Contributor Update: Timothy Reilly

We are excited to celebrate Timothy Reilly’s recent publication of his fiction chapbook, Short Story Quartet.

“If I find in myself desires which nothing in this world can satisfy, the only logical explanation is that I was made for another world.” — C.S Lewis

As the title suggests, this fiction chapbook (published by Bottlecap Press) contains just four stories. The tone is set by a flash fiction titled “Tom Corbett and the Cadets of the Academy.” The flash is something of a “junior” quest story: via a 1950s TV space adventure show, and a box top from Kraft caramels. The stories in this miniature collection are certainly diverse, but they are all stories of longing —with skirmishes and hints of reconciliation between physics and metaphysics. The collection ends with a story blending youth and old age: with an unapologetic nod to The Wizard of Oz.

This book has been well received, hailed “A beautifully nostalgic collection” by Fictive Dream literary magazine.

Timothy Reilly has contributed stories to Superstition Review in both Issues 16 and 19. He also wrote two guest posts for s[r]: “Mozartean,” (November 21, 2020) and “How a Former Tuba Player Becomes a Writer of Short Stories” (October 18, 2018).

You can purchase Short Story Quartet from Bottlecap Press here.

Timothy Reilly had been a professional tubist (including a stint with the Teatro Regio of Turin, Italy) until around 1980, when a condition called “Embouchure Dystonia” ended his music career. He gratefully retired from substitute teaching in 2014. Three-times nominated for a Pushcart Prize, he has published in Zone 3, The Main Street Rag, Fictive Dream, Superstition Review, and many other journals. His chapbook, Short Story Quartet, is published by Bottlecap Press Features. He lives in Southern California with his wife, Jo-Anne Cappeluti: a poet and scholar.

Contributor Update: Christopher Burawa

Contributor Update: Christopher Burawa

Congratulations to past contributor Christopher Burawa who recently published Where I Came Here From.

Where I Came Here From is a collection of Zen Buddhist inspired poems that occasionally wander a path to the north-to Iceland, Christopher Burawa’s birthplace. The Iceland poems reflect, as Cynthia Hogue suggests, an “Icelandic Zen,” of the Self examining itself, unearthing what remains of his connections to the past and the trauma of separation, of being caught in the illusion of the fixated, isolated self. In these poems he follows the schematics of the skandhas and dependent origination, tracing the activity of mind and as the reborn self that arises from its dwelling.

The book has received significant praise:


Very few books of poetry move me the way Christopher Burawa’s Where I Came Here From has with its celebration of the imagination. The poems are like trapdoors, giving way to a world where you are both lost and found. Here, you find your way—through wit and earnestness, the playful and the profound—until “the cosmos breaks / open to let you through.”

–Blas Falconer

The perceptions inside Christopher Burawa’s collection invite you to track and take-in, live and breathe within some profound and defamiliarized spaces. These poems exist on a continuous and steep terrain, there to observe the rock’s jagged path, as well as the traveler’s clear-eyed navigation of an obscure map—and so these poems comfort you amidst all that’s unknowable; they ask you to gaze headlong while your hands pass uncut through a cold window, because, despite what you’ve understood before holding this book, “really, a river is a door, / until it opens.”

–Melissa Cundieff

“With deepest humility, a profound commitment to love, and reverence for truth, a book like Where I Came Here From appears. This does not happen frequently, this peeking into the ordinary with a view to what is there, not really there, but there in the sense of where we live. Burawa takes us beyond the illusion of thought and the firm conviction that some things hurt beyond what we think we can bear, and other things give us immeasurable joy, or hopefulness. We all should know what it takes to write a book of poems like this one. This is Zen.”

–Afaa Michael Weaver

Read more about Christopher’s book on the Finishing Line Press website.

Christopher Burawa is a poet, translator, high school language arts teacher, and ordained Rinzai Zen Buddhist monk. He received an MFA in poetry from Arizona State University. He has received numerous awards for his work, including an NEA Translation Fellowship, Joy Harjo Poetry Prize, an American-Scandinavian Foundation Creative Writing Research Fellowship, Witter Bynner Poetry Translator Residency, among others. He lives with his wife and daughter in Red Wing, Minnesota.

View Christopher Burawa’s’ poems in issue 10 and issue 23 of Superstition Review

Meet the Interns Continued, Pt. 4

This semester, Superstition Review is highlighting the Editors producing Issue 32. On Dec. 1st, readers will be able to view content that these interns have worked to compile over the course of the semester.


Meet John-John O’Connor, issue 32 art editor


SR: What are your plans for after graduation?
JO:
After graduation I am looking to apply to law school.

SR: What are you currently reading?
JO:
The Stand by Stephen King.

SR: What is one place you’d like to travel to?
JO: Oaxaca, Mexico


Meet Jonathan Gillespie, issue 32 advertising coordinator


SR: What are your plans for after graduation?
JG:
To either enter education or business administration.

SR: What are you currently reading?
JG:
Blood Meridian.

SR: What is one place you’d like to travel to?
JG: The Netherlands.



Meet Hope Kan, issue 32 social media manager

SR: What are your plans for after graduation?
HK: I plan to go into publishing and editing and pursue a Masters program.

SR: What are you currently reading?
HK:
I am currently reading The Great Shark Hunt by Hunter S Thompson

SR: Describe your perfect Saturday morning.
HK: Go on a hike, have a yummy breakfast, and enjoy a productive couple hours before seeing friends!


Be sure to read Issue 32 of Superstition Review launching December 1.

Meet the Interns Continued, Pt. 3

This semester, Superstition Review is highlighting the Editors producing Issue 32. On Dec. 1st, readers will be able to view content that these interns have worked to compile over the course of the semester.



Meet Zoe Soderquist, issue 32 blog editor

SR: What are your plans for after graduation?
ZS:
I plan on getting my Master’s in Technical Communication at the Polytechnic campus and becoming a technical writer (hopefully at a software company!)

SR: What are some of your hobbies?
ZS:
I love gaming, embroidery, watching movies, working out, biking, and watching YouTube.

SR: What is your favorite midnight snack?
ZS: Anything sweet! I have a massive sweet tooth. Probably a drumstick (the vanilla fudge kind with peanuts) or some popcorn (properly buttered and salted movie theater style).


Meet Carolyn Combs, issue 32 interview editor


SR: What are you currently reading?
CC:
I’m reading Oathbringer by Brandon Sanderson which is part of a longer fantasy series. I’m also reading Therapon by Dan Beachy-Quick and Bruce Bond!

SR: What is one place you’d like to travel to?
CC:
I really want to travel to Spain, specifically Castilla, I’ve always been fascinated with Don Quijote so I’d love to visit some of the sites from Cervantes’s tales.


Meet Alyssa Samson, issue 32/31 content coordinator


SR: What are your plans for after graduation?
AS:
After graduation, I plan to pursue my passion for the English Literature field through editing, content writing and public relations. Eventually, I plan to return to university to complete my Master’s in English Literature in hopes of becoming an undergraduate professor.

SR: What is your hidden talent?
AS:
I have spent many years working in different fields with animals and it is a huge passion of mine. Being able to understand animals and their embodied communication is very important to me. I am very grateful for all of the experiences I have been able to accumulate with animals over the years.

SR: What are some of your hobbies?
AS: I have so many ways I enjoy spending my time. My hobbies include listening to music, working out, sewing old clothes to give them a new life, going on walks with my dog, and binge watching many different TV shows.


Meet Rich Duhamell, issue 32 student editor-in-chief, issue 31/30 interview editor


SR: What are your plans for after graduation?
RD:
Master’s degree in Library Sciences at UA

SR: What are you currently reading?
RD:
Burning Down the House by Charles Baxter

SR: What is your hidden talent?
RD: I cross stitch in 25pt, meaning 25 stitches per inch and 625 stitches per square inch. Miniscule and very detailed, a nightmare to do with stiletto nails, yet I get by and still enjoy it


Be sure to read Issue 32 of Superstition Review launching December 1.

Issue 32 Launch Party

Issue 32 Launch Party

The Launch Party for Issue 32 will be held over Zoom on December 1st, from 11:00 am – 12:00 pm MST. It is free and open to the public.

The party will include statements by the editors, and a roundtable discussion on collaborative writing with Issue 32 contributors Bruce Bond, Dan Beachy-Quick, Kim Magowen, and Michelle Ross.

We hope to celebrate with you!

Bruce Bio 2

Dan Bio
KimBio
Michelle Bio

Register now for our online launch party for Issue 32.

Meet the Interns, Continued Pt. 2

This semester, Superstition Review is highlighting the Editors producing Issue 32. On Dec. 1st, readers will be able to view content that these interns have worked to compile over the course of the semester.


Meet Daniel Gernant, issue 32 poetry editor


SR: What are your plans for after graduation?
DG:
I plan on finding a career in editing young adult novels.

SR: Describe your perfect Saturday morning
DG:
My perfect Saturday morning would be to sleep in as long as I need, make lunch/breakfast, and play video games with my friends.

SR: What is one place you’d like to travel to?

DG: I’d love to visit Greece and Italy to see the architecture.


Meet Charlise Bar-Shai, issue 32 art editor


SR: What are your plans for after graduation?
CB:
I’m undecided about what field of journalism I will enter after college, but right now I’m leaning on becoming an investigative journalist for NPR. I also plan to move to California (if I can afford it).

SR: What are some of your hobbies?
CB:
I’m a visual artist. I’ve been drawing seriously and consistently since 7th grade, and I often post my finished pieces to my Instagram. I’m also a huge music lover, so I collect records (I have about 60). I also love to write short stories, play video games and make crafts. Recently, I’ve also been learning to sew and knit. Basically, I love doing anything creative.


Meet Eden Smith, issue 32 fiction editor


SR: What are your plans for after graduation?
ES:
I hope to promote beautiful writers and their work through a career in publishing.

SR: What are you currently reading?
ES:
I have been chewing at “The Count of Monte Cristo” since mid-June.

SR: What are some of your hobbies?
ES: Hiking in the Superstition Mountains, reading, coffee tasting.


Meet Emma Raimondo, issue 32 social media manager


SR: What are your plans for after graduation?
ER:
Write and work!

SR: What are you currently reading?
ER:
I’m currently reading Real Estate by Deborah Levy.

SR: What is your hidden talent?
ER: I’m great at placing famous doppelgängers.


Be sure to read Issue 32 of Superstition Review launching December 1.

John Reed’s The Never End

John Reed’s The Never End

John Reed has recently published The Never End: The Other Orwell, the Cold War, the CIA, and the Origin of Animal Farm.

In The Never End, John Reed collects two decades of subject-Orwell findings previously published in PANK, Guernica, Literary Hub, The Brooklyn Rail, The Rumpus, The New York Press, The Believer, Harper’s Magazine, and The Paris Review. Reed views Orwell in a twenty-first century global context, considering Orwell’s collaboration with Cold War intelligence operations in the U.S. and UK with unfaltering objectivity and a corrective and peerlessly contemporary lens. The Never End is at once a hatchet job and a celebration. It’s hard to imagine that Orwell—in our own moment of global doublethink—wouldn’t have wanted his devotion to contrariety applied to the literary legacy he left behind. 

Reed’s perspective on Orwell has already garnered extensive praise from The New York Times, Publishers Weekly, Guernica, and Popmatters.

“John Reed challenges us deeply with his elegant September 11 updating of Orwell’s Animal Farm.” —Richard Falk, professor at Princeton University.

“Some books double as a matchstick: if struck in the right conditions, they can cause a wildfire.” —The Rumpus

“Reed skewers our early twenty-first century (edgy, tragic, absurd) with a marvelously precise wit.” —Locus Magazine

“John Reed has been writing hard-to-classify books for over a decade, to great acclaim and sometimes greater notoriety.” —Bomb Magazine

John grew up in the shadow of the Towers, born to prominent downtown artists Judy Rifka and David Reed. John is an American novelist who wrote “A Still Small Voice,” “Snowball’s Chance” with a preface by Alexander Cockburn, “All the World’s a Grave: A New Play by William Shakespeare,” “The Whole,” “Tales of Woe,” “Free Boat: Collected Lies and Love Poems,” “A Drama In Time: The New School Century,” and “The Family Dolls: A Manson Paper + Play Book.” He holds an MFA in Creative Writing from Columbia University. His work has been widely published in journals including ElectricLit, the Brooklyn Rail, Tin HousePaper Magazine, Artforum, Hyperallergic, Bomb MagazineArt in America, the Los Angeles Times, the Believer, the RumpusObserver, the PEN Poetry Series, the Daily Beast, Gawker, Slate, the Paris Review, the Times Literary Supplement, the Wall Street Journal, ViceThe New York TimesHarpers, and Rolling Stone, and anthologized in Best American Essays (Houghton Mifflin). HIs works have been translated and performed worldwide, and his films have been distinguished at festivals internationally. A two-term board member of the National Book Critics Circle, he is currently Associate Professor and Director in the MFA in Creative Writing at The New School.

Order a copy of “The Never End” here.

Contributor Update: Vanessa Lopez Aziz

Contributor Update: Vanessa Lopez Aziz

Congratulations to past contributor Vanessa Lopez Aziz who recently published Play it Back.

In her debut novel, Aziz tells the story of a 27-year-old Asian-American woman, Carmen, who reels she has a perfect life. She has a hard-won life and independent lifestyle with a rewarding job, a loving boyfriend, and great friends. She grew up from a socially awkward teenager with immigrant parents and no college acceptances to the person she is today. She has no reason to want to relive her teen years, but that’s exactly what happens when she reluctantly attends her high school reunion and finds herself transported ten years in the past to relive her senior year. Knowing how her life turns out, she figures while she’s in 1999, she might as well enjoy it. She joins drama club, goes to parties, and flirts with the boy who will become her future fiancé. It’s not all fun and games, though, as she realizes her best friends chafe under the changes and her parents’ marriage implodes. As she struggles to navigate her past life, Carmen must confront the question of why she was sent here in the first place – a question that may lead her to the realization that the life she thought had turned out so perfectly may not be everything she dreamed of after all.

The book has received significant praise:

Play it Back thrives on a simple, but compelling premise – What would happen if you woke up in the body of your younger self? What does it mean? What would you do differently? The novel is an intriguing read from page one, establishing Vanessa Lopez Aziz as an engaging literary voice who deftly blends adult sensibilities with an anxious environment of adolescent uncertainty – and the pressure to navigate (or renavigate) the final year of high school with the promise of college on the horizon. Along the way, Aziz explores the complexities of everyday life – family and friendship, love and loyalty – while seamlessly weaving elements of her own Filipino heritage into a narrative that never strays from its relatable tone. The nostalgic references are a welcome touch for those who remember using printed MapQuest directions instead of GPS systems to drive our teenage friends around to weekend parties.” – Rob Kachelriess, Trivago Magazine

View more of Vanessa’s creative work on her website. Purchase Play it Back here.

Vanessa Lopez Aziz spent the first decade of her adulthood adventuring. She has lived along California’s coast, Nevada, the Alaskan frontier, England, and Eastern Europe. She’s jumped off mountains, excavated ancient archaeological sites, and lived out of a backpack for years at a time. These days, she is more often found writing than living adventures. She is a first-generation half-Filipino and half-Pakistani. She felt a lack of media representation growing up and now writes stories she has always wished to see more of, populated with quirky protagonists finding their way when traditional labels don’t fit. When she’s not writing, she works as a nurse in child psychiatry.

View Vanessa Lopez Aziz’ “Three Parables” in issue 31 of Superstition Review

Literary Happenings at ASU this November

Literary Happenings at ASU this November

The Department of English at Arizona State University is putting on a series of informative and educational events this October. Take a look at some of the happenings on campus:


Shakespeare at 400—’Making Shakespeare: The First Folio’ | November 8th

Arizona State University presents a screening of excerpts from the brand new PBS “Great Performances” documentary: “Making Shakespeare: The First Folio.” Shakespeare scholars Ayanna Thompson, Eric Rasmussen and Sir Jonathan Bate– all of whom appear as experts in the film – provide insights and information. ASU Scholar Ruben Espinosa moderates and provides additional insight.

Shakespeare at 400: From Fiction to Fact is an ASU celebration of the 400th anniversary of Shakespeare’s First Folio, the first published collection of 36 of Shakespeare’s plays. The celebration is led by staff and scholars in the Department of English and is informed by the university’s enormous strength in Early Modern studies. The fall 2023 celebration includes several events: a performance, a documentary screening, and a curated book display at ASU library.

The event is in-person is free and open to the public and will also be livestreamed. The in-person event will be held at the Downtown Phoenix campus at 555 N. Central Ave., Phoenix, AZ, 85004. Parking is available for a $12 fee for three hours at the University Center Garage.

Register to attend.


Virginia G. Piper Center for Creative Writing: Distinguished Visiting Writers Series (DNRS) | November 9th

The Virginia G. Piper Center for Creative Writing holds a series of free events open to the public to ensure all individuals have the ability to participate in the literary arts. Visiting authors host small workshops in partnership with the Piper Writers Studio, engage in intimate craft talks with students, visit ASU classes, and participate in other meaningful activities.

This month, the Piper Center welcomes Douglas Kearney and Octavio Quintanilla. The in-person event is a festival of words and pictures discussing prominent questions such as: How can poetic forms be reimagined and remade? What kind of poetry speaks most to us here and now?

About the authors:

Douglas Kearney

Douglas Kearney is the author of eight books, including the poetry collections Optic Subwoof (Wave Books, 2022); Sho (Wave Books, 2021), a 2022 PEN/Voelcker Award, National Book Award, and Minnesota Book Award finalist; and Buck Studies (Fence Books, 2016), a Roethke Memorial Poetry Prize winner, a Community of Literary Magazines and Presses (CLMP) Firecracker awardee, and California Book Award silver medalist. Kearney is also the author of Someone Took They Tongues (Subito Press, 2016), and Mess and Mess and (Noemi Press, 2015), which Publisher’s Weekly called “an extraordinary book.” He teaches at the University of Minnesota.

Octavio Quintanilla

Octavio Quintanilla is the author of the poetry collection, If I Go Missing (Slough Press, 2014). His poetry, fiction, translations, and photography have appeared in Salamander, RHINO, Alaska Quarterly Review, Pilgrimage, Green Mountains Review, Southwestern American Literature, The Texas Observer, Existere: A Journal of Art & Literature, and elsewhere. Reviews of his work can be found at CutBank Literary Journal, Concho River Review, San Antonio Express-News, American Microreviews & Interviews, Southwestern American Literature, Pleiades, and others. He holds a Ph.D. from the University of North Texas and is the regional editor for Texas Books in Review. He teaches Literature and Creative Writing in the M.A./M.F.A. program at Our Lady of the Lake University in San Antonio, Texas.

Hear from these talented writers on Thursday, November 9, 2023 at 7 p.m. in 101 Armstrong Hall. RSVP to save your spot for this exciting literary event. Learn more.


AZCALL 2023 | November 11th

AZCALL is an annual conference that brings together computer-assisted language learning (CALL) enthusiasts from around the state and region to share ideas, network and receive valuable feedback on scholarly research, academic papers and major conference presentations which are in progress or preparation. This year’s AZCALL theme is the effect of Artificial Intelligence in language learning and pedagogy. Featured speakers are Randall W. Sadler from the University of Illinois Urbana-Champaign and Jesse Egbert from Northern Arizona University.

Register to attend.


ASU Book Group: ‘Solving Modern Problems with a Stone-Age Brain’ | November 16th

The ASU Book Group’s November 2023 reading selection is Solving Modern Problems with a Stone-Age Brain: Human Evolution and the Seven Fundamental Motives by Douglas Kenrick and David Lundberg-Kenrick. In-person attendees are invited to join the author for lunch after at the University Club. Feel free to join even if you haven’t read the book! The book group is open to all in the ASU community and meets monthly from noon-1 p.m. either in-person at the Piper Writers House or virtually on Zoom.

The focus of the book is “how many of the problems we face in our daily lives stem from the fact that our brains evolved to deal with problems our ancestors faced but that are no longer major factors in our lives,” says Kenrick. “Self-driving cars, homes with air conditioning and plush mattresses, and supermarkets stocked with fresh fruit, pre-made meals and some chocolate ice cream for dessert. The hunter-gatherers would probably be shocked to learn that people living amid all of these luxuries are often miserably depressed, anxious and lonely.”

Register if you would like to attend virtually on Zoom.


Stellar Alumni Reading Series | November 15-16, 2023

On November 15th, the event will take place after the MFA Talk. Time and Location TBD.

On November 16, the Stellar Alumni Reading will feature Aimee Baker & Leah Myers at 7:00 p.m. Location TBD.


MFA Student Reading Series | November 17th

Presented by ASU’s Creative Writing Program, the event brings notable alumni authors to the ASU community for readings and discussions about their writing and literary works.

The event will take place at the Ellis-Shackelford House, 1242 N. Central Ave. Phoenix, AZ 85004 from 5:30-7:00 p.m