Contributor Update: Jim Daniels

Congratulations to previous contributor Jim Daniels, on the publication of his new chapbook! Comment Card is available for purchase now through the publisher, Carnegie Mellon University Press, or on Bookshop, which supports independent bookstores.

Daniels’ poems offer up a world of juxtapositions, searching for equilibrium between the sublime and the mundane: a man watching young lovers kiss while poisoned ants rain down on his porch. A Christmas tree-needle collection and Jimmy Durante. The litter of a three-hole punch and a daughter leaving for college. Tamarinds and the International Space Station. A crushed snail and the Holy Trinity. These poems wonder, how did we get here, and, by the way, where are we?

Comment Card has already received worthy praise:

“Jim Daniels is a generous, inventive poet with great emotional range and insight. He is at home writing poems about home—the domestic space, child-rearing, marriage, aging, ambition—with honesty, intimacy, and grace . . . Jim Daniels is humorous, provocative, and smart—an American treasure.”

Denise Duhamel

“As prolific as he is talented. Jim Daniels gets my vote as ‘the hardest working man in poetry.’ His poems are honest, straightforward, full of insight, wit and goodwill, and grounded firmly in the human and the humane.”

Charles Harper Webb

You can read Jim’s story, “13 Ways of Looking at My Father in His Bathing Suit” in Issue 12 of s[r], or his story “Single Room” in our first ever issue of s[r]! We also interviewed Jim Daniels for our debut issue. You can read his interview here, where he talks about everything from the discipline factory work taught him to apply to writing, to his early writings being praised by a teacher as poetry—freaking him out and sending him temporarily on a path of “writing things that sounded like some self-pitying bad rhyming dude from the eighteenth century.”

Enjoy an electrifying preview of Daniel’s chapbook:

COMMENT CARD

Below zero—the hotel lost power—
frozen lines, broken sprinklers, just when
guests like us had flicked our lights off
to slog our way toward sleep. Alarms
blazed their grim fiery order: evacuate.
The laminated Emergency Plan instructed
us to gather in the parking lot and wait.
Half-dressed, half-awake, we bristled
at the dark betrayal. One gaunt guy
in sweats and shorts jogged in place,
turned zombie blue.

Someone aimed a flashlight at our frozen feet
till the cleaning lady invited us to squeeze
into her tiny car, then started it up. Shoulders
rubbed. We did not sing songs. We shared
scraps and fragments of what brought us
to our lonely rooms. Bianca from house-
keeping shared cookies she’d stolen
for her two kids. Her English: Take.

None of us were meeting-cute.
No coincidental links or sit-com jokes.
The situation: I sat between an older
businessman and a younger saleswoman.
Bianca’s old car smelled of Jesus air freshener.
Good heater, I said, and everyone agreed.
Our bodies, forced together,
grudged up extra heat.

The lights came on—you know that.
We fled the car in a mad frigid flurry.
The hotel offered us coffee and tea
in the lobby. We spread out over
stuffed couches. Bianca served us.
The manager chatted us up.
What can you do, he asked,
in weather like this?

Jim Daniels has authored over thirty collections of poetry, seven collections of fiction, and four produced screenplays. His most recent books include The Luck of the Fall (2023), The Human Engine at Dawn (2022), and Comment Card (2024). His books have won three Michigan Notable Book Awards, the Brittingham Prize for Poetry, the Blue Lynx Prize for Poetry, the Tillie Olsen Creative Writing Award, the Milton Kessler Award, and three Gold Medals in the Independent Publisher Book Awards. His work has been published in The Best American Poetry and Pushcart Prize volumes.

During his long career, he has warmed up for singer-songwriter Lucinda Williams at the Three Rivers Arts Festival, read poems at a Jamestown Jammers AA baseball game, had his poem “Factory Love” displayed on a race car, and sent poetry to the moon soon as part of the Moon Arts Project. A native of Detroit, he lives in Pittsburgh, where he is the Thomas Stockham Baker University Professor Emeritus of English at Carnegie Mellon University. He currently teaches in the Alma College low-residency MFA Program. You can find out more about Jim Daniels on his website.

Meet the Art Contributors for Issue 33

Our editors are hard at work building Issue 33 of Superstition Review, which will launch May 1. This issue features art from six award-winning artists: Dixie Salazar, Kathy Peterson, Slav Nedev, Kelly D Villalba, Rodney Rigby, and Nam Hoang Tran.

Dixie Salazar is an artist and writer who has shown her work extensively in the Central Valley of California also in San Francisco, Merced, Las Vegas, Oregon, and New York. She has had numerous one-person shows in Fresno, and also Merced, Turlock, and Monterey. A major show at Arte Americas in Fresno in 2006 explored Mayan symbolism in her painted collages. Dixie shows throughout California. Her latest one-person show took place at the Fig Tree Gallery in Fresno, CA. in 2021. Dixie has a studio/gallery at 654 Van Ness in downtown Fresno. She also is a published poet with seven books of poetry, the latest from Stephen F. Austin University Press called “Crosshairs of the Ordinary World” in 2023. She has also published two novels. In 2023, Dixie received a California Arts council Fellowship for her artwork.

Kathy (K. Alma) Peterson is a painter and poet. Her paintings are abstract mixed media. She has a Studio Arts minor BA from the University of Minnesota. Her MFA in Poetry is from the MFA Program for Writers at Warren Wilson College. She has published two books of poetry with Blaze Vox Books. She lives in Florida.

Slav Nedev is a freelance artist born in 1967 in Sofia, Bulgaria, where he lives and works. Through his body of work, he explores a wide range of styles and media, including painting, digital art, objects, sculptures, and installations. His latest projects examine the interplay between the inner and outer world and those eternal principles that, even if intangible, make the phenomena as we know them. Slav is currently curating a group show set to open in November 2024 and working on two solo shows scheduled for 2025.

Kelly D Villalba is a visual artist based in Los Angeles, California. In her art practice, she creates unique sculptural artworks to reimagine the idea of the traditional coiled basket. Kelly uses fiber and found material to create funky forms emphasized by contrasting colors and vivid patterns. Through her use of coiling, a weaving technique originated by Black and Indigenous artisans, she creates imaginative soft sculptures for a contemporary audience.

Rodney Rigby is the Author/Illustrator of several children’s books, all published by Hyperion, New York. He also Illustrated Paul Muldoon’s The Last Thesaurus. His Art has been shown in the US, UK and Europe. For the past year Rodney has been Artist in Residence at his local library in Liverpool. Helping make art more accessible to adults and children alike. 

Nam Hoang Tran is a multidisciplinary artist based in Orlando, FL. His work appears or is forthcoming in Posit, The Brooklyn Review, ANMLY, New Delta Review, Tagvverk, Always Crashing, and Diode, among others. With Henry Goldkamp, he co-edits TILT – a journal of intermedia poetics.

Retribution Forthcoming: Katie Berta

Congratulations to Katie Berta on the publication of her first poetry collection! retribution forthcoming is available now from Ohio University Press or your local bookstore. You can attend the book’s launch in Arizona on Monday, April 15th at 7 p.m. at Changing Hands Tempe (6428 S McClintock Dr, Tempe, AZ 85283), which will feature Dexter Booth and Justin Petropoulos as co-readers. 

In the lineage of New York School poets like Alice Notley and Bernadette Mayer, retribution forthcoming does its exploratory work through narrative and lyric modes, by simile and catalogue. By turns oblique and direct, Katie Berta’s poems look vulnerably and honestly at sexual coercion and the psychological fallout of assault. These poems move through academic, public, and domestic spaces— and through the domain of memory—investigating the ways consumerist society reinforces and reifies gender conformity and performativity. The world of these poems and their trauma narrative is woven through and deepened by the heartful speaker’s sense of humor and eagerness to love and trust.

For readers interested in interrogating ecological, capitalist, gendered, and private violence, for sensitive and intuitive listeners, and for lovers of poets like Natalie Scenters-Zapico, Jay Hopler, and Paisley Rekdal, retribution forthcoming is an inspired and visionary debut.

retribution forthcoming is the recipient of the Hollis Summers Poetry Prize! That is only the beginning of the praise it has received:

“retribution forthcoming fuses the abject with the sincere, the tender with the perverse. Katie Berta’s voice is straight-up. Bare-faced. Flat-out. She catalogs both the worthwhile and the intolerable, and the result is exhilarating: a killing bite into the marrow of whatever it is we think we’re doing here.”

Claire Wahmanholm, author of Meltwater: Poems

“Katie Berta reminds us ‘the world is a fight’ and these poems refuse to pull punches. In retribution forthcoming, sarcasm collides with an exhaustion of the patriarchal clutch on society as well as the stark realities of womanhood, poethood, and traumas rife with contention and devastation to the human psyche.”

Felicia Zamora, author of I Always Carry My Bones

“These poems roil with thought and with dogs and with media-glut. They overflow with fear and love; devastating events and numb, weak aftermaths; what to eat, or slather into your insufficient skin: and still their capacities for humor, for tenderness– their raw courage in the face of a virulent internal naysayer—thrill and buoy us.”

Sally Ball, author of Hold Sway

Katie Berta’s debut poetry collection, retribution forthcoming, won the Hollis Summers Prize and will be published by Ohio University Press in 2024. Her poems have appeared or are forthcoming in Ploughshares, The Cincinnati Review, The Kenyon Review, Prairie Schooner, Denver Quarterly, The Yale Review, The Massachusetts Review, and Bennington Review, among other magazines. She has received residencies from Millay Arts, Ragdale, and The Hambidge Center, fellowships from the Vermont Studio Center and the Virginia G. Piper Center for Creative Writing, and an Iowa Review Award. She is the managing editor of The Iowa Review and teaches literary editing and poetry at the University of Iowa and Arizona State University. You can find out more about Katie on her website.

Tabitha, Get Up: Lee Upton Contributor Update

Congratulations to Lee Upton on the upcoming release of Tabitha, Get Up. The novel will be available on May 22nd 2024 from Sagging Meniscus Press, and is available now for preorder.

Tabitha is a lonely fifty-year-old biographer who, in order to restore her self-respect and pay her rent, attempts to write two biographies simultaneously: one about an actor so famous his face is on the side of buses, and the other about a popular writer of children’s books recently outed as an author of erotic fiction. Is Tabitha ready to deal with interviewing an actor so handsome and charismatic she thinks he should be bottled and sprayed on belligerent people as a form of crowd control? Can she form a genuine friendship with a cult novelist who pressures her to compromise her values? While facing these and other challenges, Tabitha is bedeviled by memories of her long-ago divorce and the terrible wedding when, accidently bumped on a balcony, she shot off into the shrubbery. Is it true, she wonders, that there’s probably a dead body beneath the floating rot of any marriage? When surrounded by pretentious beautiful people does it help to imagine their intestines are full of worms? Are champagne bubbles the devil’s air pockets? Is it ever too late to change your life—from the bottom up?

Tabitha, Get Up has received significant praise!

“For starters, Lee Upton’s novel Tabitha, Get Up is funny—really, really funny. On top of that, narrator Tabitha’s clumsy, desperate, charming search for human connection—not to mention a paying gig—is also a serious look at whether it’s possible to bluff and hustle a life together. You’re going to love this book.”

David Ebenbach, author of The Guy We Didn’t Invite to the Orgy

Its protagonist, Tabitha, is a glorious piece of work: a biographer with a feverish mind and a long list of antagonists and an indomitable spirit and an unforgettable voice and major money problems. I wouldn’t want anyone to live her life, but I very much want everyone to read her book.

Brock Clarke, author of Who Are You, Calvin Bledsoe? and I, Grape

“There is no form of the novel—the novel takes forms. Lee Upton’s
comely new novel presents as a series of exquisite ‘Notes’—to self,
to random others, to you who finds them. Riding herd, Upton
wrangles a novel that writes itself and rights itself.”

Michael Martone, author of Plain Air: Sketches from Winesburg, Indiana

You can read Lee Upton’s story, “After the Party,” in Issue 17 of s[r].

Lee Upton is an author of books of poetry, fiction, and literary criticism. Another of her novels, a literary mystery, will be out in May 2025. Her books include her seventh collection of poetry, The Day Every Day Is (Saturnalia Books 2023), two short story collections, a novella, four books of literary criticism, and an essay collection. Her poetry has appeared in The New Yorker, Poetry, and Southern Review, as well as three editions of Best American Poetry. She is the recipient of the Pushcart Prize, the National Poetry Series Award, Poetry Society of America awards, the Miami University Novella Prize, the Open Book Award, the Saturnalia Book Prize, and other honors. You can keep up to date with Lee’s goings on on her website.

Intern Update: Carrie Grant

We are thrilled to highlight past intern, Carrie Grant, on her recent accomplishments. Carrie is currently an assistant professor at Towson University. Her areas of expertise are professional and technical communication, community engagement, and feminist digital literacies.

Dr. Grant’s research examines trust-building tactics in technical communication, emphasizing strategies for reaching disenfranchised audiences with good reason for skepticism. She particularly works with girls’ summer technology camps, which build girls’ confidence in their STEM abilities through technical instruction intertwined with mentorship. Dr. Grant teaches applied professional writing projects using community engagement pedagogy and works with Towson’s G.I.V.E. (Grantwriting In Valued Environments) program.

Carrie was recently interviewed by More than Memos for a video titled, How Do We Manage Community Engagement Without Screwing Over the Community? The discussion in this video surrounds equitable community engagement, making space and time to benefit the community you’re working with. If you’re interested in this conversation and want to learn more about Carrie’s work you can access the video on Youtube.

Carrie Grant was the blog editor for issue 5 and the content coordinator for issue 6. She says about her time with SR, “My experience with Superstition Review very much launched my interest in the kinds of practical, professional communication I teach now.”

Intern Update: Asonta Benetti

We are excited to celebrate past intern, Asonta Benetti, on her new travel review. Asonta has been working as a freelance travel writer since 2019 and has been featured in Words with Food & Wine, Bon Appétit, AFAR, VinePair, Business Insider, and more.

This new piece is all about Celebrity Silhouette, a high end ship Asonta describes as, “the perfect cruise for those looking for a big ship sailing with a higher caliber of dining, sans amusement park-style entertainment.” You can learn more about her experience aboard by reading the full review here.

Asonta was the nonfiction editor for both issue 2 and issue 3. Connect with Asonta on her LinkedIn profile to follow along with her journey.

Congratulations, Asonta! We are so proud of you!

Contributor Update: Katie Flynn

The warmest of wishes to Katie M. Flynn, a previous s[r] contributor, on the recent publication of her short story collection, Island Rule! The book was published with Scout Press, and is available for purchase now wherever books are sold.

We were delighted to her that an expanded version of the story “Bury the Bird,” which was published in Superstition Review Issue 17, appears in her collection as “Disaster Kids.”

In twelve interconnected stories, Katie M. Flynn weaves the myth and pathos of contemporary America, bringing her imaginative foresight to a world in which people, places, and even animals are not always what they seem. From the seismic wealth gaps of California to the potential jeopardy of a Minnesota mortuary-turned-playground, Island Rule is about the mysterious ways we’re connected without suspecting it, about growth following decay, and about how we are shaped by and shape the world we live in – a world where humans behave like animals, and animals make their presence known. Pygmy rabbits, whales, rats, and birds change the course of the lives of libidinous college students, self-righteous joggers, and fighting sisters.

Island Rule has already received glowing reviews:

“This short-story collection mixes the mundane and the bizarre with an authority stemming from its concrete sense of place . . . the overall effect is appealingly weird, as if the uncanny valley took literary form. A compelling exercise in worldbuilding and genre blending that toggles among the recent past, present, and near future.”

Kirkus Reviews

“A wonderfully eerie collection, Island Rule haunts and delights. Flynn’s writing is taut and teeming, making a world of bone mounds and monsters as alarmingly real as teenage angst and midlife crises . . .  Island Rule revels in exploring darkness at the edges of our world, and what happens when we invite it in.”

Erika Swyler, author of The Light from Other Stars

“Flynn has been compared to the likes of Jennifer Egan and Karen Russell, but her voice is unmistakably original.”

Nob Hill Gazette

Katie M. Flynn is a writer, editor, and educator based in San Francisco. Her short fiction has appeared in the San Francisco ChronicleTin House, and Tor.com, among other publications. She has been awarded Colorado Review’s Nelligan Prize for Short Fiction, a fellowship from the San Francisco Writers Grotto, and the Steinbeck Fellowship in Creative Writing. Katie holds an MFA from the University of San Francisco and an MA in Geography from UCLA. Her first novel, The Companions, was published in March 2020, and her interconnected collection of short stories, Island Rule, came out March 2024 with Scout Press/Gallery Books.  You can find out more about Katie at katiemflynn.com.

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Intern Update: Taylor Dilger

We are excited to highlight Taylor Dilger, past SR intern, on her recent accomplishments. Taylor was just featured as the alum of the week by the Columbia & Radcliffe Publishing Courses which is run by Columbia’s School of Journalism. Taylor participated in a small interview, where she talks about why passion is important:

Q: What was your favorite part of the course?
A: My favorite part was meeting and working with so many amazing people. Everyone was so interesting, smart, and wonderful to be around. I absolutely loved having conversations with CPC people while walking around Oxford.

Q: What was the most valuable thing you learned at the course?
A: To keep an open mind and learn from/talk to everyone. You never know what you’ll end up doing or who you’ll need to know. I also gained a deeper appreciation of books—where they come from, how they’re made, and the people who make them.

Q: Any advice for applicants?
A: Someone at the course said, “You’re all here because you’ve shown us you’re passionate about this industry.” Don’t worry if you don’t have a lot of publishing experience or knowledge, show why you want to be there, what you can contribute, or what your goals in publishing are.

You can see the full interview on the Columbia School of Journalism LinkedIn here.

Taylor completed the Columbia Publishing Course at Oxford about five months ago. She says about the process: “It was probably the best month of my life doing what I love with the most amazing people in the world whom I am now lucky enough to call friends. I am extremely grateful to all of the people who made this happen and I’m so excited to enter the world of publishing.”

Taylor is now working as an Editorial Assistant for Wiley. She was the Blog Editor for Superstition Review during Issue 29, the student Editor in Chief for Issue 30, and Advertising Coordinator for Issue 31. Connect with Taylor on her LinkedIn profile to follow along on her journey.

Congratulations, Taylor! We are so proud of you!

Contributor Update: Ute Behrend

Past Contributor Ute Behrend will be exhibiting her photographic work, “Flowers you gave to me,” with Beck & Eggeling International Fine Art from May 17th to July 13th 2024.

The exhibition, following the theme of “The bouquet of flowers, the ephemeral splendor,” is curated by artist Hartmut Neumann, who focuses on the bouquet of flowers—as an artistic installation that precedes photography—as a central theme.

In an ambivalent way, I make fun of the fact that women dream of men they are in love with standing outside the door with flowers, because they are also in love with THEM. The flowers are in the foreground. The men are out of focus. The bouquets are very select. 

With these pictures I am creating a collection of men “who are in love with me.” The bouquets are preserved through the photo. And with them, the memory of the moment of falling in love.

Ute Behrend

You can view her photographs, “Ballons,” “Horses Near the Lake,” and “Girl with Sheep” in Issue 17.

Ute Behrend is a German artist, publisher and visual editor. She is co-founder of BUMMBUMM BOOKS publishing and a member of the DGPH. She is also a member of the presidium of the German Photographic Academy (DFA). Behrend’s photographs and video installations have been exhibited internationally and are part of numerous public collections. She published her first book “Girls some Boys and Other Cookies” with Scalo Publishers in Zurich in 1996, and has since written 7 other books, including most recently “Cows and Cars.” Her work has received many awards, including the Julia Margaret Cameron Award, the German Photo Book Prize, and the Merck Prize. You can find out more about Ute Behrend on her website.