Editorial Preferences in Fiction: Brynn Kowalski

In the past few months or so my perception on literature has shifted. My reading has become more active and aware, but even with this new-found sight I find it hard to be terse with literary fiction. I empathize easily, become lost in a good story, but I am also aware of the nuances of the genre.

Stories have to take me somewhere, whether it’s from the subway to the ocean or from one dream to the next. Even thoughts flow, and if I am locked within a character’s mind and privy to their hopes and fears then let me see how their nightmare fades in the light of realization, or how their past has come to shape their future. That being said, the theme and plot can be cast aside in the light of a strong character. When the characters feel organic I am their willing audience. They can guide me through their worlds, but we must take that first step.

Every good character needs a stage, and what I look for in a story is its description. When done well it elevates everything in a narrative, creating a rich and vibrant scape that entices the readers to continue to the next page. On that vein, something that I can truly appreciate as a reader are stories that challenge convention, but I admit that it, like all things, comes with a caveat. Stephen King says a writer can play around with any trick of the trade… so long as they do it well. I think the same applies for challenging conventional writing. I love stories that aren’t afraid to try something new and color outside the lines, but it’s a delicate dance to perform. When someone does it well, especially in literary fiction, I am often left sitting at the end of the final sentence turning the story over in my mind, feeling like I just got to experience something entirely new that no one else has witnessed before.

Writing is a balancing act, and an author should take care not to throw in a surprise format or twist the narrative only for shock and awe. Everything in a story should work in tandem, each aspect keeping in tone with the rest until the narrative rings a single note, signaling to the reader that it is time to delve into the story.


Brynn Kowalski is a fiction editor for Issue 22. She is pursuing her BA in Creative writing with a minor in French. Passionate about literature of all types, Brynn is working to become an editor and publish YA novels. She is currently an active member of several online writing communities and regularly publishes real-time interactive narratives on her media platform.

Progress Update: Picking Up Steam

We’re concluding our third week working on Issue 5 of Superstition Review, and we’re really picking up steam: open submissions are pouring in, readings are being scheduled, the website is beginning to take shape, and our interns are hitting their strides.

Our Section Editors have prepared lists of authors and artists they would like to solicit work from and/or interview. The Solicitations and Interview Coordinators have organized these lists and are preparing to work with the editors to send out the solicitations emails. Now our Art, Poetry, Fiction and Nonfiction Editors are shifting their focus toward reading and evaluating the open submissions that have been piling up in our Submissions Editor’s inbox.

Our Reading Series Coordinator set up our first reading of the semester (details soon to come!) and is now brainstorming authors and ideas for our March reading. Our Advertising Coordinator sent out email marketing for our submissions period (keep sending us your work!), and she’s now teaming up with our Photoshopper to create some ads to exchange with other magazines. Our Development Coordinators are doing important work on grants and bringing Superstition Review to Kindle (you’ll hear about it here when we’ve got that all set up!). Our Web Designers are in the process of assembling our staff and events pages. And finally, I’m here, keeping you up-to-date on everything happening with Superstition Review. Keep reading!