Today we have some exciting news from previous contributor Kelle Groom. Kelle’s new collection of poetry, Spill, is now available through her website here. The collection has already received some high praise on her website. Sophie Cabot Black says of the collection, “Kelle Groom’s newest book of poems tells it slant, as we are tipped into her world with a hand that seems both inconsolable and utterly aware.”
Explore the life of renowned Pulitzer Prize-winning American novelist Edith Wharton. Dr. Rivers-Norton will discuss excerpts from “Edith Wharton: When Words First Spoke,” the fourth chapter of her latest book The Demeter-Persephone Myth as Writing Ritual in the Lives of Literary Women. The talk will focus on the novelist Edith Wharton, who experiences loss, illness and confusion as a child and is mystified by the aloofness of her mother. Consequently, she feels insecure and inferior. Although destined to be a writer, Wharton is profoundly shaped by family discord and a war-torn world, and often courts humiliation and consequent exile by voicing what others in her family do not want to acknowledge. Despite these restrictions, Wharton continuously recasts painful experience as fodder for the imagination to forge a lasting literary career.
This free event will be on Thursday, June 8 from 6:00 PM to 8:00 PM. Located at Arizona Humanities 1242 N. Central Ave. Phoenix, AZ 85004. For more information and to RSVP click here.
Today we are featuring Lynn Mundell for our Authors Talk. Lynn speaks about how she came up with the idea for her short story, “Again.”
Lynn got the idea for the story from a photograph. The picture was black and white and had a young man with a golf club in one hand and a baby in the other hand. Lynn saw the baby and wanted to run with the idea of an old soul. Lynn talks much further about her creative process, and the literary magazine she helped to found, 100 Word Stories.
“Again” can be read here in Issue 17 of Superstition Review.
Congratulations to our past contributor, Charlotte Holmes. Charlotte just received the gold medal in short fiction from the The 2017 Independent Publisher Book Awards. The “IPPY” award is the world’s largest book award competition. Charlotte won for her recent collection, The Glass Labyrinth from BkMk press. You can find out more about the book here. Charlotte published a powerful nonfiction piece titled “Open House” in Superstition Review Issue 19, which you can access here. Congratulations once again to Charlotte for this prestigious award.
Today we are pleased to feature author Amie Whittemore as our Authors Talk series contributor. In her podcast, Amie uses Maxine Kumin’s essay, “Coming Across: Establishing the Intent of a Poem,” to describe the variable beginnings of poems. Specifically, Amie discusses her own poem, “Lunar Eclipse,” which was a “given poem…a gift, the poem that flows easily.”
However, Amie does not want the listener to think this means it was an easy poem. As she says, “There is no easy poem, there is no love at first sight. What there is, is invitation and readiness.” She emphasizes that poets should be “like a shovel…purposeful but often idle” because “the given poem won’t give itself to us if we are distracted, bottled up, not embracing our shovelness.”
You can access Amie’s poem, “Lunar Eclipse,” in Issue 18 of Superstition Review.
We have some exciting news from past contributor Sarah Carey. Sarah’s poem “Making Soda Focaccia the Day of the Muslim Ban” has been featured as the poem of the day on Rise Up Review. You can read the poem and find out more about Rise Up Review here.
Sarah published a poem titled “Exotic Taste” in issue 18 of Superstition Review. That can be read or listened to here.
We are pleased to announce the ninth collection of poetry by SR Contributor Cynthia Hogue, titled In June The Labyrinth. The new collection was released in mid-april from Red Hen Press. From the publisher’s page:
In June the Labyrinth is a book-length serial poem that is part pilgrimage, part elegy, in which the main character, Elle, embarks on a quest of sorts, investigating not only the “labyrinth” as myth and symbol, but the “labyrinth of the broken heart.”