A headshot of Jenny Wu

Meet the Art Contributors for Issue 30

In just two days, Issue 30 of Superstition Review will launch! On Dec. 1st, readers will have access to paintings, photography, and more—all created by five talented artists: Corey S. Pressman, Jenny Wu, RAEchel Running, Shirin Mellat Gohar, and Valyntina Grenier. Read about all of them below!

Corey S. Pressman is an artist, writer, and teacher living in the Pacific Northwest. His art is shown around the country and has won several awards. He has published academic works as well as short stories and poetry in both journals and book collections including Gastronomica, the Clackamas Literary Review, Lucky Jefferson Magazine, and Arizona State University Press.


Jenny Wu is an artist and educator. She is a visiting assistant professor at Trinity College in Hartford, CT. Wu’s work acknowledges the sensational and perceptual properties of materiality and then transforms the materials from their original forms and purpose to present them within new contexts. Her work has been exhibited in galleries and museums including Denise Bibro Fine Art, Katzen Museum, Huntington Museum of Art, Vilnius Academy of Arts in Lithuania, and CICA Museum in South Korea. Jenny Wu was born in Nanjing, China. She holds a B.A. from William Smith College, and an M.F.A. from American University.


RAEchel Running (She/Her) is a visual storyteller, creating multi-media images that explore and champion restorative relationships of the diverse cultures connected to these beautiful, tragic and mystical histories of the Americas. Born in Flagstaff, AZ, of Trinidadian (Chinese and Afro Caribbean) American (French Canadian and Swedish) She hangs her hat in Bisbee, AZ. Her current work cross-pollinates a documentarian’s eye with handmade and digital photo illustrations, mixing the interspace between reality and dream. Internationally published, she enjoys fostering visual literacy and planet stewardship to inspire and enrich restorative relationships within communities for upcoming generations.


Shirin Mellat Gohar is a visual artist based in Tehran, Iran. She received her BFA from the Tehran University of Art. Her work has been included in numerous exhibitions, nationally and internationally, such as Sugar Gallery, USA; Naregatsi Gallery, Armenia; as well as Aaran Gallery, Homa Gallery, First Painting Symposium in Museum of Qasr, and First Drawing Biennial in Iran. Shirin, with a hybrid national identity (Iranian-Iraqi), grew up within Iranian society during Iran-Iraq the war. Working primarily with painting and drawing, she addresses her dual identity through employing domestic crafts, which she learned from her mother at a very young age.


Valyntina Grenier is a multi-genre eco artist living with her wife in Tucson, AZ. She works with paint, ink, neon, encaustic medium, recycled or repurposed materials and words. She is the author of two poetry chapbooks, Fever Dream/ Take Heart (Cathexis Northwest Press 2020) and In Our Now (Finishing Line Press 2022). You’ll find her work in, Impermanent Earth, The Impossible Beast, The Journal, Lana Turner, The Night Heron Barks, Querencia, Ran Off With the Star Bassoon, Sunspot, and The Wardrobe. Find her at valyntinagrenier.com or Insta @valyntinagrenier.

The poster for Issue 30's Launch Party. The text reads: "Join us for the SR Issue 30 Launch Party. Feat. RAEchel Running, Gabriel Granillo, Audacia Ray, and Danny Rivera. December 1 4-5 pm AZ time."

Issue 30 Launch Party Speakers

There’s only a week left until Superstition Review’s Issue 30 Launch Party! Join us next Thursday, Dec. 1st, from 4-5 pm AZ time, as we celebrate Superstition Review’s fifteenth anniversary. The event will feature RAEchel Running, Gabriel Granillo, Audacia Ray, and Danny Rivera.

Charlie Peck

Meet the Poetry Contributors for Issue 30

In just eight days, Issue 30 of Superstition Review will launch! On Dec. 1st, readers will have access to poetry by twelve talented writers: Charles Peck, Constance Hansen, Danny Rivera, Joanne Diaz, Natalie Girratano, Rebecca Griswold, Remi Recchia, Young-Yu Huang, Susan L. Leary, Cynthia Marie Hoffman, Rachel Nelson, and Kathryn Bratt-Pfotenhuar. Read about all of them below!


Charlie Peck is from Omaha, Nebraska. He received his MFA from Purdue University where he served as Editor-in-Chief of Sycamore Review. His work has appeared previously or is forthcoming in Cincinnati Review, Columbia Poetry Review, Ninth Letter, Massachusetts Review, Quarterly West, and Best New Poets 2019, among others. He currently teaches at the University of Bayreuth in Germany.


Constance Hansen is the Assistant Managing Editor of Poetry Northwest. She holds an MFA in Poetry from the University of Washington. Her poetry has appeared or is forthcoming in: Rhino Poetry, Four Way Review, Harvard Review Online, Southern Humanities Review, Cimarron Review, The Idaho Review, Vallum, On the Seawall, Northwest Review, Mercury Firs, River Mouth Review, Psaltery & Lyre, EcoTheo Review, Volume Poetry, and elsewhere. She lives in Seattle, where she was born and raised.


Danny Rivera is the author of Ancestral Throat, a poetry chapbook published by Finishing Line Press in 2021. He received an MFA in Creative Writing from City College of New York, and his poems and literary criticism have appeared in Washington Square, Western Humanities Review, Epiphany, American Book Review, and other journals. He lives in New York City.


Joanne Diaz is the author of two poetry collections,The Lessons and My Favorite Tyrants. She is the recipient of fellowships from the Illinois Arts Council and the National Endowment for the Arts. Her recent poems have been published in American Poetry Review, Colorado Review, New England Review, Poetry, River Styx, and Waxwing. She is the Isaac Funk Endowed Professor of English at Illinois Wesleyan University. She is also the co-host of the Poetry for All podcast.


Natalie Giarratano is the author of two full-length poetry collections—Big Thicket Blues (Sundress Publications) and Leaving Clean, winner of the 2013 Liam Rector First Book Prize in Poetry (Briery Creek Press). Her poems have appeared or are forthcoming in WaxwingMississippi Review, McNeese Review, and Whale Road Review, among others. She edits and lives in Fort Collins, Colorado, and was the poet laureate of the city from 2018 – 2020.


Rebecca Griswold is an MFA candidate at Warren Wilson. Her debut collection of poems, The Attic Bedroom, is out with Milk & Cake Press. Her poems can be found or are forthcoming in Cimarron Review, Blood Orange Review, Still: The Journal, Pine Mountain Sand & Gravel, and others. She was a River Styx International Poetry Contest finalist. She owns and operates White Whale Tattoo alongside her husband in Cincinnati.


Remi Recchia is a trans poet and essayist from Kalamazoo, Michigan. He is a PhD candidate in English-Creative Writing at Oklahoma State University. He currently serves as an associate editor for the Cimarron Review and as the reviews editor for Gasher Journal. A four-time Pushcart Prize nominee, Remi’s work has appeared in World Literature TodayBest New Poets 2021Columbia Online JournalHarpur Palate, and Juked, among others. He holds an MFA in poetry from Bowling Green State University. Remi is the author of Quicksand/Stargazing (Cooper Dillon Books, 2021) and Sober (Red Bird Chapbooks, 2022).


Yong-Yu Huang is a writer based in Illinois, but she is originally from Taiwan and Malaysia. Her work is featured or forthcoming in Waxwing, Frontier Poetry, and Passages North, among others. She has been recognized by various institutions, including Princeton University, The Kenyon Reviewand the Poetry Society of the UK, and the Hippocrates Society. She is the recipient of the 2021 Elinor Benedict Poetry Prize and has been included in Best Small Fictions. She attends Northwestern University.


Susan L. Leary is the author of Contraband Paradise (Main Street Rag, 2021) and the chapbook, This Girl, Your Disciple (Finishing Line Press, 2019), which was a finalist for The Heartland Review Press Chapbook Prize and a semi-finalist for the Elyse Wolf Prize. Her work has appeared or is forthcoming in such places as Tar River PoetryTahoma Literary ReviewCherry TreeUp the Staircase Quarterly, and Pithead Chapel. Recently, she was a finalist for the 16th Mudfish Poetry Prize, judged by Marie Howe. She holds an MFA from the University of Miami, where she also teaches Writing Studies.


Cynthia Marie Hoffman is the author of the poetry collections Call Me When You Want to Talk about the Tombstones, Paper Doll Fetus, and Sightseer. She is a former Diane Middlebrook Poetry Fellow at the Wisconsin Institute for Creative Writing, Director’s Guest at the Civitella Ranieri Foundation, and recipient of an Individual Artist Fellowship from the Wisconsin Arts Board. Her work has appeared in Lake Effect, Smartish Pace, The Los Angeles Reviewdiode, and elsewhere.


Rachel Nelson is a Cave Canem fellow and a graduate of the University of Michigan’s MFA program, where she won a Hopwood prize for playwriting. Her poems have appeared or are forthcoming in the museum of americana, Muzzle Magazine, Pleiades, Radar Poetry, Thrush, and elsewhere. She lives in Ann Arbor, Michigan.


Kathryn Bratt-Pfotenhauer’s work has previously been published or is forthcoming in The Adroit Journal, Crazyhorse, Poet Lore, Beloit Poetry Journal, and others. The recipient of a 2022 Pushcart Prize, they have won awards from the Ledbury Poetry Festival and Bryn Mawr College, as well as received support from The Seventh Wave and Tin House. Their chapbook, Small Geometries, is forthcoming with Ethel Zine and Micro Press in April/May 2023. They attend Syracuse University’s MFA program.

A graphic that says "Writing Workshop"

GSEA Writing Workshop

On Friday, Dec. 2nd, from 10am – 1pm, the Graduate Scholars of English Association will be hosting a writing workshop at Ross-Blakely Hall, room 117. There will be two 45-minute writing sessions (so be sure to bring your laptop) and a Q&A session with faculty members. Free food will be provided.

GSEA is an official student organization; its goal is to promote the “professional development of the English Graduate Student community at Arizona State University.” It regularly hosts writing workshops.

This event can also be joined online. To learn more and register, go here.

A photo of Yuri Herrera.

Yuri Herrera’s Ten Planets: Stories


Congratulations to Yuri Herrera for his new collection Ten Plants: Stories, published by Graywolf Press and translated from Spanish by Lisa Dillman. Although often set in the future or on distant planets, each story deals poignantly (and sometimes hilariously) with the present. In “The Conspirators,” Herrera comments on both language and colonization. When describing the depth of what was stolen from them, one character reveals, “‘They made our language theirs, said it was theirs and always had been, and then imposed it on us so we’d forget that it had been ours, turned it into a broad brush to paint us in whatever way they pleased.'”

Many are filled with strange, compelling contradictions and other haunting lines. In “The Obituarist,” the protagonist observes that “this empty street, just like every empty street in every other city, is teeming with people.” Each of Herrera’s stories bewilders, but always in a way that generates connections between seemingly disparate ideas. This collection is powerful and imaginative.

Utterly brilliant, hilarious, and original, these strange jewels. Anyone whose hand alights on this book and does not open it is missing out on the best work of our time.

Deb olin unferth

Born in Actopan, Mexico, Yuri Herrera is the author of three novels, including Signs Preceding the End of the World, which was one of the Guardian’s “100 Best Books of the 21st Century” and won the Best Translated Book Award. He teaches at Tulane University in New Orleans.

Brilliant, ecstatic, and playful, Ten Planets is the work of one of the most original and prodigiously gifted writers at work today. . . . The infinite worlds of Ten Planets are further proof that Herrera is a writer of boundless talent.

Katie Kitamura, author of Intimacies

To preorder Ten Planets: Stories, go here.

Amy Reardon

Meet the Fiction Contributors for Issue 30

The launch for Issue 30 of Superstition Review is only fifteen days away! On Dec. 1st, readers will have access to fiction stories by seven talented authors: Amy Reardon, Gabriel Granillo, Michael Colbert, Mohamed Shalabi, Morris Collins, Patrick Thomas Henry, and J. T. Townley. Read about all of them below!


Amy Reardon has an MFA in fiction from UC Riverside. Her work has appeared in The Believer, Alta Journal Electric Literature, Glamour, The Common, and The Los Angeles Review of Books, among others. She lives in Denver, Colorado. Photo Credit: Trey Burnette


Gabriel Matthew Granillo is a writer and photographer. His works have appeared in both print and online journals including Postcard Poems and Prose, Flash Fiction Magazine, and Timberline Review. He currently lives in Portland, Oregon, where he is an editor at Oni Press.


Michael Colbert is a queer writer based in Massachusetts, where he’s at work on a novel about bisexual love, loss, and hauntings. He holds an MFA from UNC Wilmington, and his writing appears in Esquire, NYLON, Catapult, and Electric Literature, among others.


Mohamed (Moe) Shalabi is a Palestinian-American author of literary works, often with a speculative edge. Moe’s short stories appear in multiple literary magazines both online and in print and can be found in the Nonbinary Review and Reed Literary. His short story Palestina was nominated for a Pushcart Prize. When he’s not working on his many manuscripts, Moe works as a full-time consultant in the Washington D.C. Metro. He is represented by Kat Kerr of the Donald Maass Literary Agency.


Morris Collins’ first novel, Horse Latitudes, was published in 2013 and was released in a 2nd edition by Dzanc Books in January 2019. He was awarded a Massachusetts Cultural Council Fellowship for Fiction in 2020. Other fiction and poetry has appeared in Gulf Coast, Pleiades, Passages North, Michigan Quarterly Review, The Chattahoochee Review and The Florida Review among others.


Patrick Thomas Henry is the fiction and poetry editor for Modern Language Studies. His fiction and essays have recently appeared in West Branch online, Lake Effect, Sundog, North Dakota Quarterly, and other publications. His work was selected for inclusion in Best Microfiction 2020, and his short story collection manuscript won the 2022 Northeast Modern Language Association Creative Writing Book Award, selected by Jean McGarry. He is an Assistant Professor and Coordinator of Creative Writing at the University of North Dakota. You can find him on Twitter @Patrick_T_Henry.


J. T. Townley has published in Harvard Review, The Kenyon Review, The Threepenny Review, and dozens of other magazines and journals. His stories (“A Christmas Letter,” “My Life as Mark Wahlberg,” and “The Hole That Dave Dug”) have been nominated for the Pushcart Prize, and another (“Meat Dreams”) has been nominated for the Best of the Net award. He holds an MFA in Creative Writing from the University of British Columbia and an MPhil in English from the University of Oxford, and he teaches fiction writing at Pacific Northwest College of Art at Willamette University. 

A poster for the event "Storyline Slam." The text reads: "The Storyline Slam presents Holidaze. 7pm November 25, 2022. Prepurchase tickets online for $10. Changing Hands Bookstore: Phoenix."

Storyline Slam

From 7pm – 9pm on Friday, November 25, the Changing Hands Bookstore in Phoenix will be hosting its monthly Storyline Slam. This is an event where eight storytellers are invited to share six-minute stories, which will be judged by members of the audience.

This event requires purchasing a $10 ticket, and slots for the storytellers are limited.

To learn more and sign up, visit here.

Photo of Leopoldo Gout.

Meet the Interview Contributors for Issue 30

Issue 30 of Superstition Review will be launched December 1st, marking SR’s 15th year anniversary. This issue features interviews with five award-winning authors: Angie Cruz, Leopoldo Gout, Rudy Ruiz, Manuel Muñoz, and Raquel Gutiérrez. All interviews were conducted by Riqué “Rich” Duhamell, this semester’s interview section editor. Read about the authors below!


Angie Cruz is a novelist and editor. Her most recent novel is How Not To Drown in A Glass of Water (2022). Her novel, Dominicana, was the inaugural book pick for GMA bookclub and shortlisted for The Women’s Prize, long-listed for the Andrew Carnegie Medals for Excellence in Fiction, The Aspen Words Literary Prize, a RUSA Notable book and the winner of the ALA/YALSA Alex Award in fiction. Cruz is the author of two other novels, Soledad and Let It Rain Coffee, and the recipient of numerous fellowships and residencies. She’s published shorter works in The Paris Review, VQR, Callaloo, Gulf Coast and other journals. She’s the founder and Editor-in-chief of the award winning literary journal, Aster(ix) and is currently an Associate Professor at University of Pittsburgh. She divides her time between Pittsburgh, New York, and Turin.


A visual artist, filmmaker, and writer who hails from Mexico City, Leopoldo Gout studied sculpture at Central St. Martins School of Art in London. His work belongs to multiple collections and has been in exhibitions all over the world. After finishing his studies, Gout’s creativity extended into writing, television, and film. He is the author of the books Ghost Radio and the award-winning Genius YA trilogy, and the recently published fable for all ages, MonarcaPiñata is set to publish with Tor Nightfire in March 2023. 


Rudy Ruiz is a writer of literary fiction, essays, and political commentary. His earliest works were published at Harvard, where he studied literature and creative writing, and was awarded a Ford Foundation grant to support his writing endeavors. Seven for the Revolution was Ruiz’s fiction debut. The collection of short stories won four International Latino Book Awards.


Manuel Muñoz is the author of two previous collections and a novel. He is the recipient of a Whiting Award, three O. Henry Awards, and has appeared in Best American Short Stories. A native of Dinuba, California, he lives in Tucson, Arizona.


Raquel Gutiérrez is an arts critic/writer, poet and educator. Gutiérrez is a 2021 recipient of the Rabkin Prize in Arts Journalism, as well as a 2017 recipient of the The Andy Warhol Foundation Arts Writers Grant. Her/Their writing has recently appeared in or is forthcoming in Art In America, NPR Music, Places Journal, and The Georgia Review. Gutiérrez teaches in the Oregon State University-Cascades Low Residency Creative Writing MFA Program. Her/Their first book of prose Brown Neon is an ekphrastic memoir that considers what it means to be a Latinx artist during the Trump era. Gutiérrez calls Tucson, Arizona home.