Burn: Sara Henning Contributor Update

Our heartfelt congratulation go to previous contributor Sara Henning, for the success of Burn, her 2022 Crab Orchard Series in Poetry Editor’s Selection. The collection will be published on April 22 by Southern Illinois University Press. It is available for preorder now! Want to see Sara live? Her reading tour can found on her website, with events on April 19th, 23rd, 25th, 26th, and beyond!

A word from the author: “My journey of writing Burn began after my mother lost her battle with cancer in 2016. Struggling to make sense of time and its role in our lives, I found solace in the words of poet Delmore Schwartz:

What will become of you and me

(This is the school in which we learn ...)   

Besides the photo and the memory?

(... that time is the fire in which we burn.)

“Through these poems, I invite readers to consider how we navigate our own flames—do we burn up? Do we ignite with joy or ecstasy? Do we rise like a phoenix from its ashes?”

Burn magnifies the way time leaves us both the victim and the victor of our realities. The blaze of her late mother’s Tiffany lamps sends the speaker back to childhood, where she unearths mica from the schoolyard dirt. The devastation of an ecological crisis, the annihilating act of rape, and the unsolved disappearance of a caretaker all level the speaker’s world and upend her place in it, forcing her to reconstitute reality from what remains. In poems which summon the spirit of Stephen Hawking’s A Brief History of Time, this collection walks through the physics of temporality as refracted through love, loss, and grief, so we better understand its effect on our lives. Through this insight, Henning introduces a new way of being in the world.

Burn has already received glowing reviews:

“When the embers of a blaze drift upward over the spindrifts of a churning time, we receive Henning’s language in curlicues of smoke. The poems in Burn meditate on what comes after the ash, pondering how we must have moved forward with our hands extended outward into the miracle of the open air. Her splendid lyrical words return us again and again to the clearing where somehow, despite it all, we are still able to breathe.”

Oliver de la Paz, author of The Diaspora Sonnets

You can read her poem “Immortelles (2016),” in Issue 32. She has also five poems published in Issue 22. And three in Issue 11.

Sara Henning is the author of Terra Incognita and View from True North, which was chosen by Adrian Matejka as co-winner of the 2017 Crab Orchard Series in Poetry Open Competition Award. She was awarded the 2015 Crazyhorse Lynda Hull Memorial Poetry Prize, the 2019 Poetry Society of America’s George Bogin Memorial Award, a 2019 High Plains Book Award, and a Tennessee Williams Scholarship. Her work has appeared in journals such as Alaska Quarterly Review, Southern Humanities Review, Witness, Meridian, and the Cincinnati Review. She is an assistant professor of Creative Writing at Marshall University. You can find out more about Sara on her website.

Meet the Interview Contributors for Issue 33: Part 2

Our editors are hard at work building Issue 33 of Superstition Review, which will launch May 1. This issue features interviews with eight award-winning authors. Here we are featuring the four authors, whose interviews are being conducted by Phoebe Nguyen. The authors are: Christina Vo, Diana Khoi Nguyen, Lisa Ko, and Sally Wen Mao.


Christina Vo is a writer, who currently works in development for Stanford University. She previously worked for international organizations in Vietnam and Switzerland and also ran a floral design business in San Francisco. She is the author of one previous memoir, The Veil Between Two Worlds (She Writes Press). Vo resides in Santa Fe, New Mexico.


A poet and multimedia artist, Diana Khoi Nguyen is the author of Root Fractures (2024) and Ghost Of (2018), which was a finalist for the National Book Award. Her video work has been exhibited at the Miller ICA. Nguyen is a MacDowell and Kundiman fellow, and a member of the Vietnamese artist collective, She Who Has No Master(s). She’s received an NEA fellowship and awards from the 92Y “Discovery” Poetry and 2019 Kate Tufts Discovery contests. She teaches in the Randolph College Low-Residency MFA and is an Assistant Professor at the University of Pittsburgh.


Lisa Ko is the author of The Leavers, a novel which was a finalist for the 2017 National Book Award for Fiction and won the 2016 PEN/Bellwether Prize for Socially Engaged Fiction. Her writing has appeared in Best American Short Stories 2016The New York TimesBuzzFeedO. Magazine, and elsewhere. She has been awarded fellowships from the New York Foundation for the Arts, the Lower Manhattan Cultural Council, and the MacDowell Colony, among others. Born in Queens and raised in Jersey, she lives in Brooklyn.


Sally Wen Mao is currently an MFA candidate at Cornell University. The recipient of fellowships from Kundiman and Bucknell Seminar for Younger Poets, she has poems in Cave Wall, Another Chicago Magazine, Hayden’s Ferry Review, Copper Nickel, and Crab Orchard Review, among others. Her work has won first place in the 2010 Rhino Poetry Journal Editor’s Prize.

SR Pod/Vod Series: Writer William Cordeiro

WillIam CordeiroEach Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by William Cordeiro.

Will recently completed his MFA and Ph.D. from Cornell University. His work appears or is forthcoming in Copper Nickel, Cortland Review, Crab Orchard Review, CutBank Online, Drunken Boat, Fiction Southeast, Fourteen Hills, Harpur Palate, Phoebe, and elsewhere. He is grateful for residencies from ART 342, Blue Mountain Center, Ora Lerman Trust, Petrified Forest National Park, and Risley AIR at Cornell University. He lives in Flagstaff, Arizona, where he is a faculty member in the Honors Program at Northern Arizona University. 

You can listen to the podcast on our iTunes Channel.

You can read along with the work in Superstition Review.