I’m a big fan of constrained writing—the trickier, the better—because it forces me to confront certain limitations and learn to either deal with or break through them. There’s pleasure in that, I think, that goes beyond self-congratulation. Sure, I’ll do a fist pump, but once I get past the initial satisfaction, a question arises: is what I’ve written any good? That’s when the fun begins.
There’s a saying in the NaNoWriMo community: Don’t treat your November novel like a book. Completing a novel is an achievement in and of itself, and the time constraint makes it doubly so. Still, one should not expect the product of a single month’s worth of steady writing to be ready for publication. Said manuscript is, at best, a first draft. The real work starts on December 1st.
I’ve never done NaNoWriMo, but in 2005, I entered the International 3-Day Novel Contest. Here’s a brief summary of how it works: participants write a novel over Labor Day weekend and submit it to the judges, who then select a winner to publish. Think of it as NaNoWriMo on amphetamines.
Why did I do this? There were practical motivations; I was working on a book that was going nowhere and thought a new project composed under pressure might shove me out of my rut. You’ve probably already guessed the major reason why, though. I did it to see if I could. And I did. The end result was more like a novelette than a novel, but I was proud of myself and felt like I had written a winner.
I didn’t. The note that the judges sent months later was very kind, but I wasn’t even a finalist.
By the time I received that note, however, I’d reread what I’d written and recalled this tidbit from the contest’s FAQ: “No writer of sound mind wants an unedited piece of work to go to print and haunt him or her for all time.” They’re right, just like those NaNoWriMo advice-givers are. No matter what, I would have had to revise. The manuscript had good moments, but as a whole, it was a hot mess.
So, I let others read it and collected feedback. I spent months rewriting chapters, fleshing out characters, and adding details. Even with all that work, though, it still wasn’t done. A little over a year later, I abandoned the project. Once in a while, I’d reopen the file and make changes, but for the most part, it just languished on my hard drive.
Strictly speaking, time-based writing projects like the 3-Day Novel Contest, NaNoWriMo, NaPoWriMo, and the now-defunct Script Frenzy, are not constrained writing. There are no requirements for or limitations on content, form, or style. Most writers know, however, that time is itself a constraint because so many things compete for our attention. It’s one thing for writers to set up a writing regimen; it’s another thing entirely for them to actually follow through.
That’s not to say that there aren’t those who keep regular writing schedules and use their time wisely, but if the popularity of time-based writing projects is any indication, there are a lot of writers who don’t. I think such endeavors “work” because they force us to write with equal parts consistency and irregularity, consideration and recklessness.
One hopes that successful completion of a time-based project will translate into something more profound than a fist pump. Many, of course, hope for publication, but there are other victories to be had: developing a routine, learning to push past writer’s block, and building a community of fellow writers. I didn’t do any of that.
I think that’s why my novel manuscript was such a disappointment. I’d succeeded in conforming to a set of rules, but I’d failed in learning anything from them. Instead, I spent several years priding myself in my ability to rise above any writing challenge, largely because I’d written a novel in three days. After all, what else could be more difficult?
The funny thing is, the more constrained writing I did, the more I understood the trick to it. I had to consider form and function, process and result—what kind of text the rules would produce and what objectives such a text could fulfill. Following the rules of a sonnet will indeed generate a sonnet, but that’s no guarantee of the poem’s quality or its suitability to the form. The same is true of any text, really.
About two years ago, I finally dusted off that manuscript. I spent a long time working on it—an hour here, an afternoon there. It was probably the most regular writing I’d ever done outside of a time-based project. I thought about what I wanted to accomplish. I was focused.
This past October, that manuscript was published by the Chicago Center for Literature and Publishing.
Date started: September 3, 2005
Original draft completed: September 5, 2005
Time of completion: 3 days
Length: ~16,000 words
Words per day: ~5,333
Date of publication: October 14, 2013
Final book length: ~25,000 words
Number of revisions (excluding copyediting): 10
Total time of completion: 2,964 days
Words per day: ~8
The above statistics might suggest that I think time-based and constrained writing projects are silly. Nothing could be further from the truth. But sometimes, you hit a wall. The end words to your sestina don’t work. Your flash fictions run a couple hundred words too long. You don’t meet your daily NaNoWriMo goal.
It happens. Learn. Move forward. Keep your objectives in sight. If you hit lots of walls, reevaluate. Find what’s working and what isn’t. Consider your purpose. Don’t be afraid to try something different. If you succeed, congratulate yourself; you’ve earned it. But, in the immortal words of Han Solo, “Don’t get cocky, kid.” Be critical. Be reflective.
Remember, every day is December 1st. The easy part is following the rules. The hard part is turning what you’ve written into something greater than the sum of those rules.
T.A. Noonan’s latest book is four sparks fall: a novella; she promises that the published version is much better than the one she completed on September 5, 2005. Her current project is a procedural translation/reformulation of Horace’s Epodes.
- Guest Post, T.A. Noonan: How to Be “in Residence” - November 14, 2015
- Guest Blog Post, T. A. Noonan: 3 = 2,964 - November 2, 2013
8 thoughts on “Guest Blog Post, T. A. Noonan: 3 = 2,964”
Great post! I have used time constraints in the past as a way to get out of writing ruts, and, while I may not write very well under pressure, it gets me out of the rut and actually working on something.
Thank you for your comment, Miranda, and best wishes for your writing.
Love this post! Constraints cause me to get out of my comfort zone of easy writing and produce something I normally would not have. Great advice in the last paragraph.
Thank you for your comment. It is especially pleasant to have a constraint push us towards new areas!
I once spoke with someone who read an article somewhere that criticized NaNoWriMo for encouraging writers to create a novel in a month and then rush it out to publishers; they argued the project encouraged quantity over quality. However, I think nothing could be further from the truth. Like you said, sticking to a regimen is hard and oftentimes life gets in the way. NaNoWriMo isn’t encouraging quantity over quality, nor is it encouraging writers to aim for publication as soon as November is over. It’s goal is get writers writing and complete step one of the process: finishing the first draft. It’s what you do beyond the month that starts to count and add up towards a great piece. Thanks for sharing this!
Yes, Bianca! Writers know “real” writing begins with a “re” prefix: rewrite.
What I think is so amazing about constraint writing is that it creates a completion which I know I sometimes struggle with. I can keep going and going adding more and more until I can’t remember what the story is about. But having only three days forces an ending whether it is great or not, it is there.
It, then feels right and good, to step back and take “look see.”
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