During a recent literary festival at a nearby college, the usual discussion about finding one’s voice came up. All the familiar suggestions were made: figuring out a preferred medium, discovering whether to write chronologically or in segments, writing what you know versus following the elements of a story (Plato versus Aristotle, as I like to think of it), and so on. When my turn came to speak, I realized I had been giving the same advice for years but never written it down: experiment with writing at different times of day.
The human brain is a trickster god, and its greatest gag is its way of shifting its own perspective as the hours pass between waking and rest. A writer might have different voices during those different hours—a time-voice, say, or time-voices. By working at different times, a writer can figure out whether words come best at dawn or dusk, noon or 2 a.m.
That isn’t to say that any writing time isn’t valid, but that the author might have several different time-voices, as I do. Mastering them can help with creating the true big-V Voice.
Here’s how it works for me:
1) In the morning, my mind is blank. I often have no idea what will come out of my head when I start to write. The ideas come as simple epiphanies and build inside me, spilling out in an almost stream-of-consciousness style. These microbursts are often quite lovely and have their own momentum. As such, I’ve found that, for me, mornings are best spent writing poetry.
2) At night, my head is full. The day has worn on me. My anxieties have flared and exploded so many times that I wonder how I’ve survived. Throughout the day, I’ve observed, feared, been awed, and felt anger, desire, embarrassment, and dread. I’ve contemplated angles. I’ve lived and experienced everything from monotony to chaos. This is every day for me, and as night comes, my thoughts swirl around, waiting to be focused. At nighttime, therefore, I’m better equipped to take on short stories. I have to lasso these images and ideas, then herd them together. At that point, stories grow from the energetic hodgepodge of my thoughts.
3) In the afternoon, it’s easier for me to establish a routine. My head is full enough to know what I want to say, but empty enough that the process of saying it and figuring out what comes next is still interesting to me. The afternoons are often the best time for me to attempt longer works. In the past, these have been my novel-writing hours.
I know these things about myself and have been able to use them effectively in my writing. That’s not to suggest that writing at the same hours will lead to the same results for anyone else. I am saying only that there is value in testing different time-voices. My advice is the same as it would be when determining whether to write with a notebook, laptop, or voice recorder: try them all and figure out what works best for you.
- Guest Post, Ace Boggess: Time-Voice - October 31, 2019
2 thoughts on “Guest Post, Ace Boggess: Time-Voice”
I really appreciate your discussion on time in this piece. I have never heard this advice in all my years of creative writing. Thank you for sharing your experiences of the different times of day. I feel as though the morning as well as the late nights would be best for writing poetry since the mind is working in more interesting ways at these times. I loved your description of the night as a short story time. This too makes sense to me as a way to unwind from the day. I will experiment with this in my own writing. Thank you for your words.
Thank you so much for sharing this advice! It is such an interesting way to think about writing, and I really appreciate that you share your experience but encourage us to find our own routine at these times! I can’t wait to try this, I feel that I have to have some kind of time pressure to write effectively, but I think that it may be because I am trying at the wrong times. I would love to sit down every night and see how it goes for me! Again, thank you so much for sharing this!
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