Join Superstition Review in attending Tell Your Story, With Louise Nayer, a two part class on April 10th and April 17th that will be held over Zoom, and taught by five time published writer and winner of six California Arts Council grants, Louise Nayer.
This class will explore the elements of memoir writing, looking at how to “draw readers into your world.” Within the class, there will be “[e]xercises [that] will help you heighten language through sensory detail, learn the difference between scene and summary, and deal with time shifts by using flashback and slow-motion techniques. [The class] will also talk about how to find the right voice and fully engage your readers,” asking “What makes certain voices sing off the page?”
“In the second session of the class you’ll learn how to go deeper into scenes, how to structure a memoir, and narrative arc. Excerpts from Judith Barrington’s Writing the Memoir and from great memoir writers will be used for inspiration and to help with structure. [The class] will also discuss emotional blocks and ethical concerns, “making sure to incorporate “plenty of time for questions.” “The second session will include a supportive critique session where students bring in work to share. You’ll leave with a body of writing, some new writing friends, handouts sent by email, and the inspiration and determination to keep up a writing schedule.”
Join Superstition Review in attending the COVID-19, the Black Lives Matter Movement, and Transformations in the Neoliberal University webinar, held over Zoom on Wednesday, March 24th at 4-5:15pm PST / 5-6:15pm MST / 6-7:15pm CST / 7-8:15pm EST. The webinar will consist of panelists, Anthony Bogues, Rudy P. Guevarra, Evelyn Hu-DeHart, and Paul Joseph López Oro, exploring “the role of this current political moment in providing space to rethink and reimagine the role of the university and those individuals located within the university for envisioning and enacting a more socially just world. Some relevant questions include: In what ways can rethinking the structure and makeup of the neoliberal university allow us to address long-standing histories of institutionalized racism related to the lives of Black and Afro-descendant peoples in the United States? Relatedly, what role can and should the university take to address and be accountable to its historical pasts of complicity with slavery and Indigenous dispossession? How are universities, in this current moment especially, positioned to respond to the structural inequalities that have been laid bare with regard to the effect of the ongoing COVID-19 pandemic on Black, Latinx, and Indigenous communities?”
Join the Hippocampus Magazine in their An Evening with Rebecca Fish Ewan event, “a discussion and Q&A with memoirist, poet, and cartoonist Rebecca Fish Ewan.” Here is their message about the event:
“We released Rebecca’s fun, new, interactive book, Doodling for Writers, during the height of the pandemic so — well, things got a little “drawn out!” So we’re kicking off the New Year with a bit of a belated book birthday celebration, online, Tuesday, Feb. 9 at 7 p.m. eastern time.”
This will event will include: a welcome from Alex at Midtown Scholar, a discussion with Rebecca and Donna Talarico (the publishers), an audience Q& A, as well as, optional, fun activities (bring a pencil!).
“Plus, chances to wincozy & comfy Doodle On! t-shirts and mini Doodle On! notebooks.”
Also, “Rebecca will sign a bookplate (a fun, colorful sticker to put inside your book!) — and maybe even scribble a doodle just for you! — for everyone who purchases (or has purchased) a book. This will hit your mailbox about two weeks after the event.”
To sign up for the event and learn more, click here. To pre-order Rebecca’s book, click here. Also, make sure to follow Rebecca on both her LinkedIn Profile or website.
Join Columbia University in the launching of their new literary review, The Line, a non-profit journal exclusive to veteran writing. Tomorrow, January 27th at 7:00pm EST, The Line launches with work by Matt Gallagher, Lindsay Swoboda, Bob Hanson, and J.H. Crain. The Line will also feature readings by writers from Words After War, Women Veterans Empowered and Thriving, Voices From War, Warrior Writers, United States Veterans’ Artist Alliance (USVAA), and the Writer’s Guild’s Veterans Writing Project.
The Line is committed to a new generation of creative veterans, spotlighting those driven to produce contemplative, compelling, and cathartic content. Our primary focus is to publish veteran literature, art, social commentary, and reviews; we will consider any material created to bridge the gap between veterans and contemporary audiences.
To register for a free ticket click here and to read more about The Line click here.