Meet the Interns: Riki Meier, Fiction Editor

rikimeier_0Fiction Editor, Riki Meier, is a senior majoring in English Literature, part of The College of Liberal Arts & Sciences.

Superstition Review: What do you do for SR?

Riki Meier: I’m a fiction editor, so I get to solicit work from authors I like, read submissions, and help determine which stories will be published in the next issue.

SR: How did you hear about or get involved with Superstition Review?

RM: I first heard about Superstition Review through WORD: Creative Writers @ ASU, another internship for which I’m serving, filling the role of President. As WORD’s President, I helped advertise the reading series to our members. I later learned through the Honors College listserv that Superstition Review was accepting applications for interns, and the opportunity just seemed too fantastic to pass up!

SR: What is your favorite section of SR?

RM: The Fiction section is my favorite, of course! Fiction is my passion. I love reading fiction (it’s a requirement for Literature majors) and I also write fiction as well.

SR: Who is your dream contributor to the journal?

RM: Oh–I have two dream contributors! There’s no way I could choose between them. I would absolutely love to be able to publish Toni Morrison or Gabriel Garcia Marquez. They are both my literary idols.

SR: What job, other than your own, would you like to try out in the journal?

RM: Honestly, I’m so excited about my work this semester as fiction editor that I find it hard to consider any other positions at the journal!

SR: What are you most excited for in the upcoming issue?

RM: I am most excited about getting to contact my favorite authors and asking them to submit work. I think it’s a chance of a lifetime. When else will I be able to contact Nobel Prize winners, Pulitzer Prize winners, etc., and ask them for a story or an interview? Just the thought of being able to interview someone like Marquez or Morrison is absolutely thrilling to me.

SR: What was the first book you remember falling in love with and what made it so special?

RM: Actually, the first thing I remember falling in love with when I was little was Gabriel Garcia Marquez’s short story “A Very Old Man with Enormous Wings.” That story introduced me to magical realism, which I absolutely adore. It was also the first piece of literature that really got me thinking about larger social issues.

What are you currently reading?

RM: Right now I’m reading a lot of books on feminist theory, postcolonial theory, and cybercultural studies for research projects I’m working on. Other than my work at Superstition Review, I don’t have time to read anything else this semester, unfortunately. However, I have a copy of Kurt Vonnegut’s Welcome to the Monkey House, Ralph Ellison’s Invisible Man, and Carlos Fuentes’ The Death of Artemio Cruz piled up on my nightstand just waiting for the day after final exams!

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

RM: That’s easy! It’s an MFA class currently being taught at ASU by Alberto Rios called “Magical Realism.” Not only does the class study great works written in the magical realism tradition, but you get to learn magical realism writing from a great magical realism writer!

SR: What are your feelings on digital medium?

RM: Oh, that’s a loaded question for me as I’m studying an online book discussion group for one of my big research projects. New media allows for a new hybridity of virtual/physical, public/private, sacred/profane, work/play, and even male/female. It is through narrative discourse that discursive and cultural practices are formed and diffused throughout society, and these practices, in turn, work to form the framework within which identities are constructed. As media types and forms of expression evolves and extends to virtual environments, a deeper exploration of cybercultural studies is necessary to deconstruct and understand the new identities being formed.

I believe there is an intrinsic connection between literature studies and rhetoric studies, and that there is an evolution of literature and narrative in progress that is the result of technological advancements. Today, multiple narrative forms—including literature—are evolving and adapting to online and multimodal environments. I maintain we must study communities of practice to understand the impact these virtual environments have on narrative and on the people who produce and consume these narratives.

Meet the Interns: Derrick Laux, Administrative Team Manager

derricklaux_0Derrick Laux is a student of the College of Liberal Arts and Sciences majoring in English Literature. He is Superstition Review’s Administrative Team Manager, head of the Administrative Team. This semester he is a senior.

Superstition Review: What do you do for SR?

Derrick Laux: I manage four interns in areas of administrative duties including advertising, reading series, funding & development, and contests. My job is to create workflows, manage deadlines and be available to answer any questions and assist with the workload in each of these four areas.

SR: How did you hear about or get involved with Superstition Review?

DL: I contacted Trish Murphy, our Editor-in-Chief, with questions about a couple of specific fall and summer courses and told her that I was looking for an opportunity, like an internship, that would help prepare me with some marketable skills and resume building attributes. She said she needed some help managing the workload for Superstition Review and it seemed like a perfect fit at the perfect time. I was afraid that my schedule would not allow me the freedom to partake in an internship that required a lot of physical presence on campus, so when she informed me that the majority of the work was done online, I saw something that could potentially work.

SR: What is your favorite section of SR?

DL: Personally, I like the interviews. I love knowing background information about authors and artists and the opportunity to get to know them on a personal level. Their writing affects and influences so many people that I just think it’s really neat to humanize them for a brief instant and see what makes them tick, what they do in their everyday lives, and what inspires them.

SR: Who is your dream contributor to the journal?

DL: Most of the time, I don’t feel qualified enough to answer a question like this or make any kind of literary assessments due to the limited nature of my reading. In comparison to others, I feel like I’m very under-read, but if I could pick anyone right now, it would be a writer from the American Southwest, namely Leslie Marmon Silko. I’ve not read a lot of her work, but I’m absolutely infatuated with Ceremony and the spiritual healing that characterizes that book. It’s beautiful. Anyone that can write something like that, I’d like to see more of their work, especially something exclusive to Superstition Review. I’m falling in love with the Southwest and really feel like it’s neat if we can publish local authors representative of the region that we represent as a literary magazine. Rudolfo Anaya, Barbara Kingsolver, and other contemporary Southwestern writers would be my ideal contributors.

SR: What job, other than your own, would you like to try out in the journal?

DL: I think I’d love to be either the Web Design Editor or the Interview Coordinator. I’m infatuated with logos, graphics, and the overall visual appearance of things. I feel like you only get one chance to make a first impression, and the design of a page usually either clicks the interest switch on or off in a person’s head. Great design is an attention grabber and sets an immediate successful tone while poor design shuts people off in an instant. Their minds are already tainted with bad thoughts if the design isn’t up-to-par. I think being the interview coordinator might be just as fun and rewarding because as I stated before, I love getting to know people on a personal level to see what makes them tick and inspires them to write the things that influence and move our everyday lives.

SR: What are you most excited for in the upcoming issue?

DL: The new design of the webpage and the reading series. I feel like there’s so much potential for both to help establish Superstition Review’s name and get the word out about our publication. Never before have I had the access to deal with such established and talented writers. The chance to meet some of them and even host them at one of our readings is a big goal of mine that really excites me.

SR: What are you currently reading?

DL: I’m currently reading whatever is assigned for my classes. Luckily, the books have been interesting. Recently, I just finished Breakfast at Tiffany’s by Truman Capote and Double Indemnity by James M. Cain. I thought Breakfast at Tiffany’s was a great book, far better than the film.

SR: What are some of your favorite websites to waste time on or distract you from homework?

DL: Nfl.com and as of late, Craigslist. I’m trying to get set-up in my new place and Craigslist is a life-saver. There’s a lot of good stuff on there whether you’re poor or not.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

DL: It would be a class called either “NFL Football” or “American Microbrews.” Beer has become such a hobby of mine and I love spending my free time finding out more about new beers and breweries. It’s the new wine tasting in this country because there are so many good microbreweries out there. Football is self-explanatory. If you don’t like football, there’s something wrong with you; I don’t care how nice you are.

SR: What are your feelings on digital medium?

DL: I like the easy access that technology provides, but it really does leave me feeling jaded and detached at times. I can’t argue with the convenience that new developments like Kindle provide, but most times I see someone using a device like that and think, “Man, I really miss the simplicity of a paperback book.” There’s a lot of quality stuff to be said in blogs out there, but I just don’t like the feeling of sitting behind a screen all day long. It does things to people and its very dehumanizing, especially when I catch myself being mesmerized by the computer.

Meet the Interns: Amber Mosure, Poetry Editor

ambermosure_0_0Amber Mosure is serving on the Poetry and Art Team as one of our two Poetry Editors. She is a senior this semester, and is a student of the College of Liberal Arts & Sciences, majoring in English Literature.

Superstition Review: What do you do for SR?

Amber Mosure: I send out solicitations for poetry contributors to SR. I read submissions and make a decision on who will be published in the poetry section of the magazine. I send out acceptance and rejection emails. I write interview questions to ask potential interviewees.

SR: How did you hear about or get involved with Superstition Review?

AM: I am a returning staff member. Last semester was my first issue with SR. It was the 3rd issue. I did funding and development last semester. I heard about the opportunity to come back on board as poetry editor. I thought that would be fun and exciting, so I accepted.

SR: What is your favorite section of SR?

AM: I like poetry. It’s mainly what I write so I’m partial to it.

SR: Who is your dream contributor to the journal?

AM: It’s a tie between Lydia Lunch and musician/writer/songwriter, Nick Cave, but I’d have to say Lydia. She is a musician, actress, writer, photographer, performance artist. She is internationally known. She’s released numerous musical, as well as, spoken word albums. I love the art of spoken word and she is very candid, captivating, and intense with it. She’s well-known in the underground. She got her career start as lead singer for the late 1970s nu-wave band Teenage Jesus and The Jerks.

SR: What job, other than your own, would you like to try out in the journal?

AM: Art Editor.

SR: What are you most excited for in the upcoming issue?

AM: Picking contributors.

SR: What artist have you really connected with, either in subject matter, work, or motto?

AM: Kathy Acker. Her writing is very post-modern in style, almost poetically schizophrenic but eerily makes sense when directly applied to one’s own personal experiences with people and the world. I have connected with her works in the last couple years. Of her works, I’ve read: Don Quixote, Empire of the Senseless, In Memoriam to Identity, Great Expectations, and Pussy King of the Pirates.

SR: What are some of your favorite websites to waste time on or distract you from homework?

AM: Facebook, band websites.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

AM: John Waters: A Study in the Art of Bad Taste. It would cover his life, his art, his movies, his writings. It would include other notables in the art of bad taste.

SR: Do you write? Tell us about a project you’re working on.

AM: I am in the process of pitching a synopsis for a co-authored screenplay entitled “Celebrity Matters.” It’s pretty raunchy, but looking at the films being released by major production companies gives me great hope.

 

Get to know more staff next week!