Kevin McLellan is the author of: Tributary (Barrow Street); the chapbook Round Trip(Seven Kitchens), a collaborative series with numerous women poets; and the book arts project [box] (Letter [r] Press). The chapbook Shoes on a wire (Split Oak Press) is forthcoming. McLellan won the 2015 Third Coast Poetry Prize, and his poems have appeared in journals including: American Letters & Commentary, Colorado Review, Crazyhorse, Kenyon Review, Superstition Review, West Branch, Western Humanities Review, Witness, and several others. Kevin lives in Cambridge MA.
Queen’s Ferry Press announces the final book of 2016, Anthony Varallo’s collection Everyone Was There.
Plano, TX—March 18, 2015 Queen’s Ferry Press, an independent publisher providing a venue for fine literary fiction, announced it will publish Anthony Varallo’s collection, Everyone Was There.
“I’ve always admired Queen’s Ferry Press for publishing fiction that is innovative and challenging, yet still has emotional impact, resonance, and a beating heart,” said Varallo. “I hope Everyone Was There fits into that camp, and I feel very lucky to work with such an outstanding press.”
Everyone Was There will release in December, 2016.
About the Author:
Anthony Varallo is the author of This Day in History, winner of the John Simmons Short Fiction Award; Out Loud, winner of the Drue Heinz Literature Prize; and Think of Me and I’ll Know(TriQuarterly Books/Northwestern University Press). His stories have appeared in American Short Fiction, Gettysburg Review, Epoch, New England Review, Harvard Review, and elsewhere. He earned his MFA from the Iowa Writers’ Workshop, and he has received an NEA Fellowship in Literature. Currently he is an associate professor of English at the College of Charleston, where he is the fiction editor of Crazyhorse.
Founded in 2011 as an independent publisher, Queen’s Ferry Press specializes in literary fiction. The press currently releases 6–12 titles a year, many from debut authors, and is the publisher ofShadows of Men, the 2013 recipient of the TIL Steven Turner Award for Best Work of First Fiction. For book updates please contact Kevin Wehmueller, Marketing & Publicity of Queen’s Ferry Press, or visit www.queensferrypress.com.
FOR IMMEDIATE RELEASE
Media Contact: Kevin Wehmueller, Marketing & Publicity
Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by John Vanderslice.
John Vanderslice teaches writing at the University of Central Arkansas, where he also serves as associate editor of Toad Suck Review. His short fiction has appeared in dozens of literary journals, including Versal, New Writing, The Pinch, Crazyhorse, Southern Humanities Review, and Exquisite Corpse. His linked story collection Island Fog, which features both historical and contemporary fiction set on Nantucket Island, Massachusetts, was published in 2014 by Lavender Ink Press in New Orleans.You can listen to the podcast on our iTunes Channel.
You can read along with the work in Superstition Review.
Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by Deborah Bogen.
Deborah Bogen is the author of three prize-winning works: Living by the Children’s Cemetery (2000 Byline Press), Landscape With Silos (2006 Texas Review Press) and the forthcoming Let Me Open You a Swan (April 2010, Elixir Press). Her poetry and reviews appear widely in journals like Crazyhorse, The Iowa Review, New Letters, The Georgia Review, Shenandoah, The Gettysburg Review and others. For the past 10 years she’s conducted free writing workshops in her Pittsburgh living room.
Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature this podcast by John M. Anderson.
John M. Anderson teaches at Boston College. Featured in both Poetry Daily and Verse Daily, he has new poems in Poetry Northwest, Spillway, Tuesday: An Art Project, and Crazyhorse–plus a canyonland chapbook, Dictionary Quilt (Pudding House, 2007). His manuscript Alamos: A Chain Reaction is a ghost story in verse about J. Robert Oppenheimer and the landscape of the American Southwest.
You can read along with his poems in Issue 9 of Superstition Review.
Crazyhorse is opening its doors to writers and literary magazine enthusiasts alike for their Crazyhorse Writing Conference.
The conference will take place March 15-18 on the College of Charleston campus, located in the heart of South Carolina. It will feature artists, speakers, faculty members, and writers from all walks of life. Don’t miss this great opportunity to meet fellow writers and explore an internationally renowned literary publication.
Crazyhorse is accepting fiction and poetry entries for The Crazyhorse Fiction Prize and the Lynda Hull Memorial Poetry Prize. A winner from each category will be eligible for a $2000 prize and publication in the Fall 2012 issue of Crazyhorse. Submissions can be uploaded online or mailed in with a $16 reading fee, which includes a one year subscription to Crazyhorse. Entries must be a maximum of 25 pages in length (for fiction) or three poems up to 10 pages in length (for poetry). Multiple submissions may be entered, but hurry. This contest is only open until January 15. You can find the terms and conditions, along with more information at Crazyhorse.
Also check out their upcoming Crazyhorse Writers Conference at the College of Charleston in Charleston, South Carolina March 15-18, 2012. Faculty members, literary artists, and readers will come together to discuss and present literature and celebrated pieces throughout the weekend. This is a wonderful opportunity for writers, readers, and literature aficionados alike.
Superstition Review Issue 7 has launched and to celebrate we will be featuring blog posts about our artists and authors. Today we will be highlighting a few of the talented poets who are featured in Issue 7.
Angela S. Gentry is the two-time recipient of the Devine Summer Fellowship in Poetry from Bowling Green State University. Her first chapbook, Stirrings of Movement, was released in 2010 from Finishing Line Press. She received her BA in Christian Education from Cedarville University and her MFA in Poetry from BGSU. In her spare time, she would like to build a tree house, in addition to writing, but finds herself inordinately occupied with evaluating student papers. She currently resides in Michigan. Read her poem “My Barber” featured in issue 7. Angela Gentry’s Website
Marge Piercy is the author of 18 collections of poetry, most recently The Crooked Inheritance and this spring, her second volume of new and selected poems 1980-2010 The Hunger Moon, out from Knopf. She has published 17 novels, most recently Sex Wars. Two of her early novels, Dance The Eagle To Sleep and Vida, are being republished with new introductions by PM Press this fall. Her work has been translated into 19 languages. Her memoir Sleeping With Cats is available from Harper Perennial. Read her four poems featured in issue 7. Marge Piercy’s Website
Matthew Gavin Frank is the author of Barolo (The University of Nebraska Press), Pot Farm (forthcoming from the University of Nebraska Press), Warranty in Zulu (Barrow Street Press), The Morrow Plots (forthcoming from Black Lawrence Press/Dzanc Books), Sagittarius Agitprop (Black Lawrence Press/Dzanc Books), and the chapbooks Four Hours to Mpumalanga (Pudding House Publications), and Aardvark (West Town Press). Recent work appears in The New Republic, The Huffington Post, Field, Epoch, AGNI, Crazyhorse, Indiana Review, North American Review, Pleiades, Crab Orchard Review, The Best Food Writing, The Best Travel Writing, Creative Nonfiction, Prairie Schooner, Hotel Amerika, Gastronomica, and others. He was born and raised in Illinois and teaches at Northern Michigan University. Read his poem “The Sticking-Place, Stripped Screws” in issue 7. Matthew Gavin Frank’s Website
Patricia Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. Author of three volumes of poetry, Patricia’s newest book is She Walks into the Sea; she has also published a chapbook, Given the Trees. Patricia’s work has been featured on Poetry Daily and Verse Daily; she has won Mississippi Review’s Poetry Prize; and been honored as the 2nd prize winner in the 2005 Pablo Neruda/Nimrod International Journal Poetry competition. Her poems have appeared in The Atlantic Monthly, Poetry, Slate, Stand, The Gettysburg Review, and many other literary magazines. Read her poem “Until it Speaks” in issue 7. Patricia Clark’s Website
Tanaya Winder is from the Southern Ute and Duckwater Shoshone Nations. She graduated from Stanford University in 2008 with a BA in English. Tanaya was a finalist in the 2009 Joy Harjo Poetry Competition and a winner of the A Room Of Her Own Foundation’s Spring 2010 Orlando prize in poetry. Her work appears in Cutthroat magazine, Yellow Medicine Review, Adobe Walls, Barrier Islands Review, and Lingerpost. She is the co-editor of a forthcoming collection Soul Talk, Song Language: Conversations with Joy Harjo. She is currently pursuing a MFA in Poetry at the University of New Mexico. Read her two poems published in issue 7.
The full magazine with featured art and artists from issue 7 can be found here.
The team at Superstition Review is happy to announce that issue 5 is now online.
ArtOur art editors Lauren Brown and Gary Blair gathered work from 6 artists, including Edna Dapo, Nicki Reed, and Daniel Elson (pictured left).Born in northern Illinois, Daniel Elson has made props and animatronics for spook houses and theme parks, co-starred on a reality television series about torture for the History Channel, and sold the rights to his likeness to Cartoon Network. Former clients include Disney, Playboy, The Tonight Show, Rockstar Energy Drink and “Screech” from Saved by the Bell. He now exhibits “fine art” internationally and works for his alma mater, Columbus College of Art and Design. His paintings and sculptures can be found in the private collections of people like Kevin Smith, Pete Wentz, and Ashlee Simpson.
FictionFiction editors Donald Weir and Ginna Rosi collected stories from 10 writers, including Sean Lovelace, Fletcher Cline, and Anthony Varallo (pictured left).Anthony Varallo’s short story collection, Out Loud, won the 2008 Drue Heinz Literature Prize (University of Pittsburgh Press). His first collection, This Day in History, won the 2005 John Simmons Short Fiction Award (University of Iowa Press). Varallo is the recipient of an NEA Fellowship in Literature, and his stories have appeared in Gettysburg Review,New England Review, Epoch, Shenandoah, Harvard Review, and elsewhere. He received his M.F.A. from the University of Iowa/Iowa Writers’ Workshop, and his PhD from the University of Missouri-Columbia. Currently he is assistant professor of English at the College of Charleston, where he is the fiction editor for Crazyhorse.
InterviewsOur editors conducted interviews with seven authors, including Pam Houston, David St. John, and Nick Flynn (pictured left).Nick Flynn’s most recent book is The Ticking is the Bomb (Norton, 2010), a memoir of bewilderment and becoming a father, which Kirkus calls “. . . a stunningly beautiful cascade of images.” His previous memoir, Another Bullshit Night in Suck City (Norton, 2004), won the PEN/Martha Albrand Award, was shortlisted for France’s Prix Femina, and has been translated into thirteen languages. He is also the author of two books of poetry, Some Ether (Graywolf, 2000), and Blind Huber (Graywolf, 2002), and a play, Alice Invents a Little Game and Alice Always Wins (Faber, 2008), for which he received fellowships from, among other organizations, The Guggenheim Foundation and The Library of Congress. Some of the venues his poems, essays and non-fiction have appeared in include The New Yorker, the Paris Review, National Public Radio’s This American Life, and The New York Times Book Review. His film credits include artistic collaborator and “field poet” on the film Darwin’s Nightmare, which was nominated for an Academy Award for best feature documentary in 2006. Each spring he teaches at the University of Houston, and he then spends the rest of the year in Brooklyn (and elsewhere).
NonfictionNonfiction editors Britney Gulbrandsen and Kimberly Singleton gathered eight essays from authors such as Jerry Eckert, Susan Messer, and Marie Mockett (pictured left).
Marie was born in Carmel, California to a Japanese mother and American father. Her Japanese family owns a Zen Buddhist temple where she often played as a child, and which, among other things, performs exorcisms. In 2009, Marie attended the Bread Loaf Conference as a Bernard O’Keefe Scholar in Nonfiction. Marie’s essay “Letter from a Japanese Crematorium” was published in Agni 65, cited as distinguished in the 2008 Best American Essays, and anthologized in Creative Nonfiction 3, edited by Lee Gutkind. Marie’s debut novel, Picking Bones from Ash, was published by Graywolf Press on October 1st, 2009.
PoetryPoetry editors Haley Coles and Anthony Cuevas gathered poems from 17 poets, including Jesse Lee Kercheval, Marcia Golub, Simon Perchik, and Kelle Groom (pictured left).Kelle Groom’s poetry collections are Five Kingdoms (Anhinga Press, 2010), Luckily, winner of a Florida Book Award, and Underwater City (University Press of Florida, 2004). Her poetry has appeared in The New Yorker, Ploughshares, and Poetry and is forthcoming in Best American Poetry 2010. She has published nonfiction in Agni, Bloomsbury Review,Ploughshares, West Branch, and Witness, among others. Groom has been awarded fellowships and scholarships from Atlantic Center for the Arts, Millay Colony, Sewanee Writers’ Conference, and Virginia Center for the Creative Arts, and a grant award from the State of Florida, Division of Cultural Affairs.
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