On Friday, March 3rd, at 6:30 pm, join best-selling authors Andrew Greer and Amanda Ward at the Changing Hands Bookstore in Phoenix. There, they will be discussing their creative journeys, their writing, and their friendship. This event is free and open to the public. To learn more and register, go here.
Amanda Eyre Ward lives in Austin, TX. She is the New York Times bestselling author of Sleep Toward Heaven, How to Be Lost, Love Stories in This Town, Forgive Me, Close Your Eyes, The Same Sky, The Nearness of You, The Jetsetters, and The Lifeguards. An interview with Amanda Eyre Ward was published in Issue 7 of Superstition Review.
Andrew Sean Greer is the Pulitzer Prize-winning author of seven works of fiction, including The Confessions of Max Tivoli and Lessis Lost. He lives in San Fransisco and Milan. An interview with Andrew Sean Greer was published in Issue 15 of Superstition Review.
The Virginia G. Piper Center for Creative Writing is proud to present Eric Gansworth in his talk, “Indigenous Binaries: Cultural Survival in Contrast.” The event, which will feature a talk, a Q&A, and a signing, will take place on Thursday, November 9 from 7pm to 9pm at the Heard Museum (2301 N Central Ave, Phoenix, AZ 85004). The talk is presented as part of the Distinguished Visiting Writer Series. It is open to the public and free.
Gansworth’s work spans across novels, poetry, and memoir and includes If I Ever Get Out of Here, Extra Indians (American Book Award), Mending Skins (PEN Oakland-Josephine Miles Award), and the forthcoming Give Me Some Truth. Gansworth is also an accomplished visual artist, with current exhibitions at Canisius College and the Iroquois Indian Museum.
Drawing from the tradition of Haudenosaunee belts, which use sequences of purple and white wampum beads to narrate histories, ceremonies, governance, and treaties, Native American writer and visual artist Eric Gansworth (enrolled Onondaga) will discuss the ways his work uses high contrast imagery and storytelling to engage with cultural binaries and explore the complexities of the contemporary indigenous experience. What is the relationship between the painted image and the written word? What are the tensions between Native traditions and popular culture? How do we reconcile America’s past with the present? What does it mean to be a meaningful participant in 21st century indigenous life?