The Power of the (Famous) Muses

Until I was asked to write a blog on famous muses, I really never gave the idea much thought. I’ve always used my surroundings or circumstances to rev up my creative juices. But it didn’t take me long to recall those who held my hand as I began my love affair with the written word, as well as the ones who paved the way for me on this journey of self-exploration. Or, my life as a writer.

Anne Lamott, in her book Bird by Bird, is the first author whose words challenged me to break free of the excuses and “take it bird by bird.” In her book, she speaks about her older brother who procrastinated on a book report about birds which was now due the following day. The task ahead of him appeared insurmountable when Lamott’s father “sat down beside him, put his arm around [her] brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”

Currently, I’m in a season where my writing revolves around blogs and articles. I haven’t sat down and written my novel just yet. So for me, I’m taking it blog by blog. And I’m also avidly following guidance from another one of my muses: Stephen King. In his book On Writing, he reminds writers to read a lot and write a lot. I tend to go in spurts — right now I’ve been reading a lot. My muse was recently rediscovered in between the pages of Garth Stein’s The Art of Racing in the Rain and Blake Crouch’s Snowbound. Consequently, I’m feeling one step closer to sitting down and tackling the writing a lot part of King’s advice.

Another writer, Lee Gutkind, ASU professor and managing editor of Creative Nonfiction magazine, also incites me to explore life’s next adventure. In his essay, “The Five Rs of Creative Nonfiction,” he encourages writers to seize our sense of wonder by immersion, or the “real life” aspect of the writing experience. The four remaining Rs include reflection, research, read (this cannot be stressed enough!) and “writing.” Simple but sage counsel.

With his sardonic, humble wit, David Sedaris inspires me with his edgier pieces, touching on off-the-wall topics that both entertain and challenge. My daughter and I once waited six hours in line to meet the man in person and receive an autographed copy of his book Squirrel Meets Chipmunk: A Modest Bestiary. He did not disappoint; neither did the book.

But I’ve also discovered that even the underdogs may rise up among the famous. One such muse of mine is a close friend incarcerated for the next few years. He tutors other inmates in math, takes college courses while serving his sentence and studies the craft of memoir writing late into the evening hours. And then he pounds out his daily observations on a typewriter, the kind with ribbons, platen and correction tape. He motivates me as he devours book after book, doing what each of the successful writers who have gone before us have done and continue to do.

I read because I love it. I write because I cannot help it. So I grab onto the shirt tails of those who make it look easy and hope a little of their spunk (and a whole lot of talent) rubs off on me. They are the ones who have paved the way and carved a niche in the literary world. The guiding spirit(s) for my truth.

Do you have a famous — or not so famous — muse that inspires?

Guest Post: The Secret to Getting Started


I love being a writer.  What I can’t stand is the paperwork. ~ Peter De Vries

If we all felt the way De Vries purports, the world would sorely lack reading material. I believe the great Mark Twain offers a solution to the daunting task we often ascribe to writing and the reason we procrastinate, telling ourselves we’ll do it as soon as we’ve finished X, Y or Z. According to Twain, “The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.”

While Twain’s quote easily applies to myriad goals or projects, I firmly believe his advice also works well when it comes to the writing process as a whole.

I’ve found that for me, it helps to take a good look at the big picture and then put into practice what Twain suggests: break down the seemingly insurmountable goal into doable steps. But even more importantly, each stage must be easily attainable, or I will hesitate to begin the first one.

The following is a model for accomplishing Twain’s solution.

Step #1: Planning

  • Make time to come up with the gist of your story. This may occur through daydreaming, brainstorming or writing organically for a pre-determined length of time, and can take place anywhere you do your best thinking: working out, meditating, hiking or lounging on your chaise.

Step #2: Writing

  • Commit to write a minimum number of words a week. This requires you to put pen (or pencil) to paper, fingers to keyboard, voice to recorder — anything to get a word count somewhere other than the gray matter inside your right brain.
  • Set aside the required number of hours per day, preferably uninterrupted. Accomplish this by removing distractions; i.e., log out of Facebook, instant messaging, Google, Dr. Phil — whatever keeps you from the first part of this step. If you’re the type who’s inspired by a little Beethoven or Pit Bull, by all means turn up the volume on your iPod. Along these lines, don’t underestimate the power of your muse; keep it forefront in your mind (stay tuned for a future post on this concept). The short of it: if an ocean view is what you need to write, then plaster your surroundings with the sights, sounds and smells of a tropical paradise. And if you can bring the real thing to life, all the better.

Step #3: Editing/rewriting

  • Read drafts one at a time, making notes/edits as you go. Try to read your words with new, fresh eyes. Pretend you’re picking the piece up for the first time and gauge your reaction as if you’ve never seen it before. Be critical.
  • Schedule a day or a week to rewrite. This is where a lot of us lose steam. But it’s important to consider this just another part of your “job” as a writer. Take what you’ve edited in the first part of this step and get it done. If you don’t, someone else will.

These manageable steps can be adapted to any writing assignment, such as articles, short stories and blogs. It simply takes an idea and a commitment to see it through.

What is your secret to getting started?

Meet The Interns: Christine Schmidt

Christine Schmidt will complete her Bachelor of Arts degree in Literature, Writing & Film in December of this year, and plans to apply for graduate school to focus on liberal studies with an emphasis in creative nonfiction. She is co-founder and managing director of scribes at ASU, a creative writing club at Arizona State University, as well as a contributing writer for an online publisher. Currently, she is working on a collection of personal essays, and gaining a better working knowledge of social networking media, including blogging.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Christine Schmidt: My position with Superstition Review is Nonfiction Editor. My responsibilities in this role are to work with my counterpart, and managing editor, to identify and solicit 20 high-profile authors to submit works of creative nonfiction, view and assess submissions, collectively decide what work should be published, correspond with authors, and gather bios and photographs.

SR: Why did you decide to get involved with Superstition Review?

CS: The reason I became involved with Superstition Review was for hands-on experience in a publishing capacity. Because my future career goals revolve around writing, publishing, and editing, this seemed the ideal internship.

SR: Besides interning for Superstition Review, how do you spend your time?

CS: I spend my time juggling 15 credits, a freelance writing job, and I’m hoping to get involved this semester with the Writing Center on the Polytechnic Campus where I’d like to tutor other students with their writing.

SR: What other position(s) for Superstition Review would you like to try out?

CS: If I were to be offered a third internship on SR (last semester I interned as Interview Coordinator), another position I’d love to try out would be blogger. This summer, I created a simple blog and have been learning how to stick to a regular schedule of writing and posting, as well as adding widgets and other features to dress up the pages.

SR: Describe one of your favorite literary works.

CS: One of my favorite literary works is a novel I recently read by Joyce Maynard entitled Labor Day, a fictional piece about a mother and son who are profoundly changed when a strange man appears in their lives. Her ability to flesh out her characters until the reader feels a part of the story is one of the qualities that keeps me coming back for more of her work.

SR: What are you currently reading?

CS: Currently, I am reading Joyce Maynard’s Internal Combustion, a nonfiction account of a dysfunctional family in Detroit and a terrible tragedy that ensues.

SR: Creatively, what are you currently working on?

CS: Creatively, I’m currently working on a collection of essays revolving around growing up with non-traditional (i.e., older) parents, as well as essays that further explore how these earlier life experiences have colored my role as an adult, including the mother-daughter relationship that has been passed down to my own family and is evolving into a unique–and sometimes crazy, sometimes lovely–dynamic.

SR: Where do you see yourself in 10 years?

In 10 years, I see myself enjoying the fruit of my education and passion for the art of the written word by writing, as well as working in some type of publishing/editing capacity.

Meet the Interns: Chris Schmidt, Interview Coordinator

Chris Schmidt is a Literature, Writing, and Film student at ASU’s Polytechnic campus set to graduate in December 2010.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Chris Schmidt: As Interview Coordinator, my responsibilities revolve around coordinating and managing the author interviews. This includes maintenance of prospect spreadsheet; solicitation of interviews; collection of responses, bios, and photographs; and transfer of all content for publication.

SR: How did you hear about Superstition Review and what made you decide to get involved?

CS: I heard about Superstition Review in my beginning creative fiction workshop last semester, and about that time I was thinking of publishing as an area I’d like to learn more about. I was more than thrilled to be accepted in the internship!

SR: What are you hoping to take away from your Superstition Review experience?

CS: From my Superstition Review experience, I’m hoping to take away a working knowledge of all the elements that go into the production of a literary magazine, and then bring that expertise into the job market.

SR: Describe one of your favorite literary or artistic works.

CS: My (new) favorite literary work is anything written by author Dan Chaon, particularly Passengers, Remain Calm.

SR: What are you currently reading?

CS: I am currently reading Philip Dick’s Do Androids Dream of Electric Sheep? for a Literature on Film class I’m taking this semester.

SR: What other position(s) for Superstition Review would you like to try out?

CS: I’d be interested in trying out any of the other positions for Superstition Review in order to achieve a well-rounded background in the publication process.

SR: Do you prefer reading literary magazines online or in print?

CS: I’m not picky…either online or print depending on where I am at the time.

SR: Besides interning for Superstition Review, how do you spend your time?

CS: Besides interning for Superstition Review, my time is spent as wife to my husband of 21 years, mother of a teenage daughter and three felines, as well as a part-time transcriptionist and full-time student with more credits than I should be taking in one semester.

SR: What is your favorite mode of relaxation?

CS: One word: reading!

SR: Where do you see yourself in 10 years?

CS: That’s a fun question…I had to answer that 25 years ago as a high school graduate, and back then one of my three goals was to become a “famous author.” I achieved one of my other two goals, so I’ll stick with that one, trade out the little red Ferrari for a black Jaguar, and add publishing/editing guru to the vision.