Authors Talk: Megan J. Arlett
Today we are pleased to feature Megan J. Arlett as our Authors Talk series contributor. In this podcast, she takes the time to discuss her nonfiction piece, “Narrative,” published in SR’s Issue 21. The lyric essay explores the 2008 disappearance of Amy Fitzpatrick as well as language and storytelling.
Megan looks back at her 2017 notebook to discover what she was reading while she drafted “Narrative” and to find out which texts influenced her work. While she struggles to remember an initial spark of inspiration, aside from constantly thinking about the disappearance of her classmate and neighbor, she does notice how certain writers have tapped into her “brain space” to influence what she originally “thought was going to be a poem,” but later became the lyric essay that sits nicely between the nonfiction and poetry genres.
Looking to the musings in her old notebook, Megan discovers that she was obsessing over the poetry of Li-Young Lee at the time. She had written a note to herself about his work that reads, “Long poems need externalities.” In her old notes, she also finds a scribbled question— “Bowman-style meditation for the cyclical obsession with missing people?”—referring to Catherine Bowman’s poem “A Thousand Lines.” Lastly, Megan realizes that the newsprint style of “Narrative” was influenced by Jehanne Debrow’s The Arranged Marriage, which helped give her lyric essay form and made the nonfiction piece feel complete.
It seems that Megan’s creative work was driven by her obsessions at the time: her fascination with poets Li-Young Lee and Catherine Bowman, her admiration for Jehanne Debrow’s literary style, her love for true crime, and her curiosity about Amy Fitzpatrick’s disappearance.
Reflecting on her writing, Megan wants her readers to acknowledge that beauty and horror can exist simultaneously, concluding “There can be voicelessness even amid countless voices.”
You can read Megan’s work in Issue 21 of Superstition Review.
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One thought on “Authors Talk: Megan J. Arlett”
I loved hearing her words about her piece. The passion and intelligence in her voice is potent. It is nice to hear about the different works that influence writers because most of the time, the reader does not get this insider knowledge. Being able to hear her notes too is such a special thing. I love her discussion of the lyric poem being right in the middle of poetry and nonfiction. I am interested in reading more of her work now.
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