Join CISA student ambassadors on a one-mile walk around ASU’s Polytechnic Campus to celebrate the Day of the Dead. This event takes place Monday, Oct. 24, from 4-6pm and begins at the Cooley Ballroom. It’s free and open to the public, and participants are encouraged to bring a photo of a loved one. They can later place the photo on the altar. After the walk, there will be food, performances, and family-friendly activities.
This year, the Day of the Dead—or Día de los Muertos—falls on Monday, Nov. 1st, and Tuesday, Nov. 2nd, although some celebrations begin Oct. 31st and extend further. Día de los Muertos is a holiday where people honor their departed family, friends, and ancestors. It includes traditions like dressing up, parades, and placing food, drink, candles, and photos of the deceased on gravesites or ofrendas.
Arizona State University recently unveiled their new Master of Arts program in Narrative Studies. During the 30 credit hour program, focus will be on story telling and narratives across multiple platforms including text, film, and other media. Material will span a range of cultures and time periods while looking at structure, rhetoric, aesthetic and more throughout this exciting interdisciplinary program.
The program is currently accepting students for Fall 2018 classes. ENG 446/520: Visual Narratives, which will be taught by Dr. Wendy Williams, is one example of the upcoming courses. In addition to Dr. Williams, the MA Narrative Studies programs features several other ASU faculty including Superstition Review’s Patricia Colleen Murphy.
The degree, offered through the College of Integrative Sciences and Arts (CISA) will be located on ASU’s Polytechnic Campus. Narrative Studies, MA is the official site to visit for requesting information, learning how and when to apply, or scheduling a visit. We recommend following the official Facebook page, MA Narrative Studies at Arizona State University, for further news and announcements.
Congratulations and thanks to ASU and the staff and faculty for this new program in Narrative studies.
Superstition Review invites you to attend our special presentation at ASU’s Night of the Open Door: Polytechnic. For a limited time, SR will open the doors of its extensive Literary Magazine Library, with presentations on the hour about the field of Literary Publishing.
As part of their 20th year anniversary, the ASU Polytechnic is showing off their outstanding alumni. This Thursday, September 22nd, Leatta McLaughlin with the Arizona Department of Agriculture, kicks off the series in September, speaking on The Trans-Pacific Partnership: Opportunities and Risks for Arizona. This lecture is sponsored by the Morrison School of Agribusiness at ASU’s W.P. Carey School of Business, from which she graduated in 2003. McLaughlin is the associate director of the Animal Services Division at the Arizona Department of Agriculture.
The event takes place at 6 p.m. at Cooley Ballroom A, Student Union, ASU Polytechnic campus. This is a free event and open to the public. Light refreshments will be provided. You can RSVP here.
Parking will be provided in lot 10 (red lot) and Lot 49 (visitor lot across the street). A map of campus parking is located here.
The Center for the Study of Race & Democracy and The Philosophy & Film Series presents “The Birth of a Nation” (1915). There will be a discussion about the film’s themes, imagery, reception, and its relationship with Oscar Micheaux’s film “Within Our Gates.”
“The Birth of a Nation” is a 1915 American epic drama directed adapted from the novel and play “The Clansman.” The film chronicles the relationship of two families in the American Civil War and Reconstruction era over the course of several years: the pro-Union Northern Stonemans and the pro-Confederacy Southern Camerons.
The event takes place on September 16, 2016 at 6 p.m. – 8:30 p.m. ASU Downtown Phoenix. Health North, Room 110. Address: 550 N. 3rd St. Phoenix, AZ. For more information, please visit the ASU page and register here. The event is free.
Trajectories: an open talk about the many paths to becoming a writer.
Come listen to a panel discussion about some ofthe career trajectories that are available for English graduates on Friday, February 19th at ASU’s Polytechnic Campus Night of the Open Door. Superstition Review will be hosting this event in partnership with Four Chambers, Hayden’s Ferry Review, Chandler-Gilbert Community College, Mesa Community College, and Combs High School.
The panel will be free and open to the public in the UNION, Cooley Ball Room at Polytechnic Campus from 6 pm to 7:30 pm. Q & A will be welcome.
Meet the panel:
Gary Joshua Garrison is a prose editor for Hayden’s Ferry Review. His work has been nominated for the Pushcart Prize and appeared in or is forthcoming from Southwest Review, Moon City Review, The McNeese Review, Word Riot, Gigantic Sequins, and others. He lives in Arizona with his wife and their two torpid cats.
Jess Burnquist received her MFA in Creative Writing/Poetry from Arizona State University. Her work has appeared in Hayden’s Ferry Review, Persona, The Washington Post, Salon, Jezebel, GOOD Magazine, Education Weekly, Time and various online journals. She is a recipient of the Joan Frazier Memorial Award for the Arts at ASU. Jess currently teaches English and Creative Writing in San Tan Valley and has been honored with a Sylvan Silver Apple Award for teaching. She resides in the greater Phoenix metropolitan area with her husband, son, and daughter. Links to her most recent work are available at www.jessburnquist.com.
Patrick Michael Finn is the author of the novella A Martyr for Suzy Kosasovich and the short story collection From the Darkness Right Under Our Feet. He teaches writing at Chandler-Gilbert Community College.
Jake Friedman is the Founder and Editor in Chief of an independent community literary journal and small press based in Phoenix, AZ called Four Chambers. He is also; drinking coffee (as the picture would indicate); a waiter and sometimes bartender at an unnamed casual-upscale restaurant (the restaurant being unnamed to protect it’s identity, not actually unnamed); working on a long-form experimental prose manuscript titled The Waiter Explains (no coincidence with his current profession, he swears; long-form experimental prose being a pretentious way of saying novel, even though he has legitimate reasons for doing so involving narrative perspective and deep structure he still feels pretentious). http://fourchamberspress.com.
Jessica Marie Fletcher serves as the current Superstition Review Student Editor-in-Chief and was fiction editor for issue 16. She studies creative writing, psychology, and family and human development in the Barrett Honors College at Arizona State University. She has worked as an Opinion Columnist for The State Press, and one of her short stories has been featured in LUX Undergraduate Creative Review.
Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by Rochelle Hurt.
Rochelle Hurt is the author of The Rusted City, forthcoming in the Marie Alexander Poetry Series from White Pine Press (2014). She is the recipient of awards from Crab Orchard Review, Arts & Letters, Hunger Mountain, and Poetry International. More of her work can be found in recent issues of KROnline, RHINO, The Collagist, and The Southeast Review.
“There’s a dead guy over here!” she frantically tells her audience. The usual reaction to a statement like this is not to laugh, but laugh we do. Laurie Notaro, bestselling humor writer and ASU alumna, is telling the audience about the importance of putting the crux of a humor piece in the story’s beginning. “You don’t bury the lead,” she admonishes audience members, especially the ones as familiar with journalism as she is.
Laurie Notaro was at the Polytechnic campus on the evening of September 17 to discuss humor and sign copies of her latest book, The Potty Mouth at the Table. The event was co-sponsored by Superstition Review as part of that week’s Project Humanities lecture series on humor.
One of the highlights of the night is her reading of Don’t Make Me the Asshole, a nonfiction piece in her latest collection. (Potty Mouth seems aptly named in places.) Perhaps reading is not the right word, as it is more of a dissection, a step-by-step explanation of what writing conventions are used to maximize the humorous retelling of the time she discovered her bath puff had been tampered with. “‘Using someone else’s bath puff is like using someone else’s hairbrush, or toothbrush, or the gum on the underside of a table,'” she reads. “What I did there was build tension. You don’t want to lead with the gum, but you want to build up to it.”
Laurie eventually built up to the question-and-answer session, artfully answering (and sometimes dodging) questions like “What is your writing process?” and “What does your workspace look like?” (“Messy” was the answer to both. She was kind enough to wait for the audience to laugh before elaborating.) A question she did not shy away from was “What is something you shouldn’t write about?” Inside jokes should be avoided. If the backstory is longer than the joke, it’s not funny. An example she brought up is the gallows humor she uses with a friend who has a terminal illness. How can terminal illness be funny? I thought. “My friend says to me, ‘Laurie,’ she says, ‘I’m going to haunt you.’ And I said, ‘Okay. Well, let’s set some ground rules.’”
The night ended with a book signing of Laurie’s various collections, including the Idiot Girls short story collections; There’s a (Slight) Chance I Might Be Going to Hell: A Novel of Sewer Pipes, Pageant Queens, and Big Trouble; It Looked Different on the Model: Epic Tales of Impending Shame and Infamy; and of course, her latest collection, Potty Mouth. ASU Bookstore employees had set up a maroon table adorned with several of Laurie’s titles, but many fans of Notaro’s had brought their own copies, a few complete with creased spines and dog-eared pages.
I think I speak for the audience when I say we were glad she was able to make it, and would be happy to see her come back. Thank you for the laughs, Laurie.