as many times and in whatever order you want until you are happy with your work. It may not ever be perfect, but it can be finished. When you’re comfortable, stick a fork in it and send it out to be published or frame it and hang it on the wall. Whichever you prefer.

Remember, these steps don’t work for everyone. But if you’re faced with a monster of an idea and aren’t sure of how to approach it, you can always try following them.