Contributor Update: Elizabyth A. Hiscox

Reassurance in Negative Space Today we are pleased to share news about past faculty advisor Elizabyth A. Hiscox. Elizabyth has recently released her debut collection of poems titled Reassurance in Negative Space, which, according to Sarah Vap, “studies the relationship between negative capability and communion. ” Reassurance in Negative Space is available for purchase from Word Galaxy here, or Amazon here.

Elizabyth was a faculty advisor for Superstition Review’s Issues 1,2,4, and 5.

Congratulations, Elizabyth!

 

#ArtLitPhx: Four Chambers presents Get Lit: Rupi Kaur, Instagram Poets, and the Politics of Craft

Get Lit Graphic

Inspired by the literary and philosophical salons of 17th century France, Four Chambers presents Get Lit: Rupi Kaur, Instagram Poets, and the Politics of Craft. Every month, Four Chambers hosts a night of conversation, community, and drinking with Phoenix Poet Laureate and ASU Lecturer of English Rosemarie Dombrowski, PhD.

This month’s event will take place Thursday, November 2nd, from 7pm to 8pm. It will be held in the Reading Room inside the Rose Room at Valley Bar (Basement, 130 North Central Avenue, Phoenix, AZ 85004). Valley Bar is located on Monroe St down the alley between Central and 1st Ave. Space is limited, so arrive early to make sure you can get a seat!

This month’s discussion topic is “Rupi Kaur, Instagram Poets, and the Politics of Craft.” Kat Hofland, rinky dink editor and poet, will be the guest host for the discussion. About the topic, Four Chambers writes,

What do we mean when we say someone is or isn’t a ‘real’ poet? Is ‘poetry’ an elitist and exlcusionary institution? What are the politics of consuming art within a larger cultural marketplace? Is Kaur’s poetry actually good? Who gets to define ‘good’? Who gets to define poetry? Is saying something is ‘good’ just another way of saying we like something or can it actually be good? Should we even be talking about this? Are we just adding to the hype? Does this have to be a good or a bad thing for poetry? What *is* poetry? What does Rupi Kaur’s success mean?

For more information about the event and to RSVP, head over to the Facebook page. You can also click here to find out more about Four Chambers Press.

#ArtLitPhx: Crossfade Lab with Carla Morrison and Natalie Diaz

Crossfade Lab

The CALA Alliance will be hosting the fifth edition of Crossfade Lab on Friday, October 27 from 7pm to 9pm. The event will take place at the Crescent Ballroom (308 N 2nd Ave, Phoenix, Arizona 85003), and doors will open at 6:30pm.

This edition of Crossfade Lab features a conversation between acclaimed Arizona Mojave poet Natalie Diaz and two time Latin Grammy award-winning Mexican songwriter and musician (and former Phoenix local) Carla Morrison. Josh Kun, the CALA Crossfade Lab co-curator and 2016 MacArthur Fellow, will moderate the evening’s discussion. The CALA Alliance teases that the night will involve “an experimental mix of words and music, exploring the connections between themes central to both Diaz and Morrison: desire and love, land and family, and traditions that bend, bear witness, and sometimes break.”

Tickets cost $15 and can be purchased here. The event is 21 and over. For more information, check out the Facebook event page.

Guest Post, Maureen Alsop: Anemomancy

AnemomancyAnemomancy

              divination by predicting weather change or reading the future strength and

direction of the wind

 

Along the road’s pitch, a token of yellow moths—the auburn
river’s warning tool— electricity
                          between wing and crescent, where
reeds open the mailbox’ flag. As for the matter
of your father’s death.  I observe a signet ring lower
into the dim.  I signal in conscious dream
that day’s influence where I crossed into a calm
             holding his hand— what bereavement became—a percussion
of bullets bore his chest
in the faithful matter of betrayal.  No more ledgers.

But a bowl’s moss and mixed grain, a morning
without generation, a narcoleptic close of eye like envelopes.

Once I stopped talking.  Once I was love’s weak redundancy.
Did I not say no?       I did not say yes.
My hair undoes the lake’s ether.

#ArtLitPhx: ASU Stellar Alumni Reading Series feat. Bojan Louis and Irena Praitis

Bojan Louis and Irena Praitis

ASU’s Creative Writing Program is so excited to present its brightest, most talented alumni writers in this new series, the Stellar Alumni Reading Series. In this installment, Irena Praitis (MFA 1999; PhD 2001) and Bojan Louis (MFA 2009) will read from their work.

The reading will take place Thursday, October 26 from 7pm to 8:30pm in the Cochise Room of the Memorial Union on the ASU Tempe campus. A book signing will follow the reading – Bojan Louis is the author of Currents, and Irena Praitis is the author of The Last Stone in the Circle.

In Currents, Louis discusses the kinetic dissonance of the contemporary struggle to coexist with self-inflicted eroding environments. In The Last Stone in the Circle, Praitis chronicles experiences of prisoners in a WWII German work re-education camp based on eye-witness accounts. The synopsis details, “Delving into the murkiness of human experience in the face of suffering, the poems consider the complicated choices people make in impossibly difficult circumstances and explore the sheer resilience of survival.”

This event is free and open to the public. We previously featured this event in our Contributor Updates because Irena Praitis was featured in our very first issue – read her poems in Issue 1 here.

For more information on the event, check out the ASU website and the Facebook page.

Contributor Update: Michelle Menting

Leaves Surface Like SkinToday we are pleased to announce that past contributor Michelle Menting’s debut collection of poems, Leaves Surface Like Skin, has been recently released. The book has already received praise from poet Sandra Beasley, who says, “Menting has a gift for moody and luminous phrasing: ‘For some, the world is wood tick wicked.’ There’s magic to a collection that does such heavy lifting with a light touch.” Purchase your copy through Terrapin, Amazon, B&N, or through your local bookstore.

To read Michelle’s essay “On Becoming Vegan” in Issue 3 of Superstition Review click here.

#ArtLitPhx: Literatura, artes e industria editorial en Phoenix

Literatura, artes e industria editorial en PhoenixCardboard House PressCALA Alliance, and ASU’s School of International Letters and Cultures are hosting Casandra Hernandez and Giancarlo Huapaya in their lecture series. The pair will discuss literature, arts, and publishing in Phoenix during this bilingual event. The event will take place Thursday, October 19, from 1:30pm to 2:40pm at the Piper Writers House on the ASU Tempe Campus (450 E. Tyler Mall, Tempe, AZ 85281).

Casandra Hernandez is the Executive Director of the CALA Alliance, and Giancarlo Huapaya is the editor of Cardboard House Press. For more information, check out the event’s Facebook page.