Today we are pleased to feature Roy Guzmán as our Authors Talk series contributor. In his podcast, Roy discusses community, culture, and struggle with Christina Collins from Lockjaw. Specifically, the pair discusses these ideas in the context of Roy’s piece, “Payday Loan Phenomenology,” which was published in Issue 18. They share how they first met on Twitter and then how they both ended up living in Minneapolis, which brings them to a discussion on displacement.
When discussing his piece in Issue 18, Roy notes, “it’s me trying to work with memory…if I’m looking at my past and I do not want it to depress me and I want it to sort of propel me, I need to create some kind of beauty.” Later, Christina tells Roy, “your work is so rooted in culture and it’s so rooted in your experience of being…an outsider to this monolithic American culture,” which leads to a discussion on the importance of culture and sharing the experiences of those who are disadvantaged.
It’s impossible to list all of Roy and Christina’s comments and insights here, so you’ll just have to listen for yourself! You can access Roy’s poem in Issue 18 of Superstition Review, and you can stay updated with his website as well.
When I was asked to go to AWP Minneapolis and represent Superstition Review, I didn’t really know what AWP was and what it would entail. I had only just learned a few weeks earlier of its existence. Panicked, I wanted to learned everything and read everyone so that I could fully appreciate the experience. Once I had the flight booked, I heard people talking about AWP left and right. How did I miss this? It became the code. AWP? Yeah, you? Yeah. It sounded like the party of the year, but it was at some speakeasy where only the elite could go, and I somehow got a golden ticket undeserved.
This is how I thought: do I even belong here? How funny that I spent the greater time worrying about humbling myself before the Great that I assumed would be there. I eventually realized that there was no real way to prep for the conference, so I just sat back and watched the #badAWPadvice roll in while I packed my bag (not quite well enough for the snow). I sensed the theme of all the advice: yes, we are all writers, relax.
I was the first to land on the ground in Minneapolis, so my selfie was the one plastered across the ASU News page and other social media. Already still wondering how I got there, I was even more confused by seeing this. Yes, you are here. This picture in the article was found by my sweet mom, who unknowingly professed her love for me on the Facebook post. Already unsure of myself, I thought that this was even more embarrassing. Quickly, I realized I needed to not take myself so seriously. Many moments on the trip felt like these little nuggets of life wisdom.
I spent that hour alone in the city wandering, getting my bearings, trying to center myself for the event. I never felt like I stopped moving (which made sense given the plane, subway, bus, and walk to the hotel I took to start) that entire trip.
The girls I roomed with were the highlight of the conference. Early on, we bonded, and I was able to learn from these like-minded women, who were in the same undergraduate, lost boat as I was. This bonding—this sense of community—defined the trip. I got it: an association of writers.
We spent our first night in a crowded, local Normal World Pub that couldn’t fit more people in if it tried–and it did try. The Literary Death Match was hosted there, and right away the trip began with awkward bump ins and “excuse me, coming throughs” with fabulous writers like Roxane Gay, Mark Doten, Matt Bell, and Claire Vaye Watkins. We pushed, shoved to the front of the crowd and had the equally the best and worst spot up front and right next to the bathrooms where the waiters/passerbys had to continuously shove to pass. None of that mattered because everyone was enjoying the readings, the impromptu performance of Matt Bell, and the literary charades to follow.
The conference itself felt like swirling dream sequences. I had a dream before the trip that the conference was like a casino. There were no lights and gambling tones rising above the crowd, but we were enticed into various panels and rooms until we reached the last day and were all ready to go home, slightly broke from buying books and cool totes and souvenirs at the book fair.
I learned a lot from the panels I did go to, and I also learned to relax when I didn’t go to a panel. Everything began to bleed into everything else like watercolors, and I was okay with that. I even sort of liked that better than the regimented plan that I originally assumed would get me through the conference.
I was not discouraged by the advice, but rather uplifted because every person that I met only reminded me that you write because you love it. I understood that the conference served as a reunion for many writers, who after years teaching or living elsewhere, were able to catch up and engage in the same thought-provoking conversations with other like-minded and intuitive people.
I was thrilled to meet the humans behind the contributors list in SR, to take part in curious conversations, and to connect with the past SR Editor-in-Chiefs, Erin Regan and Sydni Budelier, and the most recent fiction editor and my mentor, Stephanie Funk. It truly was a treat, and I won a golden ticket with the friendships and memories from AWP15.
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