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Intern Favorites: Literary Journals

Superstition Review

There has been a surge in the number of literary journals that request, review, and publish works online. Many of these have long existed in print form before moving onto the web, but some are recent organizations that take a modern approach to the representation of literature and artwork. We asked our interns for their favorite literary journals. This is the list we compiled, in no particular order.

Front Porch – “Front Porch just feels classy. I love the layout with the stationary background image with the scrolling text box.”

failbetter.com – “This magazine felt really well-suited to the online medium. Every story has a link to social networking sites like Twitter and Facebook, where you can ‘like’ what you’ve read. They have a mobile site, which I think will be increasingly important, and their forward thinking seems to be a strong point.”

Coal Hill Review – “This site has a very professional, sophisticated feel about it and features contests and contest winners in different genres.”

The Adirondack Review – “[This is] a beautiful online site, which is easy to navigate and chock full of great literature.”

The Cafe Irreal – “What I enjoy the most from this simple website is definitely the content. It has many issues and the simple design sets a good aura to the whole website.”

Exquisite Corpse – “I like that the website is not used as a prop to enhance the work – the work is simply good on its own and often in spite of its unprofessional presentation.”

Restless: An Arts Anthology – “They do incredible work formatting the ‘zine for the internet. They work art into the pages so that it’s not a large wall of text, which makes reading both easier and more interesting.”

Electric Literature – “I like that this site is using different media to get literature across to a wider audience than print alone can. The site is visually stimulating and you can read it on any medium – computer, smartphone, tablet.”

Blackbird – “I enjoy that Blackbird is so academic. There are a great many reviews and academic essays published in every issue that hardly ever fail to be interesting and educational.”

Note from the Editor

Patricia Murphy
Founding Editor Trish Murphy and Poetry Editor Emily Beckley  

 

 

 

 

 

 

 

 

 

As most of you know, I started Superstition Review because I wanted my writing students to gain practical experience with a literary magazine before going off into the working world or on to graduate school. I wanted to teach students to correspond with authors, meet deadlines, make editorial decisions, design websites, organize events, and advertise through email, Facebook, Twitter and blogs.

This week marks the launch of Issue 7 of Superstition Review, which gives me occasion to look back on those goals I had when I first started the magazine. In seven semesters I have mentored 95 students, many of whom have gone on to jobs in publishing, or spots in grad school, or teaching careers.

Recently I had the opportunity to do one of my favorite things: act as a reference for a former intern. “Oh I’m going to make your job easy,” I said to the hiring manager. “Throw away all the other applications because you need to hire my student.” I backed that recommendation up with a story about a task the student accomplished despite my complete inability to tell her how to do it. My interns work hard. They earn their 3 credit hours. And they earn their glowing recommendations from me as well.

I have now had seven semesters of managing students as we put together each issue in only 14 weeks, and it occurs to me that while I was training my students to run a magazine I was getting a crash course in mentoring. Trust me when I say for certain that putting together Issue 7 was 95% easier than putting together Issue 1. We’ve passed a learning curve. And I think you’ll agree that it shows in what we do.

I hope you enjoy the new work of 48 artists and authors in our Issue 7. And please don’t hesitate to contact me if you have a job waiting for one of my student interns.

Submissions for Issue 7

Superstition Review

It is time again to gather your works of fiction, nonfiction, poetry and art and ready them for submission to Superstition Review Issue 7. The submission period for Issue 7 is from February 1 to March 31. This marks the second issue that we will be using Submishmash, an online management tool that allows our staff to view and handle submissions. For information on submission guidelines go to http://superstitionreview.submishmash.com/Submit.

The staff at Superstition Review has just completed their second week of work on Issue 7. Our Section Editors for art, nonfiction, fiction and poetry will soon be receiving and reviewing submissions via Submishmash in the coming weeks during our submissions period beginning February 1 and ending March 31. Advertising Coordinators are busy researching new advertising opportunities, composing blogs and updating our Facebook and Twitter pages. With an eye towards later in the semester our Reading Series Coordinator is researching authors to feature.

As you can see, we are already making steady progress on Issue 7. Keep an eye on the blog in the coming weeks for updates on our progress.

Claire McQuerry discusses Lacemakers and other projects

Superstition Review

author shotSuperstition Review featured Claire McQuerry’s poetry in Issue 2. I recently had the good fortune to discuss her soon to be published collection of poetry entitled Lacemakers. Claire earned her MFA in writing poetry and taught for several years at Arizona State University. Her work has been published in Double Change, Comstock Review and elsewhere. Her poetry collection Lacemakers will be published in December 2011 as the winner of the 2010 Crab Orchard Series in Poetry First Book Award.

Superstition Review: How has your life changed since your time teaching at Arizona State University?

Claire McQuerry: I took a year off from teaching and worked as a freelance writer, which was enough time for me to realize that I’m much more at home in the academic environment than most other workplaces. I love teaching, and I love being surrounded by colleagues who care about literature and learning. So I’m back in school now, working on a PhD at the University of Missouri, where I’m also teaching and working as the Contest Editor at the Missouri Review.

SR: What experiences have you taken away from your work at The Missouri Review?

CM: I’ve never been very good with technology and social medias, but part of my job as Contest Editor involves networking to publicize our annual Editor’s Prize competition—so I’ve been learning to use Twitter and to keep up with regular blog posts and follow other journals and literary news online. The move that many journals are making to digital formats, the growing digital book trend, the widespread use of Twitter, etc. are changes I’ve been resistant for a long time, but it seems that that’s the direction things are headed—even in the literary world, which is so slow to change—so I think it’s good that I’m getting to know the online publishing environment better.

SR: How is working with The Missouri Review different from other writing you’ve done?

CM: I guess I touched on that a bit in the previous question. There’s a level of self-consciousness I’ve had to overcome when I blog or “tweet” for TMR because I’m aware of the very public and immediate nature of that writing. When I write poetry or essays for publication, part of that process always involves honing each piece through numerous revisions until I’m satisfied that the rough edges have been smoothed away, that the work that remains is well-reflected-upon and carefully crafted. This usually requires me to put a draft away for a while and then revisit it after some time has elapsed. Clearly, this level of reflection isn’t possible with online communication, so I’m adapting to a new form.

SR: Besides your work at The Missouri Review, what are you currently working on?

CM: Teaching and finishing coursework for my degree. Writing more poems when I can.

SR: For those who are not familiar with your newly published book, how would you describe Lacemakers?

CM: I wrote most of the poems for Lacemakers while living in Phoenix, so a good portion of the book questions the effect a city has on the people who live in it: the poems explore questions of relationship, of loss and longing, and of environment—particularly the man-made environment and its impact on the people who inhabit it. Lacemakers also returns obsessively to separations, which is something I became keenly aware of while living in Phoenix—the way people can live side-by-side and yet remain incredibly isolated.

SR: When did you begin writing Lacemakers, and when was it completed?

CM: I wrote the oldest poem in the collection in 2002, and the most recent poem was written about a year ago, so I guess that covers a span of seven years. The early poems have undergone so many revisions that they don’t look much like their first versions.

SR: What advice would you offer to an aspiring writer?

CM: Well, it may sound obvious, but it’s the best advice I got from my mentors when I first started writing, and it’s still the best I can offer anyone else: read. Read widely and often—both authors who have a similar style to your own as well as those who challenge you or have a different aesthetic. A poem (or an essay or story) is always a response. You’ll find that your poems are richer and your mind is fuller of the poems you want to write if you feed yourself a steady diet of other writers’ work. I only wish that I hadn’t waited so long in life to listen to this advice myself!

Michelle Hoover At Changing Hands Bookstore

Superstition Review

At Superstition Review, we like to keep up with upcoming literary events in the Phoenix area. Bread Loaf Writer’s Conference scholar and Pushcart Prize nominee, Michelle Hoover, will be visiting Changing Hands Bookstore on Tuesday October 12th at 7 p.m. She will be reading from her debut novel, The Quickening, which was released in June.

Based on her family’s rich history of oral story-telling and her grandmother’s diary, The Quickening narrates an interminable feud between two Iowa farming families. The conflict lasted over four decades, spanning across both World Wars and well into the Great Depression. A timeless tale of humanity’s intuition in times of peril, Hoover’s entrance into the world of literature is felicitous.

While The Quickening is Hoover’s first novel, her first-hand experience of growing up in Ames, Iowa ensures validity in her work. It is obvious that this experience combined with the recounted stories from family members over the generations has provided the necessary knowledge to convey this story with immense accuracy. Michelle Hoover has also previously published fiction in The Massachusettes Review, Best New American Voices, and Prairie Schooner, as well as others. She teaches writing at Boston University and Grub Street, Inc., a group that assists writers in developing their manuscripts through six to ten week workshops.

Hoover’s website, http://www.michellehoover.net/, includes a list of upcoming readings and events and a video message about The Quickening. It also offers the opportunity to tell your own story about working or growing up on a farm. Stories must have a minimum of 500 words and be submitted by December 1st to be eligible. Two lucky winners who have shared their story will be picked to receive a copy of The Quickening. The winners will be posted on her website on December 15th. You can also follow Michelle Hoover on Twitter via http://twitter.com/quickeningnovel for frequent updates on her successes and recent work.

Meet the Interns: Carrie Grant, Blogger

Superstition Review

It’s a new semester at ASU, which means a new team of student interns is gearing up to work on Superstition Review Issue 5. We have 18 interns this semester, and you’ll be getting to know us one at a time as the weeks progress.

As the person bringing you the interviews with our interns and keeping you up-to-date on everything happening with Superstition Review, I figure I should introduce myself first. I’m Carrie Grant, a sophomore majoring in English Literature and Sociology.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Carrie Grant: I’m the Blogger, which means I post updates on the SR staff’s progress toward publication, interviews with our interns, and other Superstition Review topics of interest to our WordPress blog, Twitter account, and Facebook fan page.

SR: How did you hear about Superstition Review and what made you decide to get involved?

CG: I heard about Superstition Review through an email listserv last semester. I had been throwing around the idea of a future in publishing for a while, and this seemed like the perfect way to get a taste of how publishing works and to better determine whether I could actually see myself working in publishing.

SR: What are you hoping to take away from your Superstition Review experience?

CG: I want to gain an understanding of how the work done by each intern contributes to the overall process of publishing a literary magazine. I also want to become more confident in my ability to work independently.

SR: Describe one of your favorite literary or artistic works.

CG: I’m in love with The Time Traveler’s Wife by Audrey Niffenegger. The recent film adaptation doesn’t do this intricate science fiction/love story justice at all. Actually, I think the film The Curious Case of Benjamin Button conveys the feeling of The Time Traveler’s Wife much more accurately.

SR: What are you currently reading?

CG: The Adventures of Huckleberry Finn, which I’m enjoying so much that I can’t believe I haven’t read it before now. I started David Foster Wallace’s Infinite Jest at the end of winter break, and I’m trying to find time to get back to it.

SR: Who would be the Superstition Review contributor of your dreams?

CG: Margaret Atwood. She’s basically my literary idol of both poetry and fiction, and it would be amazing to be a part of publishing her work.

SR: What other position(s) for Superstition Review would you like to try out?

CG: I would like to be Content or Submissions Coordinator, or a Fiction Editor.

SR: Do you prefer reading literary magazines online or in print?

CG: Online. I don’t have much time to read for pleasure, so I like the ease with which I can take a break from, say, writing a Superstition Review blog post, and read a new poem or short story.

SR: Besides interning for Superstition Review, how do you spend your time?

CG: Day-to-day I can be found reading for classes in the Barrett study room, watching indie movies in bed or at the local indie theater, patrolling the halls of Hassayampa with my fellow Community Assistants (known as RAs basically everywhere but at ASU), and editing for the student-run Barrett Honors College magazine, The Barrett Chronicle.

SR: Where do you see yourself in 10 years?

CG: I hope to be working in publishing, possibly as a literary agent or an editor. Ideally, 10 years from now I’ll be married, living in a well-decorated Manhattan apartment, and the owner of a dream library and wardrobe.

Reading Series Reminder and Author Stella Pope Duarte Wins 2009 American Book Award

Superstition Review

Don’t forget, Superstition Review‘s Reading Series kicks off this Monday, September 21, at 7 p.m., held at Changing Hands Bookstore! The reading will feature some exciting names, including Rita Ackerman, Annie Lopez, and Stella Pope Duarte.

Former intern for SR, Veronica Martinez, interviewed Stella for Superstition Review last semester about her newest published book, If I Die in Juarez, for issue 3. It’s with great excitement, then, that we announce that this very book has been awarded an American Book Award for 2009. This is a prestigious award given to an author who accomplishes diversity in the literary community, presented by other writers.

A lot of the interns will be in attendance so don’t forget to say hi if you see us, we’d be happy to talk to you. We will also be live-tweeting at the event so, if you can’t make it, you can stay up-to-the minute with the event on our Twitter account (add us!).

Come on down to Changing Hands, at 6428 S McClintock Dr, Tempe, 85283, at the southwest corner of McClintock Dr and Guadalupe, to hear one of this year’s American Book Award winners and her accomplished students celebrate the first reading of the SR Reading Series!

Stella Pope Duarte’s Official Homepage

Changing Hands Bookstore

Superstition Review on Twitter

Last Quiet Before the Storm

Superstition Review

This week our editors, in all genres, began to send out their solicitations under the advisement of their team managers. The managers, responsible for keeping track of who we have asked to submit work to us and gathering contact information of the artists and writers we’re asking to submit, have been busy helping their editors prepare for the responses that will begin filtering in.

Our Content Team has been busy keeping track of what’s going in and out of our editors’ hands still. As work comes in and is accepted or rejected by our editors, this team lists the status, and, if accepted, is responsible for readying it for publishing, including tracking down bios and formatting contributor headshots. The advertising side of this team has also been busy preparing fliers and announcements for local bookstores and literary communities to announce future SR events, whether it be our Reading Series (first one in little over a week–September 21!) or the actual launch of the journal.

The interns working with the administrative efforts of the journal have had a lot on their plate between organizing our first-ever writing contest and making the move to Kindle. Don’t worry, we’ll still be completely accessible online, but we want to give our readers the option to enjoy SR on the go, and this is an exciting new way to do this. The logistics of the upcoming SR reading began falling into place, too, with the booking of the site and acquisition of a photographer for the event to capture the excitement of Stella Pope Duarte’s reading.

Finally, the Web Design Team has simply been continuing to work on the site overhaul, behind the scenes. The interns have been getting staff bios and headshots ready and throwing out design ideas to make the new look something lasting and aesthetically appealing for everyone. And, of course, we’ve been keeping you updated here, on the blog, as well as our Facebook and Twitter accounts.

Next week, when responses start rolling in, we’ll all feel the pressure–and excitement–a bit more. As for now, things are running pretty smoothly and we’re glad for it.

This Past Week: Call for Contributors Begins

Superstition Review

This week has been a little crazy for the interns at Superstition Review–the semester’s just taking off and things have been getting busy!

The prose and poetry editors have completed their solicitation lists this week and are preparing to email writers we’re all hoping will contribute to the fourth issue of SR. They’ve also been working on a list of writers they’d like to interview for the journal. This is an exciting time for these editors because right now they’re working with infinite possibilities on who to ask for contributions, and who to interview–it’s not until next week, when they send out emails to their lists of people, that the anxiety sets in while they wait for replies.

The art editors are working along those same lines. They’re reviewing artists’ works, looking at suggestions and their lists of solicitations, and trying to figure out whom they would like to approach for a contribution.

These editing teams, the prose, poetry, and art, have also alerted the Content Team of their full lists of solicitations and interview-hopefuls in order to let these interns keep tabs on what’s going in and out at the journal. The Content Team must keep track of what will be featured and what’s making the editing cut, so it’s equally important they get the foundational work done now.

The Web Design team is continuing to discuss how to improve the site for increased ease of navigation and aesthetic appeal. The interns in this group are working on getting photos of all the interns up, new site design, and, of course, keeping you up to date on what’s going on via the blog, our Twitter account, and our Facebook fan page.

Our administrative interns are busy with all things media this week: they’ve been planning the upcoming Reading Series, coming up with a contest for the journal, researching advertising opportunities, and, perhaps the most exciting for our readers, working on a Kindle-based version of SR.

Trish, our Editor-in-Chief has been attending meetings with the individual teams, keeping us updated with podcasts, and making sure things run smoothly, all while handling her normal full teaching load at ASU Polytechnic this semester.

That about wraps it up for this week. Next week, with solicitations leaving the desks of the interns, it’ll be a high-anxiety, nervous, and, frankly, exhilarating time as we keep our fingers crossed to see who decides they’d like to submit to SR.

Meet the Interns: Kat Corliss, Blogger

Superstition Review

With the semester picking up speed and things really starting to get done on the journal, we’ve come to realize that it’s also about that time that we ought to start introducing the interns working on Superstition Review this semester. We strive to be in touch with our reading audience and that includes letting you get to know our entire student staff. We feel it gives you perspective as the reader, especially when getting to know the personalities of our editors as they change each term with new faces every semester.

I suppose I should go first, though, since I’ll be the one writing the updates here for the next three-and-change months, and then introduce our team members as I interview them.

My name is Kat Corliss, and I’m serving on the Web Design team. I’m the Blogger. I’m a student of the College of Liberal Arts & Sciences, majoring in English: Creative Writing: Fiction, with a focus on Young Adult Literature. I am a Senior this semester and will be graduating December 2009.

Superstition Review: What do you do for SR?

Kat Corliss: I’m the Blogger for SR, which means I write tri-weekly posts about what’s going on with the production magazine in our blog. I’ve also kind of become the Social Networker, in a sense. I maintain our Facebook fan page and update our Twitter account. I make sure the public knows what’s going on internally with the journal, I announce calls for submission and deadlines, and I communicate local events pertaining to the literary and art world.

SR: How did you hear about or get involved with Superstition Review?

KC: I was introduced to our Editor-in-Chief, Trish, by a classmate of mine at the 2009 Desert Nights, Rising Stars Writers Conference at ASU Main. Trish had just talked on a panel about SR and it sounded really exciting and something fun to pursue so I submitted my application later that week.

SR: What is your favorite section of SR?

KC: Probably the art section because I’m a really visual person. I like being exposed to new artists all the time. Plus, the online delivery of our journal really allows for higher quality images to be published than a print magazine would.

SR: Who is your dream contributor to the journal?

KC: In writing, it’d be Manuel Munoz, a (now) local writer. He is absolutely amazing. I just read his Faith Healer of Olive Avenue this summer and it was breathtakingly well written, smart, and painful. For artists, I’d have to say Chris McVeigh. He’s just plain fun. His photography often involves LEGOs or Star Wars action figures and it’s just that little connection between passion for creating art and embracing childhood whimsy that I adore.

SR: What job, other than your own, would you like to try out in the journal?

KC: Definitely fiction editor. It’s what I’ve been doing in school for the last few years, it’s what I want to do with my life–edit young adult fiction–so that’d be fun to work on. I’m glad to have been given the opportunity to see the publicity side of journal editing, though, and I’m excited to work on the social networking aspect because it’s new and flexible, a lot of it experimental. I’m never bored with what I get to do for the journal.

SR: What are you most excited for in the upcoming issue?

KC: The changes we’re looking at in formatting. We’re updating our look a bit. We’re hoping it will be ready in time for launch so the Web Design Team has already been in a couple meetings discussing what we’d like to change and what’s working great for us.

SR: What are you currently reading?

KC: Loads of YA lit for a class and an independent study project I’m working on. I just finished a Goosebumps graphic novel–did you know they’ve started republishing the classic scary stories into visual format? How cool is that? I’m also in the middle of The Time Traveler’s Wife, something I picked up over a year ago and haven’t managed to sit down and finish. A stack of graphic novels and comic books. I’m about to start Neil Gaiman’s Anansi Boys.

SR: Do you write? Tell us about a project you’re working on.

KC: Yes, I do. One of my current projects is writing a full young adult novel under the supervision of Dr. Blasingame at ASU Main in an independent study. It’s a story that follows a 17-year-old girl on a trip halfway across the US in her search to find out more about her mother who committed suicide when the girl was a toddler. She ends up reconnecting with a family she didn’t really ever get to know since her father moved her away when her parents had gotten divorced and, in the process, learns a lot about what her mother was like and why she killed herself, and how she’s actually more like her mother than she thinks.

SR: What are some of your favorite websites to waste time on or distract you from homework?

KC: Oh, definitely Facebook. I love Twitter, too, especially since my favorite part of Facebook are the status updates my friends make, and that’s all it really is in my opinion. I also spend a lot of time on LiveJournal, especially in the Literary Tattoos, Trashy Eats, and Thrift Horror communities.

SR: What are some of your favorite literary links?

KC: I definitely follow Neil Gaiman on Twitter, read his blog, and sometimes even listen to his library on LastFM because it’s just plain interesting; he’s one of the authors who has jumped into every aspect of online life and is always just keystrokes away from connecting with fans, and that’s just cool in general, beside the fact that he’s a brilliant writer. I also read Fiction Circus blog posts, one of my favorite literary bloggers/literary magazines. I also enjoy the Australian site, Inside A Dog, created to promote reading to youth by the Centre for Youth Literature.

 

More intern interviews coming soon!