Pima Community College West Campus is hosting a wide array of weekend writing workshops ranging from Memoir Crafting to Poetry Workshops. Led by authors and professional writers, these workshops offer an opportunity to get hands-on experience and explore a variety of creative writing topics.
On April 13-15, Mary Sojourner, Issue 3 contributor, will lead the in-depth writing workshop, w(Rite): A Workshop in Deep Writing and Craft. The workshop will feature exercises and activities that help writers craft and “move personal writing into publishable work.”
Mary Sojourner is the author of novels Sisters of the Dream and Going Through Ghosts, and short story collection, Delicate. Sojourner is also known for her essay collection Bonelight: ruin and grace in the New Southwest and memoirs, Solace: rituals of loss and desire and She Bets Her Life. She has appeared as a commentator on NPR and teaches writing at colleges, universities, writing conferences, and privately. You can read her blog at marysojourner.com, or the November SR interview with Sojourner here.
If writing better poetry is on your list of New Year’s resolutions, then you’ll want to take a look into Scott Wiggerman and David Meischen’s new book, Wingbeats. Wiggerman and Meischen, an SR contributor from Issue 7, have compiled the wisdom and advice of 58 poets in order to create exercises that showcase the poetry writing process.
As a poet and former Poetry Columnist for the Texas Writer,Scott Wiggerman is no stranger to the world of poetry. He has conducted a number of workshops for the WLT Poetry Study Group and his work has been nominated for a Pushcart Prize.
Wiggerman found he kept returning to poetry staples, like The Practice of Poetry (edited by Robin Behn and Chase Twichell), for reference, but what he really needed was something new that applied the same variety of techniques. Wiggerman writes that he was looking for something that “combined exercises and essays by poets who actually teach, both academics and non-academics, this time. Since it didn’t seem to be forthcoming from anywhere, I asked my partner about creating and publishing such a book. I foolishly thought it would be a project that I could handle alone, but David came on board as co-editor almost immediately, thank goodness!”
From the simplest activities to the more involved tasks, Wingbeats provides aspiring poets with exercises along with real poems that show what these look like in action. “We wanted to create a book that poets would actually use, and I wanted a book that would work well for poets both in MFA programs and those, like myself and several of our Wingbeats contributors, who learn the craft of poetry on their own or through the occasional workshop,” wrote Wiggerman.
Wiggerman and Meischen’s new book not only covers standard poetic techniques, but also new strategies for revision, collaboration, and inspiration. If you’re looking for some hands-on experience in writing poetry, Wingbeats is a great resource.
Wiggerman also recommends that aspiring poets seek out workshops and writing groups for guidance: “The absolute best way to learn how to write is to write–and many books or MFA programs can ‘teach’ you this. But it takes feedback as well, and for this, one needs someone to share his or her work with. Of course, it also helps tremendously to read poetry. One of the adages of writing is to ‘show, don’t tell,’ and while Wingbeats does tell, it also shows through poem after poem. It’s the way I like to teach my workshops, letting poems speak for themselves by showing how they’re done.”