Meet The Interns: Madeline Beach

Madeline Beach is currently completing her final semester hours to earn the designation of a Bachelor of Arts in English Literature. At this time, Madeline is professionally working as a technical writer and enjoys seeing the worlds of technology and literacy work together in tandem, in both professional and academic settings. This is Madeline’s second semester with Superstition Review as she enjoys being closely involved with the ever-growing revolution of online publishing.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Madeline Beach: Currently I hold the position of Content Coordinator. My responsibilities include receiving and tracking all submissions received as a part of our open submission period.

SR: Why did you decide to get involved with Superstition Review?

MB: I first learned about Superstition Review when I took a course led by the journal’s Managing Editor Trish Murphy. The course involved researching and studying Literary Magazines, so I felt the best next step was to become familiar with the publication process. After having interned last semester, I felt that continuing to gain experience in online publishing would prove invaluable to my future career endeavors.

SR: Besides interning for Superstition Review, how do you spend your time?

MB: Currently, I work full-time as a Project Administrator at a large financial company. After my workday ends, I rush home to begin my schoolwork. In the spare time I have, I write short essays for practice, perfecting my skills as a writer.

SR: What other position(s) for Superstition Review would you like to try out?

MB: I think it would great to gain experience in the actual web design process of online publishing.

SR: Describe one of your favorite literary works.

MB: My favorite literary work, which as written by Tammy Delatorre, is titled Gifts from my Mother. The piece is a cynical coming of age tales that describes the “gifts” a young girl receives from her mother. At night the narrator’s mother leaves her young daughter in the car while she frequents the local bar. The mother brings her daughter the parasols and olives from her drinks at the bar, which the daughter sarcastically remarks as being so thoughtful. I like the feel of the story because it is dark and poignant, telling the short story of a young girl’s experience of her mother.

SR: What are you currently reading?

MB: I have recently begun to re-read 1984, by George Orwell. A co-worker and I were discussing the film and I felt the urge to read the book again to better familiarize with the details.

SR: Creatively, what are you currently working on?

MB: I am currently finishing a piece of creative non-fiction, detailing my experience of my father’s untimely death and how I felt caring for him at a young age.

SR: Where do you see yourself in 10 years?

MB: I see myself as a leader within my employer’s brand management services division, editing work that is submitted for approval, prior to publication.

Meet The Interns: Anthony Torres

Anthony Torres is a senior completing his last year at Arizona State University studying English Literature. He plans to attend graduate school in either linguistic studies or literature. His long-term goal is to be an editor at one of the major publishing houses. Along with his internship with Superstition Review, he also works freelance at the number one outsourcing company online, Burn Your To Do List, where he writes and proofreads article submissions to clients. This is his first semester with Superstition Review.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Anthony Torres: I am one of two art editors currently working with Superstition Review. As an editor our main job is to choose different works of art from different artists to have in our magazine. Along with choosing artists for our magazine, we also get to correspond with contributors, which includes sending rejection/acceptance notices, as well as asking contributors to advertise in our issue, and to gather headshots and bios of each artist that we select for the magazine.

SR: Why did you decide to get involved with Superstition Review?

AT: I first got involved with Superstition Review because it was one of the only internships that I was offered where I can actually get hands on learning experience in order to become an editor specifically. Once my education is complete, I will venture off in the world where I hopefully can become an editor for a magazine or publishing company one day, and with the skills that I will learn with Superstition Review I can feel better about doing so.

SR: Besides interning for Superstition Review, how do you spend your time?

AT: I currently work freelance for the number one outsourcing company online, as their proofreader/writer. As well, I am also employed with Apple Inc. and spend most of my free time with either of those two jobs. My education is also a primary part of my day-to-day life. So studying takes up most of my time as well, and I usually spend my weekends with friends and family.

SR: What other position(s) for Superstition Review would you like to try out?

AT: I would also like to try interning as the advertising coordinator. I think that’s a major aspect of a magazine, that I feel like I could do some major damage too, in a good way of course!

SR: Describe one of your favorite literary works.

AT: This may be the existentialist me that currently seems to be possessing my body, but The Stranger by Albert Camus has got to be one of my favorites.

SR: What are you currently reading?

AT: Currently, I’m reading Franz Kafka’s The Trial and have been getting into more Albert Camus and existentialist sort of readings. They seem to be attracting my attention right now so I’ll just go with it.

SR: Creatively, what are you currently working on?

AT: As far as writing goes, I write everyday, or try to, whether it be keeping track of current thoughts in my head or just writing to write, the power that a pen and paper have is incredible and to do that every day is amazing. I also dabble a bit with photography, nothing extravagant but its fun to photograph your world, a kind of frozen memory.

SR: Where do you see yourself in 10 years?

AT: In 10 years I see myself out of the internship realm and hopefully well into my career goal as an editor. Possibly employed with a great magazine company or even one of the major publishing houses. Either way, in 10 years, I see myself being happy.

Meet the Interns: Michael Volkers, Content Coordinator

Michael Volkers is a junior studying English Literature.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Michael Volkers: I am the Content Coordinator and my responsibilities primarily lie in keeping tabs of the content to be published on the magazine.

SR: How did you hear about Superstition Review and what made you decide to get involved?

MV: I heard about SR through the English department’s e-mail distribution, which I acted upon, and here I am!

SR: What are you hoping to take away from your Superstition Review experience?

MV: I hope my experience with SR will create a foothold into a possible career in publishing. I also hope it will improve my writing by learning the processes behind literary publishing.

SR: Describe one of your favorite literary or artistic works.

MV: Oh, now that is a difficult one. I have so many favorites, but lately I was introduced to Salvador Plascencia’s People of Paper, which is a brilliant piece of work. For those who have not read it, it is a very postmodern novel that involves a great battle between the novel’s characters and the author himself over the commodification of sadness. I highly recommend it.

SR: What are you currently reading?

MV: I am currently reading The Norton Anthology of Theory and Criticism for school and Vonnegut’s Slaughterhouse-Five for fun.

SR: What other position(s) for Superstition Review would you like to try out?

MV: I would like to try out being a Fiction Editor. I think it would be a great experience.

SR: Do you prefer reading literary magazines online or in print?

MV: I am torn on that one. I prefer to hold published material in my hands, but the convenience of the internet is great. Lately I have been reading both.

SR: Do you write or create art? What are you currently working on?

MV: I write fiction in my spare time. I have a several pieces of short fiction I need to polish and a novel in the works. My friends are prodding me to write a screenplay as well.

SR: Besides interning for Superstition Review, how do you spend your time?

MV: Most of my time outside of SR is devoted to homework, my day job at a law office, and spending time with family and friends.

SR: What is your favorite mode of relaxation?

MV: For relaxation I like to pick up a horror novel or troll the internet.

Meet the Interns: Nicole Dunlap, Development Coordinator

Nicole Dunlap will be graduating from ASU in May with a degree in English Literature.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Nicole Dunlap: I’m working on the development of SR–putting together documents for Kindle–I will be composing all of the past issues into organized word documents.

SR: How did you hear about Superstition Review and what made you decide to get involved?

ND: My adviser recommended I apply for the internship Fall 09.

SR: What are you hoping to take away from your Superstition Review experience?

ND: More experience with working with a team, learning how the line of production works for publishing a magazine.

SR: Describe one of your favorite literary or artistic works.

ND: I don’t like choosing favorites…but a couple contemporary pieced I like include Mark Danielewski’s book House of Leaves–it’s a combination of literature and visual arts. Also the only book I’ve ever reread (by choice) is Donna Tartt’s The Secret History.

SR: What are you currently reading?

ND: One Flew Over the Cuckoos Nest by Ken Kesey.

SR: What other position(s) for Superstition Review would you like to try out?

ND: I’d like to be the non-fiction editor. I would love to be forced to read all submissions–good and bad.

SR: Do you prefer reading literary magazines online or in print?

ND: I like reading things in print, just because I like the physical act of turning pages, dog-earing pages, etc.

SR: Do you write or create art? What are you currently working on?

ND: I’m working on a dual collaboration with my friend Kara Roschi–I’m printing photographs directly onto wood slabs. I think it’s being displayed in the Practical Art gallery in April.

SR: Besides interning for Superstition Review, how do you spend your time?

ND: I work a lot. In my free time I like taking photographs, writing, and going out with friends.

SR: Where do you see yourself in 10 years?

ND: I hope to be in graduate school in 10 years. Hopefully in the meantime I’ll spend some time in Germany.

Meet the Interns: Carrie Grant, Blogger

It’s a new semester at ASU, which means a new team of student interns is gearing up to work on Superstition Review Issue 5. We have 18 interns this semester, and you’ll be getting to know us one at a time as the weeks progress.

As the person bringing you the interviews with our interns and keeping you up-to-date on everything happening with Superstition Review, I figure I should introduce myself first. I’m Carrie Grant, a sophomore majoring in English Literature and Sociology.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Carrie Grant: I’m the Blogger, which means I post updates on the SR staff’s progress toward publication, interviews with our interns, and other Superstition Review topics of interest to our WordPress blog, Twitter account, and Facebook fan page.

SR: How did you hear about Superstition Review and what made you decide to get involved?

CG: I heard about Superstition Review through an email listserv last semester. I had been throwing around the idea of a future in publishing for a while, and this seemed like the perfect way to get a taste of how publishing works and to better determine whether I could actually see myself working in publishing.

SR: What are you hoping to take away from your Superstition Review experience?

CG: I want to gain an understanding of how the work done by each intern contributes to the overall process of publishing a literary magazine. I also want to become more confident in my ability to work independently.

SR: Describe one of your favorite literary or artistic works.

CG: I’m in love with The Time Traveler’s Wife by Audrey Niffenegger. The recent film adaptation doesn’t do this intricate science fiction/love story justice at all. Actually, I think the film The Curious Case of Benjamin Button conveys the feeling of The Time Traveler’s Wife much more accurately.

SR: What are you currently reading?

CG: The Adventures of Huckleberry Finn, which I’m enjoying so much that I can’t believe I haven’t read it before now. I started David Foster Wallace’s Infinite Jest at the end of winter break, and I’m trying to find time to get back to it.

SR: Who would be the Superstition Review contributor of your dreams?

CG: Margaret Atwood. She’s basically my literary idol of both poetry and fiction, and it would be amazing to be a part of publishing her work.

SR: What other position(s) for Superstition Review would you like to try out?

CG: I would like to be Content or Submissions Coordinator, or a Fiction Editor.

SR: Do you prefer reading literary magazines online or in print?

CG: Online. I don’t have much time to read for pleasure, so I like the ease with which I can take a break from, say, writing a Superstition Review blog post, and read a new poem or short story.

SR: Besides interning for Superstition Review, how do you spend your time?

CG: Day-to-day I can be found reading for classes in the Barrett study room, watching indie movies in bed or at the local indie theater, patrolling the halls of Hassayampa with my fellow Community Assistants (known as RAs basically everywhere but at ASU), and editing for the student-run Barrett Honors College magazine, The Barrett Chronicle.

SR: Where do you see yourself in 10 years?

CG: I hope to be working in publishing, possibly as a literary agent or an editor. Ideally, 10 years from now I’ll be married, living in a well-decorated Manhattan apartment, and the owner of a dream library and wardrobe.

Meet the Interns: Mariah Beckman, Solicitations Coordinator

mariahbeckman_0Mariah Beckman is an English Literature Senior at Arizona State University and is pursuing a Technical Writing Certificate.

Superstition Review: What do you do for SR?

Mariah Beckman: I review current solicitation list and update contacts, and maintain this list so that the following issues have a solicitations list to build off of. I also work with Editors to add names to list and constantly update the Solicitation List with author responses. My job consists largely of helping to garner submissions and organize the responses to those submissions to provide clear and updated list of works to be featured in Superstition Review.

SR: How did you hear about or get involved with Superstition Review?

MB: I was fortunate enough to take a class taught by one of the managing editors/founders, and was thusly recruited.

SR: What is your favorite section of SR? Why?

MB: I think that poetry is going to be my favorite section of SR. When I was in high school I dated this boy, and his brother was featured in Hayden’s Ferry Review, another Arizona State University literary magazine, and I remember thinking how awesome it was that he was valued enough to be represented. His submission was poetry. I really love to read poetry–no matter how busy I am, I can pick up a copy of my Cummings or Hughes or Frost collection and browse through a finished project, and that is what I love about poetry. If literature is the Christmas Tree, poetry are the Ornaments that make it dazzle even without the lights. I’m so excited to read the submissions and have an opportunity to read some up-and-comers and professionals, side-by-side, and compare the changing face of poetry today.

SR: Who is your dream contributor to the journal? Talk about him/her.

MB: I think that I would love to feature Mark Danielewski (author of House of Leaves) or Chuck Palahniuk (author of the novels Fight Club, Snuff, Choke, etc). While each of these authors feature often mature content, their wit and eloquence are excellent artistic representations of Americans ever-changing and subversive culture. These authors publish challenging and exciting, often funny and always memorable works that have stuck with me and that I can relate to, and it would be amazing to feature one of their interviews or short stories to see what insights they could offer about writing in the 21st century.

SR: What job, other than your own, would you like to try out in the journal?

MB: I would like to work with contributors whose works are chosen to fine-tune and polish their work for submission. I would love to be the person who not only delivers the great news that an individual’s work is publication-worthy, but also work with them to craft their writing and to make them the best vehicles for their art form, because written word is truly a timeless and powerful art.

SR: What are you most excited for in the upcoming issue?

MB: The finished product and readings are the milestones that I most look forward to for this upcoming issue. To see all of our efforts come to fruition will be amazing, and I just can’t wait.

SR: What was the first book you remember falling in love with and what made it so special?

MB: As a reader, there are so many books that I really appreciated and grew up with. The first book, however, that I can remember finishing and then reading all over again was Joseph Heller’s Catch-22. The characters in this novel were so vibrant–who doesn’t know and love a Captain Yossarian, tragic and clever anti-hero of life’s red tape? Or a Milo Minderbinder, enterprising get-rich-quick businessman with great demeanor and no conscience? Major Major, the Chaplain, Hungry Joe–there was a piece of all of America in every character, even the most despicable.

SR: What artist have you really connected with, either in subject matter, work, or motto?

MB: “Anyone who lives within their means suffers from a lack of imagination.”–Oscar Wilde

Oscar Wilde in his The Picture of Dorian Gray is one of the most prosaic and devilish books I’ve ever read. I’ve always considered myself a fan of Sylvia Plath, but never of her methods–her poetry is divine, but her short works and her life fell short of what I thought her work expressed her capable of. Oscar Wilde, however, was as much a modern philosopher as he ever was a writer. Everything he said or wrote is quotable–I don’t think the man ever had a mundane thought.

“Arguments are to be avoided; they are always vulgar and often convincing.”–Wilde

SR: What are some of your favorite websites to waste time on or distract you from homework?

MB: I am loathe to say Facebook, but there it is. I think that I blow more of my time on Facebook then I do checking my email. I Can Has Cheeseburger.com used to be high on the list, not because I’m a freak but because I have a lot of pets and every one of them seems to be represented in adorable photo form. don’t judge me. T-Shirt Hell.com–it’s awful and wrong, but I love it. I only wish I could buy up the site. If you’ve never been, you should check it out–it’s the most offensive and off-color t-shirts you would ever not want to see.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

MB: YOU: A Montage

I would like to take a class that allows a person to gather together their most favorite and expressive mediums of expression–photos, written work, audio, video, links and things and ideas and beliefs–and turn it into something tangible…like a collage that one would be graded on. The final project would be in explanation and defense of not only the project, but the personality and individual it represents. My final would be a life-size mannequin, decked out to look like me but in clothing made of my favorite works, eyes that you could look into and press my nose to see a slideshow, a button on my mouth to hear me recite something of my choosing, and spaces cut out of my arms, legs, back, whatever, to put (assuming money isn’t the issue) clips of movies like “Vanilla Sky” or “Harold and Maude” and other favorites to show viewers, in a snapshot, me. This would be like the ultimate self-exploration, and it would involve a lot of actual project work, which isn’t something that I’ve really done since high school.

Meet the Interns: Dustin Diehl, Nonfiction Editor

dustinDustin Diehl is a Senior at Arizona State University majoring in English Literature and minoring in Religious Studies. He is also pursuing a LGBT Certificate.

Superstition Review: What do you do for SR?

Dustin Diehl: I solicit work from nonfiction authors to be considered for publication. I then read through submissions (both solicited and submitted) and decide which ones I think should be included. Together, with Liz, we decide which ones to include, then send out rejection/acceptance e-mails.

SR: How did you hear about or get involved with Superstition Review?

DD: Trish is my Honors Thesis advisor and asked if I would like to participate…I said yes!

SR: What is your favorite section of SR? Why?

DD: I really enjoy fiction; however, I’ve been earning a deeper appreciation for nonfiction…seeing how people can take ordinary circumstances (or even not-so-ordinary circumstances) and convey them in a creative and readable form is fascinating to me.

SR: Who is your dream contributor to the journal? Talk about him/her.

DD: I would love for Michael Stackpole to contribute a short fiction story. I love his Star Wars novels and he’s a local writer!

SR: What job, other than your own, would you like to try out in the journal?

DD: I think it would be fun to be a part of the marketing team. I work for an online ad agency, so getting to apply my job skills to something fun like SR would be pretty cool.

SR: What are you most excited for in the upcoming issue?

DD: I’m really excited to read the submitted work…it’s always fun to read people’s work, especially when you find a diamond in the rough!

SR: What was the first book you remember falling in love with and what made it so special?

DD: The first book I fell in love with was The Bronze Bow by Elizabeth George Speare. I loved how it deftly juxtaposed religious history, political history and fiction into a very readable and timeless story. In high school, I adapted the book into a play script and would still love to produce a stage version of the book.

SR: What are you currently reading?

DD: Currently reading the Star Wars: X-Wing series by Michael Stackpole and Aaron Allston. Reading should be fun, and these books are fun!

SR: What are some of your favorite websites to waste time on or distract you from homework?

DD: I’m a huge movie buff, so I’m constantly on WorstPreviews.com, a movie news blog.  I’m also an avid Star Wars fan, so I enjoy TheForce.net as well.

SR: Do you write? Tell us about a project you’re working on.

I do write; usually fiction, but I’ve found nonfiction to be very satisfying as well. I’m working on a collection of creative nonfiction essays for my Honors Thesis as well as a LGBT-themed modern fantasy novel.

Meet the Interns: Nicole Dunlap, Photoshop Editor

nicoledunlap_1Nicole Dunlap is a English Literature Senior at Arizona State University. She is currently the Photoshop Editor for Superstition Review.

Superstition Review: What do you do for SR?

Nicole Dunlap: So far I have been formatting headshots and designing various banners and logos for the website and advertisements. I plan to continue these activities throughout the semester and I also plan to do any miscellaneous tasks that will be given to a Photoshop editor.

SR: How did you hear about or get involved with Superstition Review?

ND: I first heard about Superstition Review through an advertisement for needed interns.

SR: What is your favorite section of SR? Why?

ND: I like the nonfiction section, just because I tend towards the creative nonfiction genre.

SR: Who is your dream contributor to the journal?

ND: I would love if my friend Kara would contribute some of her artwork. She does mostly performance art, but her paintings and prints are amazing; I would love to help publish some of her art.

SR: What job, other than your own, would you like to try out in the journal?

ND: I would love to be a nonfiction editor. I would love to read submissions and get a feel for the behind-the-scenes operations of the publication process.

SR: What are you most excited for in the upcoming issue?

ND: I’m excited to read the submissions, of course. But I’m mostly excited to see how the redesigning of the website will look.

SR: What was the first book you remember falling in love with and what made it so special?

ND: I’ve had several favorite books but the earliest one that I can remember is a book called Sirena. It was a young adult novel about the Siren mermaids–the author wrote a series of novels that reworked common stories or fairy tales. She put her own twist on them, added in a bit of drama and made them all great for teenagers to read.

SR: What are some of your favorite websites to waste time on or distract you from homework?

ND: www.stumbleupon.com (if you don’t have an account here, you need to make one), www.etsy.com, www.flickr.com.

SR: What are your feelings on digital medium?

ND: I’m hoping that being involved with Superstition Review will help rid of me this opinion, but it’s hard for me to take digital literary pieces seriously. Blogs have to be especially entertaining or humorous for me to like them. And similarly, literature needs to be especially engaging to hold my attention. I’m also a person who prefers a photo to a digital file, a printed page over a PDF. I just like tangible things better.

Do you create art? Tell us about a project you’re working on.

I’m always tweeking my own photographs, trying to decide on a series to shoot, a series to put together.  Currently, I’m working on putting together a poetry/photography book.  I’ve printed out a sentence or two on a transparency so I can bring it into the darkroom with me to make it a part of the printing process.

Meet the Interns: Sean Carstensen, Prose Team Manager

seancarstensen_0Senior English Literature Major Sean Carstensen is the Prose Team Manager for Superstition Review.

Superstition Review: What do you do for SR?

Sean Carstensen: It’s my responsibility to function as a liaison between the prose editors and management of SR. The Prose team as a whole is responsible for selecting the works to be published in the upcoming issue; my role in the team is to keep sight of the larger picture and assist the prose editors in any way I can while simultaneously working to streamline communication within the SR team.

SR: How did you hear about or get involved with Superstition Review?

SC: I found out about Superstition Review through an English Department email encouraging students to apply for the internship. It sounded like something I would be interested in, so I applied and decided to take a summer course which would prepare me for a management position in the Fall 2009 issue. Being involved in publishing a literary journal was more appealing to me than the traditional types of internships.

SR: What is your favorite section of SR? Why?

SC: My favorite section of SR would have to be the poetry. The density of meaning and ambiguity of the poems is what separates them from prose: I can read a fiction/nonfiction piece once through and feel as though I have a solid idea of the message; poems are completely different. The first read through a poem familiarizes me with the meter and structure, but the meaning often remains uncertain and ambiguous even after several reads.

SR: Who is your dream contributor to the journal? Talk about him/her.

SC: I feel like Stephen King would be an extremely interesting interview. After reading previous interviews, I would want to ask him about his writing process because it sounds different from traditional methods which emphasis planning and structure; King incorporates a degree of spontaneity and oftentimes does not know how his main plot conflicts will be resolved.

SR: What job, other than your own, would you like to try out in the journal?

SC: Blogging has always been something I’d like to try out and I think that it would be exciting to be responsible for an ongoing blog about Superstition Review. I think that a lot of potential readers will first find out about SR through the blog, and I believe that maintaining the page would be an intriguing combination of journalism and marketing.

SR: What are you most excited for in the upcoming issue?

SC: I’m really hoping to discover some new writers through the open submissions. I know that we’ll receive quality work from the solicited submissions, but I would be thrilled to see some unsolicited work make its way into the final issue as well.

SR: What was the first book you remember falling in love with and what made it so special?

SC: One day my fourth grade teacher started reading us a book called The Phantom Tollbooth and I was absolutely transfixed. Later that day I happened to see the same book in my older brother’s room, so I stole it and proceeded to finish the entire thing. The mash up of wordplay, riddles and rhymes in the story of a boy named Milo were completely overwhelming and unlike anything I had seen before.

SR: What artist have you really connected with, either in subject matter, work, or motto?

SC: I would have to say Oscar Wilde. The Picture of Dorian Gray was an eye opening read, but it’s really Wilde’s criticism that I connect with: the notion that an observer deduces meaning from art by contributing part of their self to the work was new to me.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

SC: A class on Aleister Crowley–I’ve read some less than complementary things about him, but have never actually read any of his work. I believe someone once called him “the wickedest man in the world” and I would be interested to see what a writer has to say to earn such harsh criticism.

SR: Do you write? Tell us about a project you’re working on.

SC: I have recently reconnected with three of my old friends from high school and we’re trying to start mailing a journal between the four of us; we’ll be able to reflect on how much has changed in four years while staying touch with one another in a unique fashion.

Meet the Interns: Kellie Parisek, Poetry & Art Manager

kellieparisek_0Poetry and Art team manager, Kellie Parisek, is a senior at Arizona State University majoring in English Literature.

Superstition Review: What do you do for SR?

Kellie Parisek: I help plan tasks for the art and poetry editors and set deadlines.

SR: How did you hear about or get involved with Superstition Review?

KP: A professor told the class about it and I wrote an article for The State Press about the magazine before applying for the internship.

SR: What is your favorite section of SR? Why?

KP: I like the poetry section because I love reading new expressions of thought from so many different people who have so many different points of view.

SR: Who is your dream contributor to the journal?

KP: I think Nicole Dunlap does an amazing job.

SR: What job, other than your own, would you like to try out in the journal?

KP: I think it would be an wonderful opportunity to give editing a try.

SR: What are you most excited for in the upcoming issue?

KP: I am most excited to see the intern’s work who I am working with pay off.

SR: What was the first book you remember falling in love with and what made it so special?

KP: I remember reading the book, Star Girl as a child. I loved that book because I felt like I kind of related to the main character and it became personable to me.

SR: What are you currently reading?

KP: My text books.

SR: What are some of your favorite websites to waste time on or distract you from homework?

KP: My blog and my friend’s blogs.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

KP: I would love to take a journalism class at ASU. I took one at another school but I would like to see how different ASU was versus my other school and what new insights I would gain from taking it at ASU.