Today we are excited to share that past contributor Kelle Groom has recently released her book Spill. The collection of poems has already received high praise from poet David Rivard, who says, “When I finished reading this urgent, restorative book, I wanted to turn to Kelle Groom — because it felt as if she were really there — and say, ‘Thank you for the honor of letting me stand inside this so-large heart while the world went on spinning in its unforgiving, totally forgivable way.'” Spill is available for purchase through Anhinga Press here.
Read four poems by Kelle Groom in Issue 5 of Superstition Review here.
Today we have some exciting news from previous contributor Kelle Groom. Kelle’s new collection of poetry, Spill, is now available through her website here. The collection has already received some high praise on her website. Sophie Cabot Black says of the collection, “Kelle Groom’s newest book of poems tells it slant, as we are tipped into her world with a hand that seems both inconsolable and utterly aware.”
The book will be available October 10th through Anhinga Press. You can check out her powerful nonfiction piece “Dear Baby” in issue 13 of Superstition Review here.
Hello SR readers,
The team at Superstition Review is happy to announce that issue 5 is now online.
| Art Our art editors Lauren Brown and Gary Blair gathered work from 6 artists, including Edna Dapo, Nicki Reed, and Daniel Elson (pictured left).Born in northern Illinois, Daniel Elson has made props and animatronics for spook houses and theme parks, co-starred on a reality television series about torture for the History Channel, and sold the rights to his likeness to Cartoon Network. Former clients include Disney, Playboy, The Tonight Show, Rockstar Energy Drink and “Screech” from Saved by the Bell. He now exhibits “fine art” internationally and works for his alma mater, Columbus College of Art and Design. His paintings and sculptures can be found in the private collections of people like Kevin Smith, Pete Wentz, and Ashlee Simpson.
Click here to view the art in Issue 5.
| Fiction Fiction editors Donald Weir and Ginna Rosi collected stories from 10 writers, including Sean Lovelace, Fletcher Cline, and Anthony Varallo (pictured left).Anthony Varallo’s short story collection, Out Loud, won the 2008 Drue Heinz Literature Prize (University of Pittsburgh Press). His first collection, This Day in History, won the 2005 John Simmons Short Fiction Award (University of Iowa Press). Varallo is the recipient of an NEA Fellowship in Literature, and his stories have appeared in Gettysburg Review, New England Review, Epoch, Shenandoah, Harvard Review, and elsewhere. He received his M.F.A. from the University of Iowa/Iowa Writers’ Workshop, and his PhD from the University of Missouri-Columbia. Currently he is assistant professor of English at the College of Charleston, where he is the fiction editor for Crazyhorse.
Click here to read the fiction in Issue 5.
| Interviews Our editors conducted interviews with seven authors, including Pam Houston, David St. John, and Nick Flynn (pictured left).Nick Flynn’s most recent book is The Ticking is the Bomb (Norton, 2010), a memoir of bewilderment and becoming a father, which Kirkus calls “. . . a stunningly beautiful cascade of images.” His previous memoir, Another Bullshit Night in Suck City (Norton, 2004), won the PEN/Martha Albrand Award, was shortlisted for France’s Prix Femina, and has been translated into thirteen languages. He is also the author of two books of poetry, Some Ether (Graywolf, 2000), and Blind Huber (Graywolf, 2002), and a play, Alice Invents a Little Game and Alice Always Wins (Faber, 2008), for which he received fellowships from, among other organizations, The Guggenheim Foundation and The Library of Congress. Some of the venues his poems, essays and non-fiction have appeared in include The New Yorker, the Paris Review, National Public Radio’s This American Life, and The New York Times Book Review. His film credits include artistic collaborator and “field poet” on the film Darwin’s Nightmare, which was nominated for an Academy Award for best feature documentary in 2006. Each spring he teaches at the University of Houston, and he then spends the rest of the year in Brooklyn (and elsewhere).
Click here to read the interviews in Issue 5.
| Nonfiction Nonfiction editors Britney Gulbrandsen and Kimberly Singleton gathered eight essays from authors such as Jerry Eckert, Susan Messer, and Marie Mockett (pictured left).
Marie was born in Carmel, California to a Japanese mother and American father. Her Japanese family owns a Zen Buddhist temple where she often played as a child, and which, among other things, performs exorcisms. In 2009, Marie attended the Bread Loaf Conference as a Bernard O’Keefe Scholar in Nonfiction. Marie’s essay “Letter from a Japanese Crematorium” was published in Agni 65, cited as distinguished in the 2008 Best American Essays, and anthologized in Creative Nonfiction 3, edited by Lee Gutkind. Marie’s debut novel, Picking Bones from Ash, was published by Graywolf Press on October 1st, 2009.
Click here to read the nonfiction in Issue 5.
| Poetry Poetry editors Haley Coles and Anthony Cuevas gathered poems from 17 poets, including Jesse Lee Kercheval, Marcia Golub, Simon Perchik, and Kelle Groom (pictured left).Kelle Groom’s poetry collections are Five Kingdoms (Anhinga Press, 2010), Luckily, winner of a Florida Book Award, and Underwater City (University Press of Florida, 2004). Her poetry has appeared in The New Yorker, Ploughshares, and Poetry and is forthcoming in Best American Poetry 2010. She has published nonfiction in Agni, Bloomsbury Review, Ploughshares, West Branch, and Witness, among others. Groom has been awarded fellowships and scholarships from Atlantic Center for the Arts, Millay Colony, Sewanee Writers’ Conference, and Virginia Center for the Creative Arts, and a grant award from the State of Florida, Division of Cultural Affairs.
Click here to read the poetry in Issue 5.
Many thanks to all of the student interns, faculty advisors, and supporters who made this possible. I hope you enjoy the magazine.
Patricia Colleen Murphy,